Battle at Bloody Beach

I was at the premiere of this movie in San Diego. And yes, it was a pretty awful movie. In fact, I can not remember any thing about the movie. So why am I writing this review? Because I knew Audie Murphy, and was on the location set while filming aboard the submarine. Audie was not in the best frame of mind during this movie, often looking depressed. Even the camera man was concerned. But when called to do his scenes, Audie did his best. As for the movie itself, I can only guess it is best forgotten, because I am certain Audie never included it in his best performances. I don't think it is on DVD, and probably never will be. The battle at bloody beach was also part of the battle going on in Murphy's head.

During His 2-Decade Career as an Actor, Following His Heroism in WWII (most decorated including MOH),

the Good-Looking, Baby-Faced Audie Murphy, seemed to be Straight From the "Matinee Idol" Manual at "Hollywood Central Casting".

What's Not to Like? A Match Made in Heaven! A War-Hero, with Killer Good-Looks, Plenty of Charisma, Fresh?, from the Battlefield, Ready to Follow a New Path of Civillain Life in America that was a Fertile Growing Ground for the Citizens that Served Their Country Honorably.

Well, PTSD was a Neglected "Stigma" that Hurt a Lot of Soldier's Dreams and "Paths"...

"Murph", was Not Shielded from the Post-War Adjustments that Many found Challenging.

Dealing with a Little Researched Phenomena (once called "Battle-Shock" or "Battle-Fatigue) and the "Mental-Health" Resources was Still a "Work In Progress", to Say the Least.

So there was that...The Recurring "Nightmares" that Resulted in a .45 Under the Pillow, a Gambling Addiction Along with Poor Money-Management, a "Hair-Trigger" Violent Temper, and a "Lost-Soul" Demeanor were some of the Coping in Store for the Returning Vet on His Road to Full-Fill the"American-Dream.

In the 50's He Enjoyed Many Successes Making Movies.

His Films were Patronized and Enjoyed by Movie-Goers, but Usually Not with Critics, were Always Money-Makers with Good to Excellent Box-Office.

Most of His Movies, though Not All, were Rightfully Called "B-Movies", the Majority were Westerns with a "Sprinkle" of Other Genres in the Mix.

Audie Murphy was Understandably Reluctant to "Star"in and Avoided Making "War" Movies,

although His Auto-Biography "To Hell and Back" (1955), where "Murph" Played Himself was a Critical and Fan Favorite.

The Talented and Under-Rated Actor Only Made 2 Other "War-Movies", this is 1, although He does Play a Civilian Contractor.

He is Supplying Guns and Ammo, and Other Aid to the Philippines and Their Fight Against the "Jap-Invaders".

He is Also Searching for His Estranged Wife (Gloria Michaels) that He Hasn't Seen Since the Honeymoon. He Finds Her on One of the Islands.

Thinking He was Dead (after 2 Years) She is Now "In-Love" with a "Freedom Fighter" (Gary Crosby, Son of Bing). Unfortunately, a Second "Battle" has Been Engaged.

It Won't be as Bloody as the One on the Beach, but Just as Volatile and Important to the Story. Directed by Herbert Coleman, Known for "Associate Producer" Roles, Notably with Hitchcock,

the Much-Maligned Script was Written by Richard Maibaum who went to Fame and Fortune Penning James Bond Movies.

This is Low on the "Audie Murphy Filmography Scale" that No-One has Anything Good to Say About. It's Not Bad, It's just Not that Good.

The Romantic Triangle is Awkward. Where the Movie Succeeds is Giving a Voice to the Philippine People,

and the Bloody Beach Battle Delivers the Goods, with an Off-Beat Death of Murphy's Friend and Resistant-Leader, Alejandro Rey.

Despite the Hatred of the Many...

Worth a Watch.

I've often wondered how WWII action flicks played with audiences of the early 1960s--did movie-goers still feel patriotic about them or was there a sense that it was time to move on from stories pitting Americans against the ruthless Japanese? Here, married Audie Murphy sails the Pacific searching for his missing spouse, eventually finding her on an island in the Phillipines along with a band of Americans and Polynesians being threatened by the relentless Japanese army. In Audie's absence, his Mrs. has taken up the guerrilla fighter's cause--and with thin-but-swarthy soldier Alejandro Rey!--but when they're surrounded by bloodthirsty Japs, the group must put aside their differences long enough to survive. Typical war movie, though with the added pleasure of some campy action and not-bad black-and-white cinematography. Murphy was never much of an actor, but here his stolid manner is a relief from all the hysteria. The director shows absolutely no sympathy for the dead or the dying (on either side), but the central romantic situation is handled with surprising skill and the climactic battle, though hurt by choppy editing, is nevertheless involving. ** from ****

Audie Murphy was actually a better actor than he was usually given credit for--he did excellent work in "The Red Badge of Courage" and his own biography, "To Hell and Back"--but you couldn't tell by this low-rent war picture. Murphy pretty much walks through the picture, although co- star Alejandro Rey tries to breathe some life into it. The sloppy direction, poor script, overacting by Gary Crosby (as usual), tired performance by a tired-looking Dolores Michaels and its overall cheesiness combine to make this picture definitely one of Murphy's lesser efforts. A burst of not particularly well done action at the end can't really save it. The ending is predictable, trite and not even remotely believable. Overall, pretty much of a dud.

No amount of charisma from Audie Murphy was ever going to be able to rescue this from obscurity. Determined to emulate other stars of his era and move away from the declining Western genre with which he had some success, he takes on the role as American civilian "Benson" who works with the local Filipino population following the Japanese invasion of the islands during WWII. It's not really up to much, this film - a sort of rose-tinted look at the aftermath of the occupation that really focusses more on his determination to find "Ruth" (Dolores Michaels) rather than for any more laudable cause - he ends up helping because of her, rather than for any principle. It's strangely flat and un-engaging; there is some action but for the most part it rumbles along for 80 minutes with an inevitability about it that is quite dull and entirely predictable with a star far from his best.