The Story on Page One

Playwright Clifford Odets wrote and directed the absorbing courtroom drama, "The Story on Page One," starring Rita Hayworth, Tony Franciosa, Gig Young and Mildred Dunnock. Lovers Larry Ellis and Josephine Brown (Hayworth and Young) are accused of killing her sometimes violent and verbally abusive husband (Alfred Ryder). Josephine's mother (Katherine Squire) begs the down and out Harvard law school grad Victor Santini (Franciosa) to take the case. Josephine insists to Victor that the killing was an accident.

You'll never see a movie with such long scenes again. It's a shame, because they were very absorbing, with Franciosa really ratcheting up the fireworks. This is especially true in his cross-examination of Ellis' mother (Dunnock).

As good as the courtroom part of the film is, there are a few problems with the rest of the script. There isn't enough character fleshing out of Franciosa's character - seemingly within minutes, he goes from a broke lawyer with a hangover to this handsome, confident, sharp lawyer in a suit. We learn precious little about Young's character either, for instance, why is he still a mama's boy in his thirties. Strangely we know most about two supporting characters, Ellis' mother and Josephine's husband. Franciosa, Dunnock, Ryder and the well-known drama coach Sanford Meisner, as the prosecuting attorney, hand in the best performances.

Rita Hayworth actually began to show signs of Alzheimer's only a few years after this film and suffered from it for the next 25 years. People who knew her say she was much like the character of Josephine - quiet, shy, insecure and sweet. The sex goddess is gone; in her place is a good-looking woman wearing a frumpy house dress, her hair worn off of her face. Hayworth doesn't exhibit much personality in this, but then, probably the unhappy Josephine wouldn't have either.

One other problem with the script is the killing itself. If in fact Josephine's husband's hand never came off of the revolver, why wouldn't a fingerprint test show that Ellis never touched it? Actually the evidence of the gun is never mentioned, so maybe Josephine got rid of the gun. Also, the wild shot fired while the men were fighting landed somewhere in the kitchen and would at least have helped Ellis' story a little. That isn't mentioned either.

Nonetheless, the courtroom segments make for great drama. Recommended.

Excellent performances from all, and especially a rare performance from Sanford Meisner. Great direction and intensity from Clifford Odets. A rather simple story superbly told. Sanford Meisner's performance is especially outstanding and fresh as the prosecuting attorney on the scent.

A fine movie underplayed by all except Tony Francisco who took his part to am outstanding performance. Acting in his role to levels we rarely see him in.

The role by Hayworth was purposely underacted and she became a minor role in the movie but was quite effective.

What impressed me most was Young's character as a "Mommy's" boy who came to his own through the film.

I have always liked Young and this might have been his best dramatic movie of his career even though his part was minimalised through most of the movie.

& yes, he won fair maiden.

A full 7/10 and maybe an 8.

Watch and enjoy!!!!

p.s. It might not have been near as good in color. B&W was perfect.

From the beginning, I noticed how well my TV's stereo was working when watching this story. Funny thing is, this was a Mono. recording originally? Perhaps it was an illusion but it was as if each person had their own microphone and the voices seemed to jump left and right just as the characters sat across from each other. In most films, I hardly notice anything stereo when two people are sitting quite close together. The sound worked well with the 2.35:1 wide screen image...so wide that it still only filled half of my digital TV screen.

In the courtroom, in addition to the voices, the smallest noise of rustling paper or moving a glass filled the background. The result was very lifelike.

Not a great story, but one that is a real treat for the ears.

I finally had a chance to see this film from beginning to end. I first came across the movie one Saturday afternoon in 1997 and never knew its title. After a couple of years of searching, I gave up. Just last week, a librarian referred me to a video store in North Hollywood that had the title. Rita Hayworth is Prozac-like and convincing in her portrayal as a sensitive, yet withdrawn woman. Her husband, played by Alfred Ryder is as insensitive and abusive as they come; especially that he carries a gun. I thought Gig Young's character would have stood up to his mother, played by Mildred Dunnock, more sooner than later in life. Dunnock's, Mrs. Ellis was superbly overbearing, manipulative and snobbish. Tony Franciosis performed magnificently on cross of the character when questioning her undue and unwanted influence over her son. Once Defender Santini took his seat after questioning, one could see the flames of anger and disdain flow from his nostrils. This movie is a definite must-see for classic movie lovers. All those years were worth the wait and anticipation.