Bachelor Flat

Prf. Patterson goes through 'trouble' of dealing with the beautiful women that throw themselves at him & his surprise step daughter who returns home to pretend to be a juvenile.

This is such a wonderful little, "feelgood" film. Terry Thomas is just wonderful and so is Tuesday Weld. All the different characters work so well together. There are about 5 or 6 different storylines, all interwoven. This film is just the sort of film to relax with at the end of a hard workweek. Even the dog has a storyline!! If you are looking for a little film that will have you smiling at the end, I highly recommend this one.

British archaeology professor at a Southern California university, living at the home of his fiancée--a world traveler who is currently away--finds himself saddled with a young chippie who claims to be an escapee from reform school; turns out she's the 17-year-old daughter of his future wife, who somehow failed to mention she was the mother of a teenager. Budd Grossman adapted his play along with the film's director, Frank Tashlin, yet neither seems able to tell the difference between shrill one-liners and clever repartee. The cast is manic and cartoonish, dashing in and out of the professor's pad on the beach as if this were a "Carry On" farce from the 1950s. Terry-Thomas isn't as offensive as the younger players, but working strenuously at a piece of fluff is ultimately disastrous for the picture and the star. Farce doesn't seem to be Tuesday Weld's strong suit (she's metallic and grating instead of charming), while Richard Beymer as a smitten law student is merely a hole in the screen. Not much headway from 1954's "Susan Slept Here", which Tashlin also directed, although this one at least has a cute dachshund with a fetish for dinosaur bones. *1/2 from ****

Bachelor Flat is one of those well done early 60's lightweight comedies that is not a great standout, but a movie one cannot help but like. Terry Thomas is superb as the steadfast British professor trying to keep his stiff upper lip heritage intact in a youthful environment of early southern California culture. Thomas is very well supported by the rest of cast who play off against the professor's stiff British bearing. The true delight to this movie is when Thomas shows his ability to play off against this British bearing with comedy antics that predate anything comedy group Monte Python would do so well later. Tuesday Weld is also quite good as the "wayward teenager" along with Richard Beymer who does a very competent job of playing the professor's young neighbor and friend. I found this movie quite charming in it's own way, and everyone ends up doing the right thing. I would recommend it for anyone who needs a nice diversion from the often heavy handed and simplistic comedies of today.

Mike Pulaski (Richard Beymer) narrates in the beginning that the British have been stealing American chicks ever since the War of Independence. He is both jealous and an admirer. He's a carefree hound-dog living in a trailer on the beach. His neighbor Prof. Bruce Patterson (Terry-Thomas) is both his friend and his mentor. Patterson's upcoming marriage to Helen Bushmill (Celeste Holm) is breaking the hearts of all his female students and many female acquaintances. He is surprised by Libby Bushmill (Tuesday Weld) who shows up out of nowhere. Helen had failed to tell him about her daughter.

I am of two minds about Terry-Thomas. On the one hand, he is far from Indiana Jones and I don't get all the female attention. On the other hand, it prevents him from developing any chemistry with his female pursuers especially Libby. Ultimately, Tuesday Weld steals the movie. The teenage performer has a great surprising voice. Quite frankly, her character should be the lead although this is strictly a male fantasy comedy with plenty of slinky babes. It has some moments of fun which elevates its light weight quality.