Blue Denim

Things are just about the way they were for young people at the time just before choice. It may not have had today's broad slice of life in your face stance, but it was not the order of the day.It reflects the last days of a total lack of knowledge and misunderstood truths among the teenagers of that most recent time. Attractive actors may have brought a few more young people to see and think about the films' moral.

Based upon a stage play, this drama about teen angst regarding sex and it's consequences comes close at times to resembling a situation comedy, but fortunately the performances of the cast bring out its feeling and drama as well. De Wilde is a tender teen who's just had his lifelong pal, his dog, put to sleep while he was at school. He seems adrift as his parents fuss over his older sister's pending nuptials. He tries to act tough around best friend Berlinger and soon finds himself captivated by lovely neighbor girl Lynley. Lynley has a meek, overly refined father who can't seem to get in touch with his young child. Eventually, De Wilde and Lynley take their relationship to the next level and a mystifying and unwanted pregnancy is the result. They agonize over what to do while the parents seem to exist on another plane, entirely. De Wilde was already a showbiz veteran at 17, having played hundreds of Broadway performances and starring in "Shane". He brings a lot of depth and feeling to his role. Lynley is also fine as the sensitive good girl who bites off more than she can chew. The best performance is that of Berlinger as both friend and conscience of De Wilde. He gives his role a jolt of energy and sincerity that really helps sell the film. As De Wilde's parents, Carey and Hunt give very good performances, balancing humor and concern. Unfortunately, due to the sometimes jokey nature of the script and the film's setting, this occasionally threatens to become "Dennis the Menace Knocks Up Margaret!" Some of the dialogue and situations are corny and cartoonish, robbing the film of a chance to be as realistic as it might have been. However, by the time the kids have learned their lesson, some authentic and touching emotions have come through. It must be noted that Lynley has perhaps the flattest, most oily-looking ponytail of the '50's. It's also hard to picture what De Wilde and Lynley's awkward first encounter must have been like as they both exude such charming innocence in the film. Bernard Herrmann's "Vertigo-on-the-Playground" score is pretty, but also a bit overwhelming for a story with this subject matter and these small town characters. It can be a little preachy and more than a little pat, but it's definitely worth watching and at 89 minutes, doesn't overstay its welcome.

Yes, this movie is dated along with many faults that the discriminate movie watcher can point out. It does not have the artistic value of another "dated movie" such as "The Best Years of our Lives, 1946" but this was America in 1959. Yes, it was "risque" just like "Summerplace" of the same era. Unwanted pregnancies were a big problem that our ancestors preferred to keep under silence, Hollywood included. Unwanted/unplanned pregnancies still are, except that many teenagers/young adults just get an abortion(s) or simply swell the ranks of single parents. Sadly enough, the cost to our American society is disastrous: poverty, violence, pain, abuse, drugs, etc. Worst of all, this tragedy is self-perpetuating. Art (the star teenager) had the chance of having parents he finally went to, who supported and helped him. Most teenagers nowadays won't have a parent or a mentor to confide in. I know, given up to relative as a child in the fifties, I spent part of my life helping teenagers in distress until the problem got overwhelming. This movie teaches a lesson and spreads a message for teenagers, parents, families and educators. The props may be "dated", the feelings, our human needs and man/woman's quest for love are not. I highly recommend "Blue Denim" as I pursue my journey to find such a place where values and principles of dignity are still practiced.

"Good is he who learns from his mistakes but much better is the one who learns from someone else's errors" was the moral message that "Blue Denim's" Director was telling us.

Dated as it may be, BLUE DENIM, or BLUE JEANS as it was known overseas, is still an effective teen pregnancy film, and no doubt a big deal of it's time. Carol Lynley is by far the best actor in this modest but visually quite engrossing studio bound movie from Fox, with really beautiful c/s b/w imagery and TV style settings and acting. It reminded me a lot of COMPULSION and THE STRIPPER and KISS ME STUPID and even IN COLD BLOOD with its rural town suburbia in CinemaScope b/w, a style I have always thought atmospheric and effective. Brandon De Wilde clearly just 16 or 17 is quite puppy-fat terrific as the handsome nice boy with the Patty Duke Show style parents, but it is Carol Lynley who acts everyone else off the screen. I grew to really love this film as it went on and actually had a good cry. It still works if you are willing to see it as a very strong teen pregnancy film of its time which must have really had an effect on every teen who saw it. Tragic that DeWilde was killed at 30 in a car crash, as this film had the Rebel Without A Cause image and emotion well presented. Quite beautiful for many reasons and wonderfully frank for 1959. It must have made millions of dollars on a very low budget. There is a wonderful horrible Gothic moment with the abortionists car and the hag within.

I saw this black & white film back in the early 70's on television, when they used to show movies in the afternoon, and not hours of info-mercials...!

It's stuck with me all of these years; I'd like to see it again. Where IS it? Carol Lynley is a be-a-u-tiful little thing, and Brandon De Wilde was good also (it was good to see him in something besides SHANE).

I was a young teenager when I viewed the film; it did play like a "Father Knows Best" episode, but I didn't expect it to go so far, even to include an unexpected teenage pregnancy...! We barely understood the consequences of that issue in the public school at the time, quite a surprise to see it on television (then).

It made an impression on me as a youth; I'd like to see it again, but don't know why it's not available... if the movie studios can put "Killer Klowns from Outer Space" on DVD (or even VHS), why can't they put this nice little play on plastic? What's the hold-up?