The Beatniks

This has to be one of my favorite MST3K episodes of all time. And a reason why Paul Frees has stuck to animation and cartoon voice overs, since this was his first and last live action feature film he has ever done.

Though the movie is suppose to be a serious musical/crime drama, I sure laughed my head off over it, especially with Joel and the bots there to save it. It deals with an Elvis clone named Eddy Crane whom hits the top when a music agent and a sexy blond woman discovers his so-called "talents". However, his so-called "beatnik" friends want him to come back to him and stop singing, especially a nutcase named Mooney, whoms immortal lines were "One word outta you and I am gonna moon ya!" "MOON, YOU!". That part right there cracks me up.

And another thing, why did Paul Frees decided to call this movie "Beatniks"? It is a gang of juvenile deliquents (perhaps special ed rejects?) whom like to get into trouble. What was Paul Frees on when doing this?

Oh well, at least Frees learned his lesson here, while there are some much worse so-called "talents" whom have not.

No Beatniks appear in this film, the acting by the young leads is execrable, the song lyrics are both insane and badly lip-synched, and the plot is dumb. As others have commented, radio and voice actor Paul Frees assembled quite a nice cast of fellow radio and voice actors to play the "normal" people in this tale of troubled youth, but he neglected to cast credible actors as the over-the-hill "teens" who hang around engaging in delinquent acts of senseless violence. I was quite pleased to see radio and voice actor Stanley Farrar on screen, and, like other comment writers i wonder whose rather nice voice actually sang the lame songs that the character Eddie was inexpertly mouthing along to, but all in all, this one is a loser. Having read all the reviews here, some folks will no doubt seek it out for its sheer badness. To them i say, "Come back later and tell us if it was really worth it!"

That is one song that never fails to crack me up.

Beatniks anyone? See any? There are none to be found here. Tony Travis plays Eddy Crane; rebel and small-time hood, but also sings like a pansy femme?? This definitely ruins any credibility since you really can't straddle the fence. Either tell Iris to shut up, or sing "With a Look"; you can't do BOTH! That audition scene is hilarious getting to see hardcore, tough Eddy crooning sentimentality. HA HA HA HA!!!

Who else shamed themselves? Peter Breck as Mooney. Ham anyone? He takes the manic psycho character to probably the only entertainment in this flop. It's tough to be scared of someone who threatens you with "I'm gonna MOON you!!". His soliloquy regarding the barkeep is also priceless scene followed by on odd whiny fit. Then there's annoying broad Iris who's dancing can scar even those unprepared for random corkscrew gyrations. Mr. Morrissey taught me that to succeed as a talent agent, get in an auto accident, call for a tow, and listen to the guy near the jukebox!! Then there's a dive called Charlie's run by a guy named Gus(?).

Despite this corny premise, maybe the makers of Beatniks were trying to make a statement about life; it's not all wavy gravy and the man always square forcing the minds of our best generation to conform to antiquated norms while suppressing self expression. Rail against the establishment!! Whoops, slipped into Beatnik mode there. Well, someone had to because this film sure doesn't!!

"I KILLED THAT FAT BARKEEP!"

It's true...it's not what you say, but how you say it.

You take your chances with the Digiview flicks at the Wal-Mart Dollar DVD kiosk. Every once in a while you find a small gem. Paul Frees' The Beatniks is not one of them.

This is a grade Z, bottom-of-the-drive-in-bill waste of celluloid that deservedly got a MST3000 treatment. How does stuff like this get made? You could call the distributor, but most everyone involved in The Beatniks is probably dead and Digiview just scoops up cinematic flotsam and jetsam and puts in cheap disks for your viewing amazement. The trouble is it's simply so bad, so utterly inept that no one dare get mad at it.

All one can do is--if one is so inclined to sit still for 70+ minutes--watch in slack-jawed amazement at cinematic awfulness.

C'mon . . . it's only a buck!

Maybe for the time is might have been, especially with a tag-line like that. This pretty obscure film is about Bad singers, Sleazy Talent scouts, teen gangs, robbery and general pandemonium. No Beatniks here, really. Ginsberg and Kerouac probably couldn't believe what they had wrought-this certainly was not it.

If you want to see a better example of one of the so called "beatnik" films that were created around 1959 to 1961, (where Exploitation Producers latched onto popular media phrases like "Beatnik"), check out The Beat Generation starring Mamie Van Doren, or Beat Girl starring a then unknown Oliver Reed. Although these were not about 'niks they had a somewhat inkling to what a "beatnik" was.

As with all exploitation films very few of the catch phrases and trends used in marketing the films were used very accurately, nevertheless the films did make obscene amounts of money because they were presented to the public within a few months of a trend that was in high gear.