Imitation of Life

A lot of comments were written on this movie. I recently viewed it for the first time - and I liked it.

The story is interesting and exciting. There are remarkable scenes in it especially with Juanita Moore. There is likable acting by Lana Turner and Sandra Dee too. A special bonus is the appearing of Mahalia Jackson. Of course there are some scenes which seem overloaded towards the end.

But I was most impressed by leading man John Gavin. I wonder why not only one comment focuses on him. Never recognized that he was looking that good. And I think his acting was everything but wooden.

Not only is this film one of the all-time great women's pictures, but it also is a visually and psychologically intriguing piece of art. Veteran director Sirk went out with a bang with this, his last film. The title refers to any number of subjects covered in the movie: an actress imitating people for a living, her daughter imitating her mother's romantic life, a Black daughter imitating white people, etc... (The title means more in this version. The "imitation" dimension has been heightened in this glossy remake....The original 1934 film already veered greatly from the book. By now, only the barest of story threads from the original novel remain.) Turner (an actress with imitation eyebrows and hair and, some say, talent!) plays a widow who drags her young daughter to New York while she belatedly pursues a career in the theatre. She comes upon a Black woman (Moore) whose own daughter is nearly white in appearance. The children hit it off and soon the woman has completely embedded and inserted herself into Turner's life. The relationship turns out to be mutually beneficial as Turner needs someone to watch her daughter and Moore has no place to live and few job opportunities. Eventually, Turner becomes successful, but she finds that she has sort of left her daughter behind emotionally. Moore, meanwhile, has an even tougher time of it because her daughter insists on passing as white (much to Moore's dismay.) Dee plays Turner's daughter as a teen and her bright presence brings a lot to the part. Kohner is the pale Black daughter and does a fine job displaying the torment she faces, often acting out towards the other ladies. Moore is an acquired taste. Some viewers see her as perfection; a doting, caring, loving, selfless mother who is rocked by the venom of her troubled daughter. Others see her as a pushy, bullheaded, relentlessly defeated annoyance. (In any case, considering the Negro condition in the 1950's, it's hardly difficult to understand why Kohner's character wanted to break free and get more out of life! Moore will have none of it.) Turner looks about the best she ever did, especially in the second half when a dizzying array of Jean Louis concoctions parade across the screen and she's dripping in every kind of jewel. She has many insincere and stiff moments in the film, but also has several great scenes including when she tells lover Gavin that she's going to make it and later when she's at another character's deathbed. Mercifully, her character's acting scenes are never shown....just the curtain calls. The film is a Faberge treasure box of interesting sets, lighting, color, costumes and shadow. Despite the relatively simple storyline, term papers could be written about the psychological behavior in the film and the irony of the editing and storytelling. Anyone averse to soap operas will have already run screaming from the room the moment the Universal-International logo comes up and Frank Skinner's gloriously sentimental scores begins to howl. Those who are game for some histrionics and glamour mixed with silliness and sorrow should be in hog heaven.

there are still yet very many classics needing be made into DVD and this has made it but wish Back Street and Madame X as well as Connie Stevens in Susan Slade and Valley of the Dolls would come out like this has .. I notice now that on Amazon you can get this version as well as the older Claudette Colbert version together :) woo hoo ..

this is the saddest movie of all time, I remember watching it many years ago before with my mom before she passed away in 1976 many many times .. its just too bad she did't't live to see all the technology of the future to see what they can do with movies now :(

oh well, hope all enjoy it as much as I did and still do

I have seen this movie a countless number of times and know the dialogue by heart. Each time I watch it, I say, "I'm not going to cry this time". Sometimes I almost make it, but then Mahalia Jackson starts to sing and I lose it. My children don't understand why Sarah Jane wanted to pass for white. I tried to explain to them that in that day and age, it was sometimes necessary. The beautiful Susan Kohner steals the film. It's a shame that she only made a handful of movies. To me the most heart-wrenching scene is where Annie visits Sarah Jane in her hotel room. She says' "I want to hold you my arms one more time. Just like you were my baby." I puddle up just writing about it.

In Lana Turner's biography, she writes about the making of this movie. It was made shortly after her daughter stabbed Lana's gangster boyfriend to death. She said that when you see her crying in the funeral scene, those tears were real. When Mahalia started to sing "Troubles of the World", all of her troubles started to come back to her and she got up and ran out of the church. They had to run after her and bring her back to complete the scene.

I Agree with the poster before me, every time this comes on , I first decide if I will be able to see it without breaking down ( which I cant but I tell myself I can )Then try to concentrate on how beautiful Lana's outfits are ,,, but at the end when Annie dies,I just usually completely lose it ,,,

My real life nanny in the 60's was a Juanita Moore lookalike , coincidently also named "Annie". We watched this movie together and after she died in 1970 , watching this movie, really brings "my Annie's " death back .It is so real.

Lana's outfits are spectacular , the entire movie is outstanding.