On an isolated island, a small group of people is terrorized by giant voracious shrews during a hurricane.On an isolated island, a small group of people is terrorized by giant voracious shrews during a hurricane.On an isolated island, a small group of people is terrorized by giant voracious shrews during a hurricane.
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The shrews are headed this way, let's hit the bar
"The Killer Shrews" is not so much a disaster as a by-product of its era, now dated and comical with audiences quite comfortable to enjoy such fodder in that context. With the passage of time, "The Killer Shrews" has achieved some measure of cult status. It's not as bad (technically) as its reputation anticipates; Kellogg's storyline is standard formula (experiments with a growth hormone result in mutated shrews that terrorise the inhabitants of a remote island, isolated by a hurricane), the acting is competent (particularly Best and Curtis), and the special effects are unintentionally funny.
In point of fact, the shrews are ably played by small dogs, fitted with rodent suits, but still move and act like, small dogs. Watching the 'pack' gallop up to the compound in which the stricken sailors and scientists are holed up, and seeing them claw and gnaw at the timber and stucco as their tails wag in anticipation no doubt of meaty-bites on the other side, is always unintentionally hilarious. One can only imagine how Ken Curtis felt as he was being licked and nuzzled by the 'voracious shrews', who apparently need to eat their body weight every day just to survive.
Functional dialogue is delivered well by Best and Curtis, but there's no mistaking former Miss Sweden Ingrid Goude's lack of thespian skills as she inanely affects shock, fear and general anxiety throughout the often tense proceedings. There's also a lot of time spent standing around a well stocked bar, nimbly throwing down martinis as the onslaught amasses outside. Aside from professionals Best and Curtis, Lumet isn't bad as the chief scientist and father to Goude, lamenting the unintended consequences of his ground-breaking research. The climax is novel and was subsequently used by Irwin Allen in a scene from "The Swarm". Camp, low budget entertainment that overcomes its limitations and deserves the minor cult status it carries today.
In point of fact, the shrews are ably played by small dogs, fitted with rodent suits, but still move and act like, small dogs. Watching the 'pack' gallop up to the compound in which the stricken sailors and scientists are holed up, and seeing them claw and gnaw at the timber and stucco as their tails wag in anticipation no doubt of meaty-bites on the other side, is always unintentionally hilarious. One can only imagine how Ken Curtis felt as he was being licked and nuzzled by the 'voracious shrews', who apparently need to eat their body weight every day just to survive.
Functional dialogue is delivered well by Best and Curtis, but there's no mistaking former Miss Sweden Ingrid Goude's lack of thespian skills as she inanely affects shock, fear and general anxiety throughout the often tense proceedings. There's also a lot of time spent standing around a well stocked bar, nimbly throwing down martinis as the onslaught amasses outside. Aside from professionals Best and Curtis, Lumet isn't bad as the chief scientist and father to Goude, lamenting the unintended consequences of his ground-breaking research. The climax is novel and was subsequently used by Irwin Allen in a scene from "The Swarm". Camp, low budget entertainment that overcomes its limitations and deserves the minor cult status it carries today.
Not As Bad As All That
Having seen any number of bad movies, I can state that this is significantly better than most of them, and even better in part than movies not considered bad at all. However, in those aspects in which this movie is bad it is not merely bad, it is awful.
We have the usual formula of two-fisted hero (James Best), damsel in distress (Swedish Ingrid Goude), the damsel's mad-scientist father (non-Swedish Baruch Lumet), and the villain (Ken Curtis). The formula in this case is less clichéd than usual. The hero is fairly articulate and the mad scientist is actually quite urbane, tossing off his creation of hundreds of giant, poisonous, man-eating shrews with the line "unusual experiments lead to unusual results". The dialog is competently written and the acting is above par (with the exception of the Swedish eye-candy, who is at least good eye candy).
The general concept is compact and dramatically efficient: a group of people are trapped first by a hurricane and then by an outside menace in a stronghold which gets less and less strong as time, ammunition and group cohesion all grow short.
However the execution is at times illogical. One problem is that the stronghold is made out of...adobe. On a rainswept island crawling with usable timber? The thrilling conclusion is also somewhat implausible.
The main reason for the film's abysmal reputation is the legendary and quite obvious use of ordinary dogs in bathmats to play the part of giant shrews. I suppose this just has to be overlooked.
As a sidelight, it is interesting to see Dukes of Hazard sheriff James Best tall and handsome as the hero, and it is apparent that producer/villain Ken Curtis labored long and hard in the trenches before gaining fame as Festus.
We have the usual formula of two-fisted hero (James Best), damsel in distress (Swedish Ingrid Goude), the damsel's mad-scientist father (non-Swedish Baruch Lumet), and the villain (Ken Curtis). The formula in this case is less clichéd than usual. The hero is fairly articulate and the mad scientist is actually quite urbane, tossing off his creation of hundreds of giant, poisonous, man-eating shrews with the line "unusual experiments lead to unusual results". The dialog is competently written and the acting is above par (with the exception of the Swedish eye-candy, who is at least good eye candy).
The general concept is compact and dramatically efficient: a group of people are trapped first by a hurricane and then by an outside menace in a stronghold which gets less and less strong as time, ammunition and group cohesion all grow short.
However the execution is at times illogical. One problem is that the stronghold is made out of...adobe. On a rainswept island crawling with usable timber? The thrilling conclusion is also somewhat implausible.
The main reason for the film's abysmal reputation is the legendary and quite obvious use of ordinary dogs in bathmats to play the part of giant shrews. I suppose this just has to be overlooked.
