Oscar Wilde

Ralph Richardson and Robert Morley engage in one of the most gripping courtroom exchanges on film. Wilde gradually comes to realize that he's in a trap, and that the mind that set the trap is as keen as his own. That is the essence of this film. We forget what a wonderful actor was Richardson. This is an extraordinary performance. Alexander Knox also gives a spine-chilling performance as Wilde's advocate, as he comes to realize that the libel suit is a small issue compared to what is coming. The courtroom scenes are so spare and so taut and so perfectly scripted that the viewer is spellbound. I challenge the first time viewer to see it without recourse to rewinding - I was unable to resist watching the same exchange time after time. Morley is a little severe as Wilde but captures the sense of horror and desperation he feels as he is ground down by the rapier attack of Richardson, who uses Wilde's own urbanity against him. His strategy is to get Wilde to impeach himself out of vanity and pride. A similar scene plays out in "A Few Good Men", to which this film would be justly compared.

Whatever money was spent on this movie certainly didn't go on the sets, the furniture looks as though it was assembled by a local handyman and the trial scenes, which make up the largest part of the film, seem to be taking place in a converted church hall or school gymnasium with hastily constructed props. However this happens to be a very good film indeed, the superb acting carries the film and makes it far better than the more lavish Peter Finch version which was released about the same time.

I've always thought of Robert Morley as just a comic character playing himself but here he really becomes Oscar Wilde. You can imagine Wilde talking and behaving as he does in this movie . The verbal exchanges between Morley as Wilde and Ralph Richardson as the prosecutor are magnificent. Wilde enjoying the limelight, plays to the gallery and wins every one of the exchanges until he gets too confident, makes one fatal error and then the prosecutor starts to chip away at his defense.

The minor characters are uniformly well acted with Phyllis Calvert as Wilde's wife, Dennis Price as his loyal friend and Edward Chapman as the boorish Marquis of Queensbury . John Neville is probably a little too old to play Sir Alfred Douglas but his skilful acting makes it work . The final scenes between Wilde and his family are very touching.

Well worth seeing.

Oscar Wilde reputation is set for all time. He was a brilliant, witty writer of graceful style. He was also a bi-sexual, whose affair with Lord Alfred Douglas led to a tragic final fall when exposed in court. What most people forget is that the trial where he was exposed was a libel suit against Lord Alfred's brutal and mad father the Marquess of Queensbury (the one who gave us the rules for boxing). Queensbury hated his sons and their mother, and his antics helped lead to the suicide of one of the sons (the private secretary of Prime Minister, Lord Roseberry). Queensbury disliked Wilde for his influence over Lord Alfred and his unspeakable homosexual affair with his son. He sent him a note on a card, "To Oscar Wilde, disguised as a "somdomite"." The Marquess presumed that by misspelling sodomite he was protecting himself but smearing Wilde. Wilde had an opportunity then to ignore the slur and go abroad for awhile (which most men in his position would have done). He decided to sue - goaded into it by Lord Alfred (who saw this as a safe opportunity to hit at his father). Never has such a critically important legal decision been made on such a stupid basis.

The barrister for Queensbury was Edward Carson, one of England's greatest lawyers. He is the model for the barrister played by Robert Donat in "The Winslow Boy" (based on Carson's defense of young Archer-Shee in the 1911 legal action). Carson was a master of cross-examination, and he had plenty of information that Queensbury (and Wilde's many enemies) had gathered about his sexual activities. But Wilde was able to fend off the attack for hours, until he reached a series of questions about a telegraph boy who was available for sex for hire. Carson had been unable to make a dent into Wilde's hide so far, and then out of sheer desperation asked, "Did you kiss him?" Wilde was amazed - the question did throw him. "Did I kiss him?", he repeated. "Yes", answered Carson with a lack of real interest. Wilde had been trumping Carson with one-liners that left the court in stitches. Instead of saying, "Of course not!" or "How dare you!", which would have helped, Wilde quipped the sentence in the summary line above. And Carson saw the light at the end of the tunnel. Wilde never recovered after that.

The jury was able to absolve Queensbury of libel (after all, it was shown that Wilde was homosexual). The authorities now held back for nearly twelve hours from going after Wilde. They simply hoped he would flee to the continent. Instead, Wilde decided to stay and fight. It is the second trial that really demolished him. He was now on trial of committing sodomy, and the evidence was too overwhelming. Found guilty, he was sentenced to three years in prison. He left prison and lived in France until he died in Paris, a broken, impoverished wreck, in 1900.

If you are a homosexual, Wilde is one of the great martyr's to the cause. If you love good writing his end is a dismal tragedy. All the films of his life retell it's denouement. It never gets any better in the retelling - there is no repaired last act. Even (historically) a "reformed", right-wing supporting Lord Alfred rejected the image of his "Bosie" period in later years - claiming he never was a homosexual. One ends just pitying Wilde, unless one is just a reactionary type or a mindless idiot like Queensbury.

Robert Morley never gave a better dramatic performance on film (as opposed to his comic performances) than in this film. Witness his moment on the witness stand, when he realizes the result of his blunder. The cast of John Neville, Ralph Richardson, Edward Chapman, and Dennis Price do equally well in this tale of talent that was shot down so stupidly. I certainly recommend watching it...and then reading "Dorian Gray", "The Importance of Being Earnest", "Salome", "The Ballad of the Reading Gaol", to get a glimmer of the talent that was smashed beyond repair.

Unlike the stiff and flashy Peter Finch film released a year later,this film is a gem. Robert Morely more than captures the wit,pain and humanity of Oscar Wilde. The film is very daring for its time,not only by presenting Wilde's trials for Gross Indecency on film,but for its loving and sympathetic portrayal of the man.

John Neville is also wonderful as Bosie Douglass,Wilde's lover,and Sir Ralph Richardson as Edward Carson illuminates the trial scenes. The interrogation of Morley by Richardson,and Morley's witty comebacks are not only tyhe highlight of the film,but possibly could be one of filmdom's greatest trial scenes.

Where the Finch film glossed over the surface of the events,this film takes you into the real people involved,Phyliss Calvert as Wilde's Wife,Constance and Dennis Price as his friend Robbie Ross are also wonderful in their role. Its a shame this film is not yet available on video for all to cherish.

In Victorian England, with homosexuality forbidden and punishable by up to two years in prison, celebrated playwright and author Oscar Wilde finds himself defending his lifestyle in court after initiating a libel suit against the Marquis of Queensberry--also the tyrannical father of Wilde's young lover, who has accused the two men of "unnatural acts". Director Gregory Ratoff, working from Jo Eisinger's screenplay adaptation of Leslie and Sewell Stokes' 1936 play, gets a wonderful rhythm going in the film's early sequences--aided by Robert Morley's superb reprisal of his stage role as Wilde. Still, the later trial sequences (though well-performed and necessarily claustrophobic) are hardly suspenseful or exciting. Morley's Wilde is put through the proverbial legal wringer, while his useless counsel seems to want nothing more than to concede defeat. The finale, too, with Wilde freed but destitute and delusional, is disheartening. The Oscar Wilde story is certainly one of high drama and decadence, yet this document just scratches the surface of its possibilities. **1/2 from ****