Rio Bravo

John Wayne- Dean Martin - Ricky Nelson -- with production by Warner Bros. , bring them together in Howard Hawks' "Rio Bravo" . John Chance (John Wayne) is the marshal of a Texas border little town who imprisons gunslinger Joe (Claude Atkins) into jail for being brought to justice . But Joe's brother is a corrupt baron land named Nathan (John Russell) . Then Chance takes on a blockade of gunfighters . He along with a cripple old (Walter Brennan ) are besieged and only helped by a drunk (Dean Martin) and a cocky youngster (Ricky Nelson) as hired hand . Meanwhile the tough Wayne falls in love with an enigmatic young (Angie Dickinson)...and the girl they all call 'Feathers' . Wheeler...a chunk of solid granite now crumbling with age...Burdette...he was the knife poised at the throat of Rio Bravo...Old Stumpy...no teeth...one leg...but all the rest was guts...and Dean and Ricky sing, too!. "My Rifle, My Pony and Me" "Rio Bravo" "Cindy" . The fought back to back...No quarter given...No quarter asked...No way in...No way out...of Rio Bravo. Feathers...the one girl who could give the big guy a hard time...

Action western, an agreeable love story , shoot-outs at regular intervals , and humor abound in this magnificent film whose characters are splendidly portrayed . It packs larger-than-life roles , uproarious events and lively happenings . The Duke carries strong acting on his brawny shoulders and perfectly does . The picture is mainly lifted out by veteran Brennan's wonderfully acting as a half-crazed likable old man , whose finger itches demoniacally on the trigger every time he gets a nasty guy in his sights . And of course , top-drawer Dean Martin with an unexpected excellent performance as alcoholic sheriff . Colorful Technicolor cinematography by cameraman Russell Harlan who adds much to the setting of this unique Western. Marvelous musical score by Dimitri Tiomkin including the Mexican ¨Degueyo¨, music also played during ¨John Wayne's Alamo¨ siege. This overlong , too much-acclaimed and very gripping Western will appeal to John Wayne fans. Rating : Above average, essential and indispensable Western , a masterpiece horse opera whose reputation has improved over the years.

Subsequently , Howard Hawks shot ¨El Dorado¨ in similar style with a hot-headed James Caan as Mississipi who is a virtual retreat of the previous young sidekick named Colorado-Ricky Nelson . Howard Hawks also displays a number of similarities to the posterior ¨Rio Lobo¨ starring Wayne, Victor French, Jorge Rivero and again with an old short-tempered person played by Jack Elam . Furthermore, a semi-remake on modern times by John Carpenter was called ¨Assault on Precinct 13¨.

Sheriff John T. Chance (John Wayne) is holding Joe Burdette (Claude Akins) for killing an unarmed man. Only Joe's brother Nathan (John Russell) wants Joe freed, and he'll use everything in his powers. The only hope Chance has is a drunk (Dean Martin), a kid (Ricky Nelson), and ol' Stumpy (Walter Brennan).

This is classic John Wayne at his finest. He is the great gunslinger facing insurmountable odds who takes on the bad guys with his brains, his determination, and his skills. Directed by Howard Hawks, this is just a great old fashion western. They even have Dean Martin and Ricky Nelson sing-along. Angie Dickinson plays the romantic lead. Sure, it is cliché. The good guys always win in the end. But there's nothing wrong with that.

It says much about current cinema that this vintage slice of Hollywood is now considered too long and too slow by the modern generation of movie goers. Howard Hawks labours to create setting, mood and pace introducing genuine characters are colourful for the flaws they have as their positive points presenting heroes one can empathise with, people with three dimensions, not thin caricatures that popular many of today's movies.

No character empathises this more than Dean Martin's broken down drunk Dude. Nicknamed "Borachon" by the Mexicans (Borachon is Spanish for "Drunkard") Dude battles with the demons that drove him to drink as he desperately tried not to let down Sheriff Chance, John Wayne, who believes in him more than he believes in himself. Dude's pouring back of a glass of bourbon into the bottle is one of the most life affirming scenes ever committed to film.

Wayne never really does anything other than play John Wayne and Hawks spins on this playing with the ethos of the man. The same steadfast values that mean Wayne's Sheriff John T. Chance will not release the prisoner Joe Burdette back to his murderous gang leave him stiff and awkward in front of Angie Dickinson's love interest "Feathers" creating perhaps the quintessential John Wayne movie in which the Jules Furthman and Leigh Brackett's screenplay explores the depths of the ideals that Wayne stands for. This is a movie about not just about redemption, but about the reasons for a tough redemption in a World in which collapse and lawlessness are easier options.

And when Dude pours his Bourbon back, affirming that even though he cannot be the man he was but he can still be a good man, you will not be wishing it was film in bullettime.

This is one of the great Westerns of all-time. Hawks at his best, as are John Wayne and Walter Brennan. Dean Martin has the chops and we get a little music, too. The script is slightly better than 'El Dorado' and it comes together in a perfect blend of action, drama and entertainment. It's just a classic.

The story itself is a composite of all the elements needed to make a great Western: good guys in white hats, bad guys in black hats, townspeople content to stand aside and to let the battle be fought between the outlaws and the man with the tin star, a beautiful woman to distract the hero and finally help him when the chips are down.

The main stars, John Wayne, Dean Martin, and Angie Dickinson all turn in the top-notch performances one would expect from them, and Rick Nelson is a very pleasant surprise as Colorado. It's two others that separate this movie from other Westerns, though.

Pedro Gonzales-Gonzales, as Carlos the hotel-keeper, is a breath of fresh air. His interplay with John Wayne's John T. Chance adds a touch of human reality to the movie that sets it apart.

Walter Brennan in his role as Stumpy, however, is the glue that holds the whole thing together and makes it work. His constant griping under his breath, his goading of Wayne, his dialogue with the prisoner and his general comic relief set Rio Bravo apart from any other Western and put it in a class of its own. Keenan Wynn in Eldorado doesn't even come close.