Curse turns a handsome prince into a Beast at night. A princess tries to help him, while his enemies plot to take his throne.Curse turns a handsome prince into a Beast at night. A princess tries to help him, while his enemies plot to take his throne.Curse turns a handsome prince into a Beast at night. A princess tries to help him, while his enemies plot to take his throne.
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I remember seeing this movie as a child. Even then, I was expecting the story that I grew up with, but I didn't find it here. The entirely new adaptation, suggested by the classic fairy tale has Lady Althea (Joyce Taylor) journeying with her father, (Dayton Lummis) to the land of the prince to whom she is betrothed. What she does not know, is that Prince Eduardo (Mark Taylor) suffers from a curse which transforms him into a beast every night. Meanwhile, his evil cousin, Prince Bruno (Michael Pate) and his wife, Princess Sybil (Merry Anders) are waiting for a chance to seize the throne, with the help of a spy, Grimaldi (Walter Burke). Although Althea eventually discovers Eduardo's horrifying secret, she remains loyal to him. Both Taylor and Damon are a handsome heroine and hero, and play their parts with feeling.The rest of the cast follows suit. The film looks very attractive for a B-picture (it was the last movie from prolific director Edward Cahn) and the moral from the original story has been retained. If you don't expect the classic fairy tale, it can be enjoyed on it's own terms.
BEAUTY AND THE BEAST was the last movie by experienced Hollywood director Edward L.Cahn who died in 1963. He was a real workhorse and directed some 100 films in 30 years, among them such B-Picture classics as THE CREATURE WITH THE ATOM BRAIN, ZOMBIES OF MORA-TAU, INVASION OF THE SAUCER MEN, IT!-THE TERROR FROM BRYOND SPACE and THE FOUR SKULLS OF JONATHAN DRAKE.
BEAUTY AND THE BEAST is an unimportant and pretty boring period picture with well done art direction, but that is all it has to offer. The naive story moves along at a snail's pace without any highpoint and there is no action at all. Although Mark Damon looks like a werewolf after he turns into the beast, this is not a horror film, because Damon is a very tame "werewolf", who does no harm to anyone. Anyway, with or without make-up: Damons acting ability is not very impressive and it was a wise move by him, to give up acting and become a movie producer a few years later.
BEAUTY AND THE BEAST is an unimportant and pretty boring period picture with well done art direction, but that is all it has to offer. The naive story moves along at a snail's pace without any highpoint and there is no action at all. Although Mark Damon looks like a werewolf after he turns into the beast, this is not a horror film, because Damon is a very tame "werewolf", who does no harm to anyone. Anyway, with or without make-up: Damons acting ability is not very impressive and it was a wise move by him, to give up acting and become a movie producer a few years later.
Little-seen American-made rewrite of the classic fable is an awesomely awful 'family film' set in Italy. The beautiful daughter of the Count of Sardi is all set to marry a vacuous Prince Charming, but he has inherited an ancient curse which turns him into a werewolf every nightfall. Bad films can be a lot of fun, but this one is just sad. Paltry production values, pitiful make-up effects, amateurish cast including Joyce Taylor, Mark Damon and Edward Franz, terrible script and direction. Stick with the 1946 French version by Jean Cocteau. Heck, even Disney's animated bombast is preferable to this! NO STARS from ****
The legend spawned so many tales and so many movies it's hard to count them all;even a work such as "King Kong " is another variation on the theme.
In France ,the fairy tale "La Belle et la bête " (1945) was transferred to the screen by Jean Cocteau and René Clément. The poet/director took it to new limits ,he dramatically expanded the scope,and most of all,he wiped out an obsolete grating moral one found in the most famous French version by Madame LePrince De Beaumont Cocteau left the "moral " angle far behind magic,symbolism,surrealism and psychoanalysis while keeping the well-known denouement :only true love can defeat all the curses .
In the French movie,the curse was cast by an evil fairy ;Mark Damon is victim of a family heredity :he does his best au naturel (he matches Solomon in the carrots/cow affair),but is laughable when he turns into a beast ;in Cocteau 's black an white masterpiece ,Jean Marais had to endure a four-hour make up ,and the results ,even today,are stunning ;In this version, the make up is so cheap that it makes Mark Damon look like a vague ape ,or a young man dressed up for Mardi-Gras or a fancy dress ball ; the work must not have taken more than ten minutes .
Damon's curse ,unlike most of his colleagues ,is sweetened : it only happens at night , but it does not make things easier when you are about to get married (the Freudian side , which the late Bruno Bettelheim studied in his famous book "psychoanalysis of fairy tales" ?)The Belle is not a commoner ,like in most of the other versions, but a genuine lady.
Wicked cousin prince Bruno , who covets Eduardo's throne, tries to pit the people against their sovereign ;in Disney's version ,Gaston plays more or less the same role .The middle ages allow hints at sorcery .
In France ,the fairy tale "La Belle et la bête " (1945) was transferred to the screen by Jean Cocteau and René Clément. The poet/director took it to new limits ,he dramatically expanded the scope,and most of all,he wiped out an obsolete grating moral one found in the most famous French version by Madame LePrince De Beaumont Cocteau left the "moral " angle far behind magic,symbolism,surrealism and psychoanalysis while keeping the well-known denouement :only true love can defeat all the curses .
In the French movie,the curse was cast by an evil fairy ;Mark Damon is victim of a family heredity :he does his best au naturel (he matches Solomon in the carrots/cow affair),but is laughable when he turns into a beast ;in Cocteau 's black an white masterpiece ,Jean Marais had to endure a four-hour make up ,and the results ,even today,are stunning ;In this version, the make up is so cheap that it makes Mark Damon look like a vague ape ,or a young man dressed up for Mardi-Gras or a fancy dress ball ; the work must not have taken more than ten minutes .
Damon's curse ,unlike most of his colleagues ,is sweetened : it only happens at night , but it does not make things easier when you are about to get married (the Freudian side , which the late Bruno Bettelheim studied in his famous book "psychoanalysis of fairy tales" ?)The Belle is not a commoner ,like in most of the other versions, but a genuine lady.
Wicked cousin prince Bruno , who covets Eduardo's throne, tries to pit the people against their sovereign ;in Disney's version ,Gaston plays more or less the same role .The middle ages allow hints at sorcery .
Talyor the Beauty and Damon the Beast in this terrible ripoff. It would be better off if this film was not filmed at all, or if it was flushed down the can. Mark Damon's acting was horrible, and the soundtrack sounded like a chainsaw. But I'll give it 1(half)out of 10, because I feel sorry for it.
Did you know
- TriviaLegendary make-up man Jack P. Pierce's final film.
- ConnectionsFeatured in 100 Years of Horror: Werewolves (1996)
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- Also known as
- Die Schönheit und das Ungeheuer
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- Runtime
- 1h 17m(77 min)
- Aspect ratio
- 1.37 : 1
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