Tarzan's Greatest Adventure

This movie is a no nonsense, realistic action film, bolstered by a capable cast, a believable story and colorful location shooting. Gordon Scott showed here that he had some acting talent as well as the good physique. The rest of the actors in general, and Anthony Quayle in particular, are quality professionals whose performances keep things interesting. Unlike earlier films in the Tarzan genre, they actually went to Africa to shoot this one and the difference really shows. These items, along with generally good production values, fairly tight direction, and beautiful color photography move this film well above the norm. Definitely a welcome departure from earlier Tarzan films. Highly recommended.

Tarzan's Greatest Adventure is directed by John Guillermin who also co- adapts the screenplay with Berne Giler from a story written by Les Crutchfield. Based on characters created by Edgar Rice Burroughs it stars Gordon Scott, Anthony Quayle, Sara Shane, Al Mulock, Sean Connery, Niall MacGinnis and Scilla Gabel. Music is by Douglas Gamley and cinematography by Ted Scaife.

When a native village is robbed of explosives and a couple of men are killed, it soon becomes apparent that the gang was led by a man called Slade. The mere mention of this name is of great interest to jungle man Tarzan (Scott), who promptly sets off in pursuit to settle an old score...

You can't reason with an idiot!

There's no Jane and Cheetah is barely in it, but this Tarzan "adventure" is all the more better for it. With Sy Weintraub producing, he was determined to steer Tarzan in a new cinematic direction, with a bit more mud, blood and literacy, Tarzan became as much for the adults as it was for the kids.

Actually the title, whilst true in the pantheon of Tarzan movies, still conjures up images of a kiddie friendly Tarzan, a more fitting title would have been Tarzan's Grudge! What unfolds in the story is a vengeful pursuit by Tarzan of a gang of diamond hunting crims led by a scarface Anthony Quayle. He uses his jungle whiles and hunting skills to pick them off if the opportunities arise, all the while accompanied by the foxy Angie (Shane) who literally dropped out of the sky and into the life of the loin cloth wearing one. Tarzan talks and isn't indestructible, but we still know there is savagery in the man, while on the boat up river the gang are an assortment of scallywags beginning to implode; which makes for rather good entertainment.

Film is infused with all the formulaic perils of jungle dramas (and comedies actually) past and present, reference crocodiles, spider, snake, quicksand, booby traps et al, but here it is definitely more fun and thrilling than annoying and cornball. Yes there is still some cheapness, with back screen projections, interwoven animal film footage and you really don't think Scott would be wrestling with a real life crocodile do you? But there's an edge to the narrative and it's great to see. Also helps to have a decent cast of actors on patrol as well, with Quayle leading the way as a broody bastardo. While Scott, looking in great shape and not unlike Kerwin Matthews, seems to be relishing the chance to play a Tarzan with grit and gumption.

The rope swings and famous yell are still here, but this is a much better and badder Tarzan and hooray to that. 7.5/10

This film I suggest, after many decades of Tarzanophilia, came nearer to capturing the ideal Tarzan than has any other such effort. In the MGM B/W version, geared for mental twelve-year-olds as they admittedly were, Johnny Weissmuller was saddled from the outset with a civilization-bred wife, then a child, short-word speech patterns, a lack of mental training and a great difficulty at freeing himself long enough to become involved in interesting adventures or important ones. In "Tarzan's Greatest Adventure", Sy Weintraub's color attempt to create a new and more Burroughsian Tarzan, as Edgar Rice Burroughs had envisioned the "ape man" in his intelligent fantasy series of novels caused him to introduce many changes. In this film Tarzan, played by attractive Gordon Scott, speaks English, has a thoughtful and trained mind, and is respected and deferred to by the local British officials because of his jungle lore and standing with everyone in the area. When a bandit gang invades the territory and murders several men in order to steal dynamite for use in a diamond stealing scheme, Tarzan believes he alone can prevent further murders such as they have just done and that only he can and must stop Slade, a ruthless escaped convict and psychopathic murderer, from becoming a great danger to everyone in his realm. This is not altruism on his part; he knows the man and knows Slade can never rest while Tarzan is alive, and vice versa. He goes after him, and ends up saddled with a spoiled and lovely pilot, with whom he shares a romance and the dangers of a truly great adventure. As Slade's criminal gang quarrel among themselves and try to stay ahead of Tarzan, whom they nearly manage to kill, he is saved by the pilot and finally overcomes and kills the last of them, Slade. Then the pilot has to go back to her world and Tarzan to his. In the very fine small cast the director, John Guillermin, got good performances from such stalwarts as Anthony Quayle, Sean Connery, Niall MacGinnis, Al Mulock and Scilla Gabel. The credit for the very expensive-looking production go to the director, as well as to cinematographer Edward Scaife and art director-production designer Michael Stringer. Music was supplied by Douglas Gamley. The film to me has a jungle look about it that borders on being rather stylish; such exciting scenes as the raid staged by Slade's men, the scenes on the boat by which he and his group proceed upriver, the plane crash that brings the pilot into Tarzan's life, her theft from the group of medicine to help him, and the deaths of the criminals one-by-one are very-well photographed and staged. This is a very good film, with its only drawback the apparently needless introduction into its villain, Slade, of a psychological preference for adventitious killing over even crimes committed for a simple purpose of theft. But overall, this was a very successful adventure, unusually-bright, attractive and well-presented. Connery is charismatic as an annoying type, Gabel very good in a thankless part, and Quayle and MacGinnis powerful as career criminals. Sara Shane was attractive, and as Tarzan, Gordon Scott proved to be a first-rate athlete and a serviceable leading man. A worthy and imaginative recasting of the Tarzan image on film.

