The Walking Target

Nick Harbin (Ron Foster) gets out of prison after a five year stretch. When he tries to reconnect with his old comrades, he finds that things have changed quite a bit while he was gone. No one seems interested in him, other than to get to the big money he stole.

A flashback sequence shows us that Nick actually has a conscience, and wants to make amends for the tragic event that haunts him. Now, hounded by both the cops and the press, with his old cronies converging on him, Nick has one last chance at redemption.

THE WALKING TARGET is another entertaining, hard-boiled crime thriller. Foster is quite believable in his role. Merry Anders co-stars as Nick's cheating girlfriend, and Joan Evans is the woman of Nick's dreams, the one who got away...

A 5-year jail sentence for a payroll robbery seems to have left Nick (Ronald Foster) looking as unreformed as when he went in. That's how the prison governor sees it. Ditto a detective watching closely, and the local press too. That's why Nick feels he's walking around with a target on his back, as the only survivor, the only one who knows where the loot is stashed.

Merry Anders plays the blonde cutesy-pops who has supposedly been waiting faithfully for Nick all along, but then it seems that 'faithful' isn't quite the word, and Nick switches his attention to the widow of one of the gang, for whose death he feels a bit of survivor guilt. (A flashback shows Nick persuading him that it'll be a pushover, and organising the concealment of the money in the chassis of the getaway car.)

Rather improbably, Nick is able to trace the car to a junkyard in the desert, its precious contents still undiscovered. But there we must leave the plot, so as not to spoil the fun - though you might reflect on why the wisecrack "Happiness won't buy money" should be uttered near the end.

The programmer's neither good nor bad, just a familiar storyline given undistinguished treatment. Nick and two buddies rob an armored car, but the buddies are killed in the robbery. Now Nick's out of prison, intent on retrieving the loot he's hidden. Trouble is both a mobster and the cops are watching. Meanwhile, he's got a sexy blonde girlfriend (Anders) who's double-crossing him with his so-called friend Dave (Christopher). Sound familiar. Yeah, old film fans have probably seen its variation a hundred times.

For a budget production, the effort's competently done. Foster in the lead does his best, but doesn't convey much presence. The cast is distinguished by noir villain Berry Kroeger as the mobster, and Joan Evans as good girl Gail. In fact, Evans had a very promising studio career in the early 50's that unfortunately didn't endure. Looks like this was her last feature-length appearance. I wish there were something outstanding, good or bad, to comment on, but there isn't, unless it's movie vet Fawcett (Packy) who's about as ravaged-looking an old duffer I've seen. All in all, the 70-minutes remains a watchable, but highly unremarkable crime drama that's probably forgotten 5-minutes later.

Ron Foster is "Nick", fresh out of jail for robbery, and the loot has never been found. That's pretty much the opening line, said by the prison warden, as he releases Nick back to the world. and hot on his trail is Detective Brodney (Harp McGuire). and the mob. and the people he thinks are his friends. And Joan Evans is "Gail"... who may or may not be an innocent bystander. Evans gets top billing in the cast list, so she must be pretty important to the plot. Written by Stephen Kandel. He wrote almost exclusively for television, and this. and a couple films earlier in his career. Directed by Edward Cahn, for United Artists, towards the end of his career... only worked a couple more years after this. The "fist fights" are just terrible. so fake. The story itself is pretty good, the acting is pretty good. Picture and sound quality are great. entertaining enough.

Well-made, well-written film noir. The Walking Target is a nice reminder that the wellspring of film noir is a great journey.

You will be rewarded for appreciating the simplicity of the many early scenes. The movie is lean. The protagonist makes a beeline for his target.