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Love at Twenty

Original title: L'amour à vingt ans
  • 1962
  • 1h 50m
IMDb RATING
7.1/10
2.5K
YOUR RATING
François Truffaut, Shintarô Ishihara, Marcel Ophüls, Renzo Rossellini, and Andrzej Wajda in Love at Twenty (1962)
FrenchDramaRomance

"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of George... Read all"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson. The directors create their peculiar s... Read all"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson. The directors create their peculiar scenarios with Truffaut revisiting Antoine Doinel, this time finding some meaning to his li... Read all

  • Directors
    • Shintarô Ishihara
    • Marcel Ophüls
    • Renzo Rossellini
  • Writers
    • François Truffaut
    • Renzo Rossellini
    • Shintarô Ishihara
  • Stars
    • Jean-Pierre Léaud
    • Marie-France Pisier
    • Eleonora Rossi Drago
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    2.5K
    YOUR RATING
    • Directors
      • Shintarô Ishihara
      • Marcel Ophüls
      • Renzo Rossellini
    • Writers
      • François Truffaut
      • Renzo Rossellini
      • Shintarô Ishihara
    • Stars
      • Jean-Pierre Léaud
      • Marie-France Pisier
      • Eleonora Rossi Drago
    • 5User reviews
    • 20Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Photos43

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    Top Cast25

    Edit
    Jean-Pierre Léaud
    Jean-Pierre Léaud
    • Antoine Doinel
    • (segments "Paris", "Antoine et Colette")
    Marie-France Pisier
    Marie-France Pisier
    • Colette
    • (segments "Paris", "Antoine et Colette")
    Eleonora Rossi Drago
    Eleonora Rossi Drago
    • Valentina
    • (segment "Rome")
    • (as Eleonora Rossi-Drago)
    Cristina Gaioni
    Cristina Gaioni
    • Christina
    • (segment "Rome")
    • (as Christina Gajoni)
    Geronimo Meynier
    • Leonardo
    • (segment "Rome")
    Nami Tamura
    • Fumiko
    • (segment "Tokyo")
    Kôji Furuhata
    Kôji Furuhata
    • Hiroshi
    • (segment "Tokyo")
    • (as Koji Furuhata)
    Barbara Frey
    Barbara Frey
    • Ursula
    • (segment "Munich")
    Christian Doermer
    Christian Doermer
    • Tonio
    • (segment "Munich")
    Werner Finck
    Werner Finck
    • Professor Zeifer
    • (segment "Munich")
    Vera Tschechowa
    Vera Tschechowa
    • Vera Tschechowa
    • (segment "Munich")
    Barbara Lass
    Barbara Lass
    • Basia
    • (segment "Varsovie")
    Zbigniew Cybulski
    Zbigniew Cybulski
    • Zbyszek
    • (segment "Varsovie")
    Wladyslaw Kowalski
    Wladyslaw Kowalski
    • Wladek
    • (segment "Varsovie")
    Jean-François Adam
    • Albert Tazzi
    • (segment "'Paris' aka 'Antoine et Colette'")
    • (uncredited)
    Patrick Auffay
    Patrick Auffay
    • René
    • (segment "'Paris' aka 'Antoine et Colette'")
    • (uncredited)
    Damian Damiecki
    Damian Damiecki
      François Darbon
      • Le beau-père de Colette
      • (segment "'Paris' aka 'Antoine et Colette'")
      • (uncredited)
      • Directors
        • Shintarô Ishihara
        • Marcel Ophüls
        • Renzo Rossellini
      • Writers
        • François Truffaut
        • Renzo Rossellini
        • Shintarô Ishihara
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews5

      7.12.5K
      1
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      Featured reviews

      8cscjr8

      Antoine et Collette - excellent segment

      Truffaut's segment of this anthology is a worthy sequel to The 400 Blows. The impact may not be as great as the first film, but this short shows that sequels can be more than just retreads. Doinel's story becomes more universal as it is embellished, fleshed out. But this does not make it less interesting.
      9planktonrules

      Be aware--an abbreviated version of this movie is out there!

      I have been looking for a copy of Stolen Kisses for some time, and so I was glad I finally found it--or thought I'd found it. While my sole reason for wanting to see it was to see the Truffaut segment featuring the character "Antoine Doinel", I was VERY surprised to see a DVD with ONLY this 30 minute portion from the movie on it--along with a Truffaut short, Les Mistons! What about the segments from Love At Twenty by Ophuls and the other directors? They were nowhere to be seen on the FOX/Lorber DVD! Quel dommage!

      Now, in regard to the Antoine Doinel segment, I was VERY glad I saw it, as it was the most interesting and endearing I ever saw the character. Doinel appeared in several other Truffaut full-length films and this small segment was the final one I needed to see to complete them. It was lighter in tone and "cute" compared to the other incarnations--much lighter than 400 blows or the other films that have a more wistful edge to them. You see a hopeful Doinel just reaching adulthood--a decent guy--just REALLY awkward with the ladies.
      10Daniel Karlsson

      Great

      This picture is worth watching just for Truffaut's terrific episode...it's too great for words. What a wonderful time that most have been back then when teenagers went to Mussorgsky recitals... not very common today, unfortunately. Anyway. Unlike American films which often show love in a artificial way, Truffaut and the other directors of the New Wave show realistic love, how it can be in real life. I love the way they film. The next episode (in Rome) is not quite as good as Truffaut's. In fact, it's real horrible. It almost ruins in otherwise a great film. The Japanese part is very good, but weird. I can't see why there must always be someone who dies in every Japanese film. The final episode in Poland is the 2nd best in the set. To conclude, I liked this movie a lot. It's the sort of film that makes you happy afterwards. And it's funny too. 5 out of 5?

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      7.4
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      7.5
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      7.0
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      Related interests

      Jean-Pierre Léaud in The 400 Blows (1959)
      French
      Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
      Drama
      Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
      Romance

      Storyline

      Edit

      Did you know

      Edit
      • Trivia
        In the segment "Paris" (aka "Antoine et Colette"): on the wall of Antoine's second flat there is a poster for The 400 Blows (1959), which also starred Jean-Pierre Léaud as Antoine Doinel.
      • Connections
        Featured in Zbyszek (1969)
      • Soundtracks
        La Chanson de Prévert
        (uncredited)

        Music by Serge Gainsbourg

        Lyrics by Serge Gainsbourg

        Performed by Serge Gainsbourg

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      FAQ13

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      Details

      Edit
      • Release date
        • February 6, 1963 (United States)
      • Countries of origin
        • France
        • Italy
        • Japan
        • Poland
        • West Germany
      • Languages
        • French
        • Polish
        • Japanese
        • Italian
        • German
      • Also known as
        • Ljubezen pri dvajsetih
      • Filming locations
        • Warsaw Zoo, Ratuszowa, Praga Pólnoc, Warsaw, Mazowieckie, Poland
      • Production companies
        • Ulysse Productions
        • Cinesecolo
        • Unitec
      • See more company credits at IMDbPro

      Tech specs

      Edit
      • Runtime
        • 1h 50m(110 min)
      • Color
        • Black and White
      • Sound mix
        • Mono
      • Aspect ratio
        • 2.35 : 1

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