British director John Guillermin was not entirely certain of how to make the character of Tarzan contemporary with the tendency towards realism...

Pulled by Sly Weinhaub's great vision, they made the Ape Man literate, but still disposed to chest-beating and ape-calls...Their screen treatment provided a 90 minute superior action film tightly interwoven and very entertaining...

"Tarzan's Greatest Adventure" quick-paced action is supplemented with violence and, in the absence of the wholesome Jane, we get two sexy women, a sensual Italian (Scilla Gabel) for the villains and a gaily blonde named Angie (Sara Shane), as the romantic interest for Scott who gives an excellent characterization...

The villains are four different British types: Slade (Anthony Quayle), Kruger (Nial McGinnis), O'Bannion (Sean Connery), and Dino (Al Mulock). In raiding a settlement for explosives to use in a diamond mine, they practically destroy it... Tarzan, discovering the cruelty, pursues them upriver to their mine...

For his parts in "Tarzan's Greatest Adventure," Sean Connery earned $5,600; his 'big' Bond film "You Only Live Twice" brought him $350,000.

I haven't seen this movie for a while, but it's the Tarzan film that I remember with the most affection. "TGA" was the first Tarzan movie to be produced by Sy Weintraub (who took over the franchise from Sol Lesser), and the new producer wanted to take the character in a new direction. He succeeded admirably. After "Tarzan and His Mate" (with its notorious nude scene) in 1934, the series had been geared mostly towards younger viewers.

Weintraub wisely sought to reclaim a more mature audience. "TGA" is the first Tarzan film since the 1930s to have the apeman speak in complete sentences, and Gordon Scott relaxes into the role more than he had in his earlier, less articulate efforts. It's a credit to Scott's acting that he was able to make the transition so well from the "ooga-ooga" Tarzan to "TGA's" more thoughtful, more cunning interpretation of the character. The film even hints at a sexual relationship between Tarzan and Angie (Sara Shane), who is more feisty and more fun to watch than any Jane. (In fact, a kissing scene between Tarzan and Angie was left on the cutting-room floor).

But most important of all "TGA" still stands up as both an adventure movie and a character study. While not quite as polished as a prestigious A-picture, the story and the action scenes still grip the viewer. The psychological deterioration and in-fighting between the bad guys is very believable. Anthony Quayle brings as much seriousness and credibility to the role of the ringleader as he brings to his Shakespeare work, and even though his time on the screen is relatively brief, a young Sean Connery still shows early glimmers of the brilliant charisma that would make him one of the world's most enduring stars. "TGA" makes good use of its cast, and the movie strikes an exciting equilibrium between its dialogue scenes and its action scenes. You can imagine this film working as an adventure drama even if Tarzan weren't in it. And perhaps to signal the series' more adult-oriented emphasis, Tarzan's yodeling ape call is voiced only once: at the very end of the film. There's only one thing regrettable about this movie: it got so many of its adventure elements right that the rest of the films in Weintraub's Tarzan series had a hard time living up to it.

Striking a good balance between action and drama--and boasting a very watchable cast--"Tarzan's Greatest