Battle at Bloody Beach

Small-scale story of individuals caught up in a giant war, as opposed to a big WWII blockbuster. Low-budget black and white movie, but that's OK since it is not a blockbuster. However, the combination of low budget, poor script and below-average direction prevents this film from being worthwhile. It appears to have been filmed very quickly, maybe in a matter of days or a couple of weeks.

Audie Murphy has a lot of screen "presence" and he elevates what is otherwise not much here. Dolores Michaels is great as always and very watchable. Her leading-lady talent is far above this insignificant movie. Alejandro Rey is watchable as he again elevates one of his many B-movie roles and TV appearances (he had a remarkable ability to do this).

The cheap California island location filming is surprisingly adequate as a substitute for the real would-be scene of the action.

Can't really recommend this, but the movie's stars outshine the material and are individually fine.

Battle at Bloody Beach was one of Audie Murphy's attempts to get away from the western casting where he did so well and should have stayed in his career. It bears some resemblance to John Wayne's Back to Bataan and Tyrone Power's An American Guerrilla in the Phillipines in subject matter.

But the latter had the advantage of great color cinematography and was shot in the actual scenes of the Phillipines. This particular cheapie was done on Catalina, it looks like it was done over a couple of long weekends.

The plot as it were has Murphy as an American running supplies to the Filipino insurrectionists and discovering his wife, Dolores Michaels believing he was dead, having taken up with Filipino guerrilla Alejandro Rey both politically and personally. That leads to some tense moments as Murphy leads some refugees away from the oncoming Japanese.

The battle itself is the climax as Murphy with Gary Crosby and assorted help mows down row after row of charging Japanese. Now why the Japanese commander didn't size up the situation and wait for some artillery before getting all his troops slaughtered in a charge is a mystery to me.

I'll be willing to bet that somewhere in the financing of this film was Gary's father who was always doing things like that for his sons. Good thing Bing had the sense to keep his name off the credits if he did.

This movie gets beaten up on quite a bit by critics, so my expectations were as low as they could be before watching...perhaps that is why I was so surprised to find some nice moments in this film.

There is no question that this could never be considered a war classic, but to dismiss it outright simply by its reputation, or ones pre-conceived notions, is to do oneself a disservice. For being a low budget movie, there was some nice location shooting, quality set design, decent special effects (for the time), and good quality stock footage. There is some poor editing here and there, and a few technical goofs in the film, but, that aside, I must say that I found the direction to be quite good, overall, for a drive-in movie...and the score was nicely done, as well.

With only one or two exceptions, the cast was very competent, with Audie Murphy and Gary Crosby doing a nice job, as well as a few enjoyable performances supporting them. The plot had great potential, but the script was poorly written and we didn't get to spend enough time with the people we are supposed to care about. Dolores Michaels is gorgeous, so we can understand why Audie Murphy and Alejandro Rey would both be attracted to her, but she has no real chemistry with either man, so it is hard to get swept up in the love triangle. The characters are written to be very one-dimensional, so the plot points and drama never get a chance to make an impact.

The feeling I got at the end of watching this film was that all of the elements were there for a good movie, but it just missed. That being said, I give it a 5 out of 10 for the enjoyment of watching Audie Murphy, as well as a few nice acting and directorial moments. Prepare yourself for a 1960s drive-in movie level of quality, and you will find moments to enjoy throughout.

No amount of charisma from Audie Murphy was ever going to be able to rescue this from obscurity. Determined to emulate other stars of his era and move away from the declining Western genre with which he had some success, he takes on the role as American civilian "Benson" who works with the local Filipino population following the Japanese invasion of the islands during WWII. It's not really up to much, this film - a sort of rose-tinted look at the aftermath of the occupation that really focusses more on his determination to find "Ruth" (Dolores Michaels) rather than for any more laudable cause - he ends up helping because of her, rather than for any principle. It's strangely flat and un-engaging; there is some action but for the most part it rumbles along for 80 minutes with an inevitability about it that is quite dull and entirely predictable with a star far from his best.

During His 2-Decade Career as an Actor, Following His Heroism in WWII (most decorated including MOH),

the Good-Looking, Baby-Faced Audie Murphy, seemed to be Straight From the "Matinee Idol" Manual at "Hollywood Central Casting".

What's Not to Like? A Match Made in Heaven! A War-Hero, with Killer Good-Looks, Plenty of Charisma, Fresh?, from the Battlefield, Ready to Follow a New Path of Civillain Life in America that was a Fertile Growing Ground for the Citizens that Served Their Country Honorably.

Well, PTSD was a Neglected "Stigma" that Hurt a Lot of Soldier's Dreams and "Paths"...

"Murph", was Not Shielded from the Post-War Adjustments that Many found Challenging.

Dealing with a Little Researched Phenomena (once called "Battle-Shock" or "Battle-Fatigue) and the "Mental-Health" Resources was Still a "Work In Progress", to Say the Least.

So there was that...The Recurring "Nightmares" that Resulted in a .45 Under the Pillow, a Gambling Addiction Along with Poor Money-Management, a "Hair-Trigger" Violent Temper, and a "Lost-Soul" Demeanor were some of the Coping in Store for the Returning Vet on His Road to Full-Fill the"American-Dream.

In the 50's He Enjoyed Many Successes Making Movies.

His Films were Patronized and Enjoyed by Movie-Goers, but Usually Not with Critics, were Always Money-Makers with Good to Excellent Box-Office.

Most of His Movies, though Not All, were Rightfully Called "B-Movies", the Majority were Westerns with a "Sprinkle" of Other Genres in the Mix.

Audie Murphy was Understandably Reluctant to "Star"in and Avoided Making "War" Movies,

although His Auto-Biography "To Hell and Back" (1955), where "Murph" Played Himself was a Critical and Fan Favorite.

The Talented and Under-Rated Actor Only Made 2 Other "War-Movies", this is 1, although He does Play a Civilian Contractor.

He is Supplying Guns and Ammo, and Other Aid to the Philippines and Their Fight Against the "Jap-Invaders".

He is Also Searching for His Estranged Wife (Gloria Michaels) that He Hasn't Seen Since the Honeymoon. He Finds Her on One of the Islands.

Thinking He was Dead (after 2 Years) She is Now "In-Love" with a "Freedom Fighter" (Gary Crosby, Son of Bing). Unfortunately, a Second "Battle" has Been Engaged.

It Won't be as Bloody as the One on the Beach, but Just as Volatile and Important to the Story. Directed by Herbert Coleman, Known for "Associate Producer" Roles, Notably with Hitchcock,

the Much-Maligned Script was Written by Richard Maibaum who went to Fame and Fortune Penning James Bond Movies.

This is Low on the "Audie Murphy Filmography Scale" that No-One has Anything Good to Say About. It's Not Bad, It's just Not that Good.

The Romantic Triangle is Awkward. Where the Movie Succeeds is Giving a Voice to the Philippine People,

and the Bloody Beach Battle Delivers the Goods, with an Off-Beat Death of Murphy's Friend and Resistant-Leader, Alejandro Rey.

Despite the Hatred of the Many...

Worth a Watch.