Thunder in the Sun

If we want Hollywood to get historical and ethnic content correct, then there are precious few movies ever made in Hollywood that are above reproach. Come on! This is just a grade B Hollywood western, and when I saw it back when it came out, I was so entertained and moved by it that I remember it even to this day as a first rate entertainment with unforgettable thrills and spills. Who really cares if the Basques and the native Americans were portrayed accurately? When did Hollywood EVER do that for any group? The reason I looked the movie up here in the first place was because I thought about it for the thousandth time since I saw it and decided it is high time to watch it again. I remembered Susan Hayward (who could forget her?) but couldn't remember who the male lead was. Jeff Chandler, I see now. I just want to say that while I sincerely respect and understand the criticism of the typical Hollywood shallow, thoughtless approach to ethnic and historical accuracy, if you can get past that -- as you MUST do if you're ever going to enjoy these old flicks for what they are worth -- the movie is a whole lot of fun to watch.

Very odd western about a wagon train of Basque immigrants making its way through Indian territory with a cargo of special vines so they can start a vineyard in the "new world." About the only ones who are even remotely convincing as Basques are Italian actor Fortunio Bonanova and French actor Jacques Bergerac--another oddity, since while there are some French Basques (the vast majority come from Spain), there are none in Italy. Nothing much really happens until near the end of the picture, when the Basques fight off an Indian attack with their bizarre method of bouncing off of rocks and boulders like mountain goats while emitting screams that seem to be a combination of a "Rebel yell" and hog calling. It confuses the hell out of the Indians (not to mention the audience). If you've ever had an urge to see a Basque western, this is the movie for you. If the sight of overweight, middle-aged guys dressed in white shirts and berets trampolining off of boulders the size of Buicks interests you, this is your movie. Otherwise, don't bother.

The filming of Thunder In The Sun probably had its start years before they were movie stars with two grade school kids named Edythe Marrenner and Ira Grossel who both went to Hollywood and became Susan Hayward and Jeff Chandler. These two were really good friends going back to their childhoods in Brooklyn. So when Susan Hayward reached the top of her career with her Oscar for I Want To Live, I'm sure she wanted to make a film with Chandler. It's a pity these two couldn't have found a better one.

It's an unusual subject for a western, a wagon train of Basque immigrants from the French Pyrennees who are going to California to start their own wineries. Their most precious cargo is the vines carrying the grape seeds that have to be watered. Of course on the desert, man and animals also have to be watered. That leads to the usual situations in westerns like these.

Chandler is not your usual western hero either. He takes his pleasures where he finds them be it women or drink. Hayward has been wed to Carl Esmond the leader of the group and when he's killed by an overanxious sentry, the younger brother Jacques Bergerac is ready to take his place. And Hayward is also guarded by her formidable mother-in-law, Blanche Yurka.

Though the folks have unusual clothing for wagon train travelers, the story does have the usual wagon train situations found in westerns, climaxed by a nicely staged fight with Indians. As Bergerac says, the Indians have never faced Basques before and these people are born mountain fighters.

In two years Jeff Chandler would be gone and he never did to make another film with his good childhood friend Susan Hayward. That's a pity.

For me, it's a most curious and interesting western, so rare in western history, offering so many surprises, exciting surprises, in terms of characters and especially a terrific climax: the fierce fight between the Indians and the Basques, using their own weapons.... I don't understand bad reviews about this western. Of course it is not a masterpiece, not a John Ford or Delmer Daves' either, not so brilliant in the script, but this movie is in the line of what Russel Rouse the director already gave us: unusual plots: THE WELL, THE THIEF, THE OSCAR, HOUSE OF NUMBERS, WICKED WOMAN. No, really, this western is really worth the watch.

....or how History repeats itself.At the end of the 8th century,the Basques beat Charlemagne in Roncevaux in the Pyrénées mountains !When Bergerac evokes his ancestors' feat,he was historically accurate;later the chanson de geste "la chanson de Roland " (which enhanced Charlemagne's so-called nephew count Roland) forgot the Basques and turned them into Sarrazins. ....so the end of the movie is a second "Roncevaux" ,the Indians replacing good old Carolus Magnus and his fair knights.For the rest of the movie,as I do not know anything about the basques traditions,I will not argue with the precedent users who complain about the lack of knowledge of basque culture of the writers.The director used a lot of French actors -Heyward and Chandler are like Martians in such a company- ,all virtually unknown in their native country,even the lead Bergerac.This is a rather short film,mainly if we consider that the beginning consists of singing and dancing (Heyward 's flamenco,more Spanish than Basque,being one of the highlights of a fairly tepid story).

Sometimes the Basques speak French,most of the time English,even between them,which makes the story unconvincing.Susan Heyward,as gorgeous as ever,contents herself with a few words .