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6.4/10
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In 1942, Navy Lieutenant Kenneth Braden from the underwater demolition team is sent to a Japanese island to photograph secret radio codes.In 1942, Navy Lieutenant Kenneth Braden from the underwater demolition team is sent to a Japanese island to photograph secret radio codes.In 1942, Navy Lieutenant Kenneth Braden from the underwater demolition team is sent to a Japanese island to photograph secret radio codes.
Alan Hale Jr.
- Lt. Pat Malone
- (as Alan Hale)
Edd Byrnes
- Pharmacist Mate Ash
- (as Edward Byrnes)
Robert Aiken
- Seaman Ford
- (uncredited)
Fred C. Blau Jr.
- Junior
- (uncredited)
Carl Christian
- Ships Crewman
- (uncredited)
Robert Christopher
- Ship's Officer
- (uncredited)
Mary Lou Clifford
- Grass Hut Girl
- (uncredited)
George Crise
- Murphy, Radio Operator
- (uncredited)
Francis De Sales
- Captain Quinn
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Robb White's World War II naval-combat/coming-of-age novel is one of my lifetime favorites, so I eagerly anticipated seeing this movie on video. Unfortunately, the book spoiled it for me. I'm sure I would have liked this movie much better if I had never read the book. To be fair, this is a good war flick on its own merits.
Navy frogman goes on super secret mission to steal ultra secret Jap code books. Pretty phony actually - seems the Nips would have shouted "oy li chu dat lee ho phuk di hong fong fuuuuuuuuu!", or "those explosions looked like a ruse, let's check on the code books!". When Garner exited the water he made enough noise to wake the whole island, no real commando would have done that. Still not a bad film, fairly exciting: it had the usual Navy ships during combat footage plus a few "toys in the tub" scenes. I appreciated the submarine; it was cramped, hot, and miserable looking, exactly like the genuine article. I abhor those movie subs that sport hallways and rooms more fitting to the Trump mansion than a Naval vessel.
I was expecting a fairly mediocre and routine "sub flick" and was pleasantly surprised to find an above average and pretty engrossing movie. The story has some grit and conflict, especially in the hostility of the crew for its "by the book" captain, played with convincing war-weariness by the always-reliable Edmond O'Brien, whose efforts are matched by a very young James Garner. Production values are high, and it's worth catching it in letterbox format. Some of the mistakes in commando procedures have been noted, to which I would add the lack of facial camouflage, as Garner's strikingly white face floats conspicuously above the water in his nighttime swim, an easy target for lookouts. None the less, a pretty good war flick.
Up Periscope is the kind of World War II film that was more common actually during the World War II years. It involves a really incredible mission that Navy Lieutenant James Garner is on. At least the Japanese weren't portrayed as these bucktoothed apes.
The film is really a vehicle for Warner Brothers to showcase a pair of their television stars, Garner and Edd Byrnes from 77 Sunset Strip. Byrnes has a small role as a pharmacist's mate on a submarine. Having a much larger part would be Alan Hale, Jr. as the amorous ensign whose love life is interrupted by Garner's mission.
In fact the whole crew of Captain Edmond O'Brien's submarine gets their leave shortened for Garner. He's been specially vetted for this assignment having as qualifications frogman training and speaking fluent Japanese.
Garner's to be landed on an out of the way Japanese held island, he's to swim ashore while the submarine waits for him for a specific time. He's to photograph the Japanese naval code book and sneak out of there without them knowing it.
This one absolutely has me reeling. Garner because he would kind of stand out among all those Oriental faces no matter how fluent his Japanese was. Wouldn't you think the navy would get a Nisei type for this mission? And if not that, a Chinese person might do nicely.
Because Garner's white, he has to spend a considerable amount of time in hiding in the jungle and do his mission at night.
In point of fact the USA had broken the Japanese code. But that was done in Washington and Pearl Harbor by some hardworking cryptologists, not Garner doing a spying job.
This was the kind of stuff that the public was fed in 1943, but by 1959 it simply wasn't believed. I sure couldn't believe it in 2008.
The film is really a vehicle for Warner Brothers to showcase a pair of their television stars, Garner and Edd Byrnes from 77 Sunset Strip. Byrnes has a small role as a pharmacist's mate on a submarine. Having a much larger part would be Alan Hale, Jr. as the amorous ensign whose love life is interrupted by Garner's mission.
In fact the whole crew of Captain Edmond O'Brien's submarine gets their leave shortened for Garner. He's been specially vetted for this assignment having as qualifications frogman training and speaking fluent Japanese.
Garner's to be landed on an out of the way Japanese held island, he's to swim ashore while the submarine waits for him for a specific time. He's to photograph the Japanese naval code book and sneak out of there without them knowing it.
This one absolutely has me reeling. Garner because he would kind of stand out among all those Oriental faces no matter how fluent his Japanese was. Wouldn't you think the navy would get a Nisei type for this mission? And if not that, a Chinese person might do nicely.
Because Garner's white, he has to spend a considerable amount of time in hiding in the jungle and do his mission at night.
In point of fact the USA had broken the Japanese code. But that was done in Washington and Pearl Harbor by some hardworking cryptologists, not Garner doing a spying job.
This was the kind of stuff that the public was fed in 1943, but by 1959 it simply wasn't believed. I sure couldn't believe it in 2008.
This film is a good thriller of a top secret naval operation in the South Pacific during World War II. James Garner's assignment calls for him to swim to a Japanese-controlled island and decipher a code that the Navy needs to anticipate enemy intentions. The film has a claustrophobic feel to it as most of the scenes are filmed below topside as the submarine makes its way to the destination island. There are Japanese destroyers about, dropping depth charges and making matters uncomfortable for the crew. Edmond O'Brien is the sub's by-the-book commander, still shaken by the loss of a crew member during a recent assignment, and he and Garner share a mutual dislike that sets in motion Garner's mission-impossible task. Garner's whirlwind courtship with Andra Martin is the only false note of the movie which adds nothing to the plot. The cast and tech credits are good.
Did you know
- TriviaDebut of Warren Oates.
- GoofsThere are a lot of uniform errors, and, there is no way that the Navy would allow an ensign to remain for 15 years.
- Quotes
Commander Paul Stevenson: Oh, uh, one more thing, Mr. Braden, you don't get captured.
Lt. j.g. Kenneth M. Braden: Mm-hmm. I wouldn't think of it, sir.
- Crazy creditsOpening credits: SOMEWHERE IN THE SOUTH PACIFIC - 1942
- ConnectionsEdited from Destination Tokyo (1943)
- SoundtracksPlease Be Kind
(uncredited)
Music by Saul Chaplin
Played when Braden and Sally are lying on the beach and often in the score
Details
- Release date
- Country of origin
- Language
- Also known as
- Up Periscope!
- Filming locations
- Pacific Ocean(submarine USS Tilefish)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 52m(112 min)
- Aspect ratio
- 2.35 : 1
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