13 West Street

It was not very long into viewing this film that Alan Ladd was at the end of his career in Hollywood, his problem with Alcohol were starting to get the best of him in his eyes and face and even makeup could not hide the demon's he was facing in real life. Walt Sherill,(Ladd) plays the role of an aerospace engineer and very successful and married to his wife, Tracey Sherill, (Dolores Dorn) in a very nice home in the suburbs. One night as Walt is leaving his office he runs out of gas and starts to walk to a telephone when he is almost run down by a speeding car driven by delinquent juveniles. Walt yells at them and they proceed to go back to Walt and beat the living day lights out of him. It is from this point in the film which becomes very interesting and Rod Steiger, (Det. Sergeant Kileski) gives an outstanding supporting role which makes this picture a success. It is sad to say that this was Alan Ladd's last starring role in Hollywood and two years later he passed on to a greater stage.

Alan Ladd, in his second to last role, is Sherill, a rocket scientist who gets beat up by a gang of thugs. Rod Steiger is Detective Koleski, who is working the case. He tells Sherill to let him solve the case, but both the gang of punks and Sherill keep going after each other. This can't end well! Directed by Philip Leacock. This was one of the last films he directed.... did mostly television after this, for another twenty years! Story is based on The Tiger Above Us, by Leigh Brackett. Ladd died young at 50, from a combination of alcohol and drugs. Steiger will go on to win the oscar for Heat of the Night a couple years later. It's just okay. No big shakespeare production, but it'll do.

This is an above average programmer that benefits from decent, if predictable, performances by Alan Ladd and Rod Steiger. Ladd is a rocket scientist who gets mugged on the way home from a late night at the office by a roving band of Beverly Hills punks led by Michael Callan. What follows could be considered Death Wish 1962, as Ladd pursues the villains whilst police officer Steiger tries to keep him under control. Good photography by Charles Lawton Jr. and a reasonably interesting George Duning score make this one to watch on a cold winter's night.

As Alan Ladd's last starring role, this was a pretty good way to finish his all-too-short career. While it's not the best thing he ever did, it is one of his better films. Unfortunately, for me, a real fan of Ladd, it's also a bit tough to watch because he's obviously suffering the effects of advanced alcoholism--with a puffy look about him and slightly slurred speech. In addition, at times his performance was a bit limp--though at other times, particularly at the end, he was able to rouse some of that old Alan Ladd energy and anger.

The film is about a decent man who through no fault of his own is badly beaten by a group of young spoiled rich thugs. The problem is that the information on who did this was scant so catching the thugs looked uncertain. Plus Ladd had a lot of trouble getting on with his life--particularly when members of this little gang began threatening him and his wife. From that point on, Ladd is a bit like Captain Ahab--with an almost incessant need to find and punish the teens. Surprisingly, Rod Steiger underplays the role of a decent detective who is investigating the case (he sometimes seemed to overact in some films--here he was perfect). He's trying his best to find the boys AND keep Ladd from getting himself in trouble for being a vigilante.

Add to this basic plot decent acting, a very good and suspenseful script as well as a very adult plot for 1962 and you've got the formula for a very good drama--far better than many of the mediocre films Ladd had been making through much of the 1950s and 60s.

I had fairly low expectations going into this one, but the film quickly churns into full noir-ish life as one of the last of what was to be a dying breed of movie--a psychological thriller pulling us close to the world of the always fascinating Alan Ladd as he runs head on into forces beyond his control. (I disagree that Ladd's personal problems detract from his performance at all. In fact to me the intentional darkness of the mood is simply strengthened by Ladd just as he was able to do in a dozen other gripping dramas both large and small. This is a "small" drama, to be sure, but none the less intense and intriguing.

A plot theme emerges here treated the way a great noir director of the 40's might have treated it--pathological youth violence, a real social problem often glossed over {Rebel Without A Cause, for example) or in later 1960's films glamorized and turned into the iconic images for a new generation.

But here it is--stark, vicious, mindless, and cruel just because people can get away with it. This is a brave and unflinching film and a real treat for those who appreciate the genre. Keep your expectations modest and it will surprise you quite happily!