When the Earth is threatened by a burning Van Allen Radiation Belt, U.S. Navy Admiral Harriman Nelson plans to shoot a nuclear missile at the Belt, using his experimental atomic submarine, t... Read allWhen the Earth is threatened by a burning Van Allen Radiation Belt, U.S. Navy Admiral Harriman Nelson plans to shoot a nuclear missile at the Belt, using his experimental atomic submarine, the Seaview.When the Earth is threatened by a burning Van Allen Radiation Belt, U.S. Navy Admiral Harriman Nelson plans to shoot a nuclear missile at the Belt, using his experimental atomic submarine, the Seaview.
- Seaman Kowalski
- (as Delbert Monroe)
- Cookie
- (as Anthony Monaco)
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I used to watch the series as a kid back when the UK only had 3 television channels, and they were offline more than online back in the 1960s when this was the State-Of-The-Art.
Now, over 40 years after it was made and most of the cast are either dead or retired, this movie is still standing the test of Time.
The plot is a little silly, with glaring holes that submarines could be driven through, and the acting is a little on the hammy-side sometimes, but for an entertaining look at how movie-makers in the 50s/60s thought the future might look, this is an excellent peek into how Hollywood was thinking at the time.
The cast seem to mesh well together around stilted dialogue ("Military Police swim like fish - it's part of their training"), and the prodigious talents of the likes of Joan Fontaine and Peter Lorre are somewhat reined-in, but overall this movie is still great to watch over four decades after they made it.
Voyage is a sci-fic movie, a disaster movie about a fire, an end-of-the-world movie, a movie with striking sets/miniature effects, and finally, the very first Irwin show to highlight the need of a top (and loud) musical score, thanks to composer Paul Sawtell.
This epic begins with Frankie Avalon singing - "Come with me, come with me, on a Voyage, to the Bottom, of the Sea" - and this totally under-rated song (it compares with the best of Sinatra!) should have been re-used in the Voyage/Sea TV series...as everything else in this picture was lifted into the series.
Shortly after, the film then moves into Admiral Nelson giving us a tour of the submarine Seaview, which resembles the opening minutes of the Irwin Allen directed Time Tunnel pilot (1966) when we were also given a Tunnel complex tour.
The Paul Sawtell scored footage of the icebergs pounding on the Seaview and the footage of the Seaview surfacing in a red sea would rank as some of the most striking bits of footage in Irwin's long history of film/TV making! Outstanding!
The cast of this motion picture is fine but I know this cast from other quality productions (Forbidden Planet, I Dream Of Jeannie) and am not all together comfortable seeing this cast on the Seaview. Give me Richard Basehart (and the flying sub!).
Some fans will put down this film because it features no Richard Basehart or David Hedison, but remember this, without this film there would have been no Voyage/Sea (1964-68) TV series. That is recorded fact! The budget for all of these sets, props and effects was HUGE, too huge for a TV series of the 1960s. The series happened because it could lift everything from the film.
One of my very favourite movies ever!
It might seem a little old hat today, but we've been through two more generations that have seen the United States Navy become an atomic fleet of submarines and surface carriers. It was only seven years earlier, in 1955 that the U.S.S. Nautilus was launched as our first atomic submarine. In homage to that wonderful visionary Jules Verne who foresaw atomic power one hundred years earlier the Navy named it after that famous undersea ship of Verne's great novel 20,000 Leagues Under the Sea. The nuclear submarine was a wondrous thing in 1961.
The idea of a nuclear power submarine was the brainchild of Admiral Hyman Rickover. Rickover was a tough minded s.o.b. who usually got whatever he wanted by any mean necessary including bullying. Hard to believe that the gentlemanly Walter Pigeon could play him, but he did and well as Admiral Harry Nelson, the ersatz Rickover.
What's happened here is that the Van Allen radiation belt that surrounds the Earth has caught fire and temperatures are climbing all over the world. The planet is doomed, but Walter Pigeon's got an idea to save it. Fire a missile and seed the belt with more radiation, kind of a nuclear backfire and the blaze will end.
A lot of people are telling him it won't work, but Pigeon brushes them all aside. The only two who have faith in him are his assistants played by Peter Lorre and Barbara Eden. But our intrepid admiral pushes through.
Of course the U.S.S. Seaview encounters all kinds of obstacles along the way, but that's the rest of the story.
The cast does very well for itself and young Frankie Avalon as a junior officer comes off rather nicely. Frankie sings over the title credits, but during the movie plays a trumpet. Avalon in fact was a trumpet virtuoso and a singing career was an afterthought. The fickle finger of fate.
Voyage to the Bottom of the Sea still a nice science fiction adventure even though it is dated.
Did you know
- TriviaBarbara Eden (Cathy) and Michael Ansara (Miguel) were married at the time this film was made.
- GoofsSince space is a premium with submarines, there is not a submarine in the world that would have ten foot high ceilings inside the living quarters and operational spaces as shown.
- Quotes
Admiral Nelson: Alvarez, are you saying - that man must accept destruction even though it's in his power to avert it?
Alvarez: It's not for us to judge, Admiral. Freeze!
Admiral Nelson: Not to judge, maybe, but we can reason. If God ordains that man should die without a fight, then why does he give us the will to live?
- ConnectionsEdited into Voyage to the Bottom of the Sea: Turn Back the Clock (1964)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Irwin Allen's Production of Voyage to the Bottom of the Sea
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,580,000 (estimated)
- Runtime
- 1h 45m(105 min)
- Color
- Aspect ratio
- 2.35 : 1