A Coming-Out Party

Avoid the book of the same name clumsily written by John Foley if you ever see it, based on the film's screenplay by Jack Davies. The main thing here is that the film was a showcase for the mammoth personality of James Robertson Justice, it would be virtually nothing with someone else in his role of frosty crusty portly professor. The book is nothing without him; get the DVD.

In WW2 acidic high-up professor (JRJ) has to get into Nazi-occupied Europe to try out some scientific experiment but gets captured and sent to a POW camp in Germany to his disgust. Then he has to get out again with the help of his room-mates who eventually discover just how important he is – to Winnie in London at least. A lot of old British actors were paraded here, but particularly manic Stanley Baxter (x2), lascivious Leslie Phillips and poncey Jeremy Lloyd, all making for a comfortable familiar ride. JRJ surpassed himself, evincing stoical but disdainful contempt for everyone British or German and his surroundings, barking orders to all lesser mortals and generally displaying an organisational brainpower not usually found this side of Mount Olympus. Favourite bits: Phillips immortal impatient leg-crossed line when JRJ as a Red Cross Inspector is imperturbably wasting time in front of the German guards; and almost everything JRJ uttered during the film.

All in all, a typical British comedy from the time but turned into something special by a tour-de-force performance, and one I've seen umpteen times since the late '60's. What an original the man was – to me indeed, a Very Important Person.

This comedy-thriller gives an unexpectedly authentic look to a German prisoner of war camp, suggesting a practical knowledge of the subject from some of those involved in the making of the film.

I remember seeing this film on TV as a kid, and enjoying it immensely. Recently, it cropped up on UK's Channel Four, and it was still just as entertaining and oddly touching.

James Robertson Justice gives a great performance as the grouchy, but underneath it all, sensitive boffin, and it's a real treat to see the young Eric Sykes, Stanley Baxter and Leslie Phillips all relishing their work. Wonderful support also in the always solid and dependable forms of John Le Mesurier and Richard Watiss. Many other familiar faces from films of the era add to the overall success of this movie. A very British little gem of a movie.

Very Important Person combines elements of the Carry On films, The Great Escape and Hogan's Heroes to produce a lighthearted low budget British Comedy that is surprisingly effective. Many of the stalwarts from this era are here with John Le Mesurier, Stanley Baxter, Eric Sykes in supporting roles. I wouldn't have been at all surprised to see Sid James turning up somewhere.

James Roberson Justice is excellent in his role as the cantankerous Very Important Person. There are lots of stiff upper lips and "tickety boos" from the British and the German officers are typically cast as foolish buffoons. This must have all been an inspiration for Hogan's Heroes but a very long way from the reality of prisoner of war camps.

Overall, VIP is a fine example of British Comedy from the 60s and is well worth a look.

I've seen a few James Robertson Justice/Leslie Phillips/Stanley Baxter films recently (thanks, Amazon Rental!), such as THE FAST LADY and FATHER CAME TOO, and compared with such absurd and dated fluff this works well. The 'This is Your Life' framing device is simple but neat; Annakin keeps thing moving, without allowing any of his cast to go over the top, even James R-J's role has more depth and less bluster than usual; various comedy stalwarts (Eric Sykes, Richard Wattis, John Le Mesurier) do their thing in ways that make sense in plot terms; Baxter's dual role is brilliantly handled, with tiny adjustments in gait and expression making it quite clear which is which when they appear in the same scenes. Even Leslie Phillips (with the possible exception of Kenneth Connor the most annoying of all the British comic actors of the 50s & 60s) brings something to the party this time. In some ways it stands up better than 'serious' POW stuff like THE WOODEN HORSE.

A funny film which has maintained its humour since being made in 1961. James Robertson Justice is excellent as an morose and unfriendly POW who must be helped to escape back to England. Well made and with some excellent exchanges between James Robertson and the other POWs.