Kapo

Although it features two French leads (Laurent Terzieff and Emmanuelle Riva) ,"Kapo" has disappeared from the French dictionaries of films whereas lots of duds are included.

With the exceptions of "Nuit et Brouillard" (which was an exceptional documentary ) and Wanda Jakubowska 's "ostatni etap' (1947) there were few movies which at the time broached the concentration camps subject(the last scenes of Dmytryk's "young lions" ,1958)

Susan Strasberg was impressive ,mainly in the first hour though the evolution of her character is not always believable.Besides,her relationship with Sascha weakens the plot .

Emmanuelle Riva almost outshines Strasberg,maybe because she was a more experimented actress (she was featured in Resnais's "Hiroshima Mon Amour" ) and her scene when she is translating the German words in a voice chocked with emotion may be the strongest in the whole movie.

The "potato" scene is also revealing.I remember what Simone Veil ,a former French minister (secretary) (and herself a former prisoner in a concentration camp),said after watching the last episode of "Holocaust " (the seventies miniseries) : "in the camps ,people were not as helpful ,as kind ,as compassionate as they are in the film" ."Kapo" shows a very harsh world where the women are almost always fighting against their mates:that's the story of Edith /Nicole .

When it was released ,the movie was trashed by Jacques Rivette because of a tracking after Riva 's death ;at the time Nouvelle vague= intellectual dictatorship.Although defended by the Italian masters (including Visconti),the movie was cursed .The IMDb users have restored it to favor.

If somebody would like to see what was a nazi prison, one has to see this movies. It showed with realism the nature of cruelty by nazis and the ways they used some of their prisoners to watch the movement of the rest and to combat effectively any possible plot against them. Pontecorvo is a director with a few films, but all of them always show real facts of the history, and this film is not an exception

This Italian film, following the travails of a young Jewish girl in a Nazi work camp, is successful due mainly to its realistic sets, and the performances of Strasberg and Terzieff. Supporting cast members also shine throughout the film. The whole concept of the "kapo" is new to me, and it added a further dimension to the horrific Nazi experience not covered in films such as "Sophie's Choice" and "The Pianist." Deservedly, it was nominated for an Academy Award (Best Foreign Language Film) in 1960. Strangely enough, most filmographies of Strasberg fail to highlight her incredible performance in this film. Certainly, it must have reflected her performance as Anne Frank on Broadway. The same year as "Kapo," George Stevens released his film version of "Anne Frank," starring Millie Perkins, who took the role once Audrey Hepburn turned it down. Certainly, Strasberg must have been considered.

A "kapo" was a prisoner of a concentration camp that watched over the other prisoners in a specified group. A kapo received better clothing, food, and was not required to work. 2001's "The Grey Zone" would be an appropriate double-feature with this film.

Edith is a Jewish teen whose family is among those loaded onto boxcars and shipped to Auschwitz. This is a story of brutality and Susan Strasberg ("Picnic") plays the central character who struggles to survive the Nazi holocaust machine.

Shot in black and white, of course, the film provides a stark and nearly unrelenting look at the depravity, deprivations, and degradations found in concentration camps. Strasberg is strong in her role, embodying the chameleon-like ability to change that gives her character a chance to survive, though survival has its price.

The action feels real, the locations feel real, and real emotions are evoked by this ambitious attempt to delve into the real human costs of barbarism---the loss of principles, the corruption of dignity, and the subtle shadings of resistance.

The Italian producers of this film pursued Strasberg for this role, somehow knowing that she had the depth within her to bring Edith to life on the screen. Her father, Lee, recommended she accept the role. Luckily, she did.

I've never really liked holocaust flicks because they get well, usually made so that the dumbest of the dumb to 'get it.' Kapo is just a movie that shows, not tells, which of course makes the best story. Thanks to TCM for playing this gem that I'll buy on DVD as soon as it comes out. I'd never even heard of it, and I have seen a LOT of flicks.

Susan Strasburg does an incredible job as Nicollete / Edith. Her transformation from shell-shocked victim to cynical survivor is absolutely gripping. The tension in the movie builds to nearly unbearable level and the end simply leaves you scooping your jaw off the floor.

This is the type of movie I sorely needed after going on a loooong dry spell of celluloid garbage. Why this movie isn't famous, I have no idea, but it should be.