As a sidelight, it is interesting to see Dukes of Hazard sheriff James Best tall and handsome as the hero, and it is apparent that producer/villain Ken Curtis labored long and hard in the trenches before gaining fame as Festus.
Shrewd...but fun.
When will the doctors learn? On a desolate and exotic island a doctor with a heart of gold screws up and damn near destroys the world. Am I referring to Fulci's Zombie, no? How about that island with Marlon Brando? Nope, wrong again.
In the Killer Shrews this tome around on that deserted tropical island as seen a hundred times we have mutated shrews threatening to chomp down on our trapped scientists and a boat crew unlucky enough to be carting supplies to the island. Poisonous and hungry these shrews are gonna clean the island and suck the marrow from your bones burp.
This fun little clichéd cheese fest moves along are a pretty quick pace. The acting is on par with the era, a bit over blown, but who cares. You have to love those shrew monsters. The effects are a bit *ahem* shrewd and laughable. Not to mention the long shots of the animals that appear to be dogs or maybe pigs dressed up in costumes, complete with tail. Good fun to be had by all with a hankering for b-grade sci-horror.
In the Killer Shrews this tome around on that deserted tropical island as seen a hundred times we have mutated shrews threatening to chomp down on our trapped scientists and a boat crew unlucky enough to be carting supplies to the island. Poisonous and hungry these shrews are gonna clean the island and suck the marrow from your bones burp.
This fun little clichéd cheese fest moves along are a pretty quick pace. The acting is on par with the era, a bit over blown, but who cares. You have to love those shrew monsters. The effects are a bit *ahem* shrewd and laughable. Not to mention the long shots of the animals that appear to be dogs or maybe pigs dressed up in costumes, complete with tail. Good fun to be had by all with a hankering for b-grade sci-horror.
James Best and the Killer Shrews
I got this movie from the 100 pack at Wal Mart. once I found out who was in it I just had to jump right in,, James Best.. Sheriff Roscoe P. Coltrain. apparently on an island somewhere, overpopulation has become a real problem, and these Giant Killer Shrews are taking over the population and the island. just imagine yourself on an island like that where you are being over run by these huge gigantic shrews, I thought James Best did a wonderful job in this.. he was very funny, and his acting was also pretty good,, I guess back in the late 50's you could say that the undertone to this movie was a warning about overpopulation and what it will mean in the future if we as humans try to take over a certain land mass or area... very decent film from the 50's that isn't Oscar material, but not bad either,, I would recommend it even if I never heard of James Best.
Sheriff Rosco P. Coltrane's First Starring Role
James Best, known as Sheriff Rosco P. Coltrane of Dukes of Hazzard (1979-1985), fame, gets the starring role in this Ray Kellogg-directed film. Believe it or not, but the Killer Shrews (1959), is not a Roger Corman film. However, the budget on this film is incredibly low. The special-effects for the large shrew-creatures, are real dogs covered in really bad costumes. The technical staff also used hand puppets for the giant killer shrews as well. That is why this is a tediously boring film. Most of the film takes place in a large house in one room, with bad dialogue, just for killing time, until the costumed dogs and hand puppets make their appearances. The stupid attack scenes are few and far between, because, let's face it, costumed dogs and hand puppets, shouldn't be on the screen too much. I mean, you don't want the movie to look too stupid, do we?
I did watch a colorized version recently of the Killer Shrews (1959), on Amazon Prime, that helped enhance the production a little bit more. I'm not condoning colorization, however I have also seen the black and white version, a couple of times, over the years, so I think I have enough information about the Killer Shrews (1959), to garner an opinion on the whole thing, but if you need extra sparkle, in order to watch this movie, maybe the colorized version is for you. Besides, this film needs all the help it can get. This film is a failure, but there is just enough to it to still find some fun. I still recommend seeing the Killer Shrews (1959), mostly to support Roscoe, but really, you have to see the film to believe this film.
PMTM Grade: 3.2 (F-) = 4 IMDB.
I did watch a colorized version recently of the Killer Shrews (1959), on Amazon Prime, that helped enhance the production a little bit more. I'm not condoning colorization, however I have also seen the black and white version, a couple of times, over the years, so I think I have enough information about the Killer Shrews (1959), to garner an opinion on the whole thing, but if you need extra sparkle, in order to watch this movie, maybe the colorized version is for you. Besides, this film needs all the help it can get. This film is a failure, but there is just enough to it to still find some fun. I still recommend seeing the Killer Shrews (1959), mostly to support Roscoe, but really, you have to see the film to believe this film.
PMTM Grade: 3.2 (F-) = 4 IMDB.
Did you know
- TriviaClose-ups of the giant shrews were filmed using hand puppets. The wider shots used dogs made up as the shrews.
- GoofsAt one point Thorne and Jerry walk past an apparently undamaged rowboat, which would get everyone off the island. When they return to the house they never mention it. This is most likely the same boat they tied to the dock, since it is not there when they are looking for Rook.
- Quotes
[while hiding under oil drums, the refugees are attacked by gigantic shrews]
Thorne Sherman: Don't let their head get under! They'll flip us over!
- Alternate versionsA colorized version was released in 2007 as part of a double feature with The Giant Gila Monster (1959).
- ConnectionsEdited into Pale Moonlight Theater: The Killer Shrews (2014)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Die Nacht der unheimlichen Bestien
- Filming locations
- Lake Dallas, Texas, USA(Exterior)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $123,000 (estimated)
- Runtime
- 1h 9m(69 min)
- Color
- Aspect ratio
- 1.37 : 1
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