The Amazing Transparent Man

Before viewing this 1960 drive-in hit, keep in mind that it is not really a serious attempt at science fiction. Many critics and viewers have panned this movie because they expected some sort of INVISIBLE MAN-style plot with good acting and plenty of special effects. But if it was high-quality cinema they were looking for, then why in the hell did they choose to watch a movie with a title like "THE AMAZING TRANSPARENT MAN"?

Viewers with no expectations, a good sense of humor, and an open mind will probably enjoy this bizarre little sci-fi romp. The whole mad scientist/escaped prisoner/invisible Nazi story is beyond befuddling, but it is so unbelievably far-fetched that you'll be entertained anyway.

THE AMAZING TRANSPARENT MAN does a nice job at not dawdling on boring fake science jargon (a shortcoming that most sci-fi yarns of this era suffer from) and somehow manages to dole out one outrageous scene after another during its unusually short running time. Within the course of 58 minutes, you will witness invisible fist fights, invisible robberies, atomic blasts, jailbreaks, in-your-face anti-nuclear-weaponry overtones, and a whole barrage of people stealing from and/or deceiving one another. Every single character either betrays or holds one another hostage at some point during the picture.

If you're in the mood for something that is so goofy and so off-the-wall that it defies description, then I suggest you run out the VHS cut-out bin nearest you and pick up this movie. Trust me, you'll be glad you did.

Ah, now this one gets a bad rap here, but it's too short to be tedious and too cute to be annoying. At 57 minutes, you've got a nice compact sci-fi film that won't tax your brain too much (unless you try thinking about the plot).

Joey Faust gets busted from the barry hole by a dame, and gets taken to a farmhouse run by a mysterious and shifty ex-army guy who wants to use both Joey's lockpicking skills and a mad scientist's invisible ray gun to create an army of invisible men. That's good stuff right there.

After turning a guinea pig invisible, Joey kind of eventually agrees to go for it, and I liked that the moment he turned invisible he started beating the shifty guy up. Joey's out for an invisible score but he finds one problem - the ray's effects don't last that long. What's a career criminal to do? Find redemption by rescuing the mad scientist's daughter?

Never dull, full of banter and daft effects, punch ups and the mad scientist asking the audience a direct question I was too thick to understand, I really liked this little film. Loved the stock footage nuke blasts too!

Another early black and white sci-fi film with some promise........at least in the beginning. Mad dictator "wanna be" springs bank robber from prison to use him in his plan for taking over the world with an invisible army. Sound outrageous? You bet! The sets are cheesy, the story is pretty stupid, the actors either overact or can't act at all, the ending is over the top.......these are all part of the elements that make low budget films fun to watch. Besides, it was directed by Edgar Ulmer, who did some fascinating work. But for some reason, this one is disagreeable.

There are holes in the plot as big as Rhode Island and there is something very sleazy about all the actors, even though a couple of them are mainstays of "B" films, and in the case of Ivan Treisault, "A" list big productions ("Notorious", for example.)And there is that constant bickering........it seems that 75% of the dialogue is shouted. The special effects......well, I've seen worse, much worse, even though you can see the wires. We've seen wires in films before. So what is it that makes this little programmer unpleasant? It just doesn't seem to gel but I don't know why. Maybe it was that Wurlitzer organ in the middle of the living room! So catch it on MST3K with Mike and the 'bots.....without them, it is pretty damn dismal.

Extremely compact (57 minutes) yet entertaining story of ruthless safe-cracker (Kennedy), sprung from gaol by a demented former military agent (Griffith) and his cheap-wine associate (Chapman), forced to endure radiation experiments that make him invisible in order to steal guarded uranium deposits so Griffith can build an invisible army to take-over the world. Street-wise Kennedy decides to turn his transparency into an opportunity to pull a bank heist, but things go awry when the invisibility wears off mid-way through the crime.

Griffith is an impeccably dressed, meek-looking but sadistic villain, keeping his associates subservient via various forms of duress, Chapman plays the life-of-crime broad, mistreated by Griffith (there's a great scene in which Griffith slaps her twice the second he calls "the dot on the i") seeing an opportunity to make it big with Kennedy's safe-cracking skills. Kennedy is the cornerstone, delivering an economical performance of a career criminal with no pride or patriotism, only a loyalty to his young daughter from whom he's forcibly estranged.

You won't get much in your special effects on this budget, nevertheless it's not a bad variation on the "invisible man" theme like an "Outer Limits" or "Twilight Zone" episode with real exteriors and a capable and reasonably distinguished cast. Look out for craggy-faced Pat Cranshaw ("Old School") as an inept security guard in an early film role.

Why are people so down on this modest but enjoyable movie? Beats me. Joey Faust (what a name!), safecracker, is busted out of the pokey and made an offer - turn invisible and steal radium for a mad scientist/soldier planning on setting up an invisible army to conquer the world. Joey goes along with it but quickly decides to use his powers for what comes naturally - stealing lots of do re mi. This causes conflict as you can imagine, and then his invisibility goes on the fritz. Faust is played by Douglas Kennedy who played one of the cops in 'Invaders From Mars', the baddie is James Griffith who had a bit part in Kubrick's 'The Killing', and the movie was directed by Edward G. Ulmer who made the strange Lugosi/Karloff classic 'The Black Cat' back in the 1930s. 'The Amazing Transparent Man' won't change your life, but it's entertaining enough. Worth a look for fans of 1960s/60s b-grade thrillers.