The Angry Silence

This film doesn't seem to be very well known but it has a lot to offer.

I've seen 50s/60s comedies based around factories but I can't remember many serious dramas like this. The plot holds few surprises but that leaves plenty of room for us to judge the acting, and I'd say it's consistently good. Richard Attenborough and Pier Angeli are a great combination as the young married couple - it's a shame Pier made so few films in English.

A lot of scriptwriters could do worse than watch this film and learn its lessons about how to tell a story in 90 minutes. And this is a good film for classroom use - leads nicely into a discussion of peer pressure and bullying.

Though Richard Attenborough takes top billing in this drama, I think Bernard Lee actually delivers the more potent performance as the shop steward "Bert". He calls for an unofficial strike of the workers at an engineering plant. Out they go, well most of them do - and it is soon clear to the audience that there is an agitator amongst the workforce intent on using this dispute for a greater purpose. We also encounter a few local hoodlums who have few scruples when it comes to persecuting - violently at times - those few workers who cross their picket line and continue to work. "Curtis" (Attenborough) is one such man. He already has a young son, and his wife is expecting his second child - so money is too tight for him not to get a wage. Pretty soon he is the victim of a vendetta from his erstwhile colleagues as they ostracise him completely. Director Bryan Forbes and co-star Michael Craig ("Wallace") had a hand in the writing and that is powerful. It generates a genuine sense of menace as those daring to break the strike find their property and their physical safety compromised whilst their erstwhile friends struggle with their consciences. Brian Bedford also stands out as the thuggish "Barrett" and there is also a potent, if sparing, contribution from Pier Angeli as the young man's wife "Anna". Ordinarily, one might expect this story to be about the abuse of power by an employer; here, though, the abuses are clearly coming from those with a broader agenda quite capable of mobilising a workforce of political sheep. The ending is rather rushed - almost incomplete, unfortunately but the ensemble and the toic work really well here to create a thought-provoking piece of cinema that packs a lot into ninety minutes.

Guy Green's (1960) film of Bryan Forbes' screenplay is based on a treatment by Michael Craig and, brother, Richard Gregson. Set in London in the late 1950's it was the first release of the joint venture production company Beaver Films set up by Bryan Forbes and Richard Attenborough.

As the film opens, we join Tom Curtis (Richard Attenborough) at work in a small engineering factory beset with labour problems. Single-minded and fiercely independent, Curtis is slow to grasp the implications of the fomenting unrest among his workmates as they band together to challenge the management head-on in a dispute that ultimately leaves Curtis out in the cold.

We follow Curtis home at night where his workmate Joe Wallis (Michael Craig - also writer) lodges with Curtis, his wife Anna (Pier Angeli) and their young family.

But as industrial relations deteriorate at work we see Curtis becoming increasingly isolated and intimidated by his determined colleagues.

With solid performances from Bernard Lee (Bert Connolly), Geoffrey Keen (Davis) and Alfred Burke (Travers) as the sinister agitator, the audience sees Curtis left high and dry as even the management feel compelled to abandon him.

Increasingly out of his depth, we are drawn into Curtis' worsening situation as his family are also intimidated in an effort to break his indomitable will.

This film captures something of the early struggle for recognition by employees in small firms like this before employment protection became enshrined in the law of the land. It gives us a feel for the situation of the casualties along the way and the forces at play.

A film which shows how Britains factories worked in the 50s,a place which employs thousands of people,usually on low wages.The workers only protection is their union which of course is only fair.Then the union is taken over by a few dedicated socialists who then are manipulated by the far lft. .Everything that happens in this film is true to life,and shows that adults soon behave like spoilt children when they don't get there own way.The rights of the individual are soon gone,violence and bullying follows,the film ask questions and leaves you asking your self questions at the end.Well worth a watch 8/10

I saw this film in my first year in law school in New York in 1991. A prior comment calls the film "right wing." Unfortunately, given the subsequent events in Britain in the 1970s and contemporary events in Detroit right now, it is prescient. Lord Attenborough's character faces a labor high noon many encounter in a union shop. One older worker in the film wants only to make a product that he is proud of. A pride that forces in the union movement obstruct. Anyone compelled to join a union by organizers who hire on only to unionize, will appreciate this film. I know. I've been there -- twice. White collar and blue collar jobs. That the film was made at all is amazing. But this often grim picture does have a comedic sibling -- the equally brilliant I'M ALL RIGHT JACK with Ian Carmichael and Peter Sellars. See both and you will understand what happened to Britain as well as too much of industrial America. If corporate greed has a partner, it is union executives who throw their members under a bus to save their jobs. THE ANGRY SILENCE should be required viewing for anyone who believes that political films -- not politicized films -- have a place in Hollywood. Heartbreaking story, economic direction, and brilliant acting. In dramatic black and white. The screenplay won a BAFTA Award for Bryan Forbes.