Who's Got the Action?

You know if this were a serious film, Lana Turner would have hustled off Dean Martin to Gamblers Anonymous and that would be the end of it. But movie comedy demands a crazy scheme as a premise.

In a scheme worthy of Lucy Ricardo, Lana decides to take over Dino's action. She enlists his lecherous law partner Eddie Albert in on it. Albert pretends that he's got a new bookie who's the best in town. Martin goes for it.

Of course the idea is based on the fact that Dino will lose, but the money will then stay in the family. Instead Dino gets on a hot streak causing all kinds of unforeseen complications.

Who's Got the Action has a cast full of familiar faces doing what they do best. I suppose tops in the supporting cast is Walter Matthau, playing big time bookie who's wondering who's the new competition in town stealing the action from a mounting list of his heaviest bettors.

Not the best that either lead has ever done, but still fine entertainment.

This one isn't all that bad...really! Dean Martin was well-cast as a guy whose gambling addiction causes his wife, played by Lana Turner, to concoct a scheme to keep him out of debt by secretly becoming his "bookie." Trouble is, he hits a winning streak and she has to sell off jewelry, furnishings and other baubles to pay off his windfall. Before Walter Matthau became a major name-above-the-title headliner, he played "Tony Gagoots," big-time bookie with an elaborately concealed electronic control room for his illegal empire, and he's partnered with Nita Talbot, as his main squeeze, "Saturday Knight," and she's one of this film's comic highlights. There are also Eddie Albert and his wife, Margo, on hand to lend amusing and very professional support and the whole thing is prettily mounted in Panavision (which means that the VHS version is probably "formatted" - not a plus!) and Technicolor. It's an early-Sixties example of what TIME magazine, in a fairly positive review, called a "yak derby" and, if you're a fan of those two always-funny character actors, Paul Ford and John McGiver, they have a few moments in this one that lend to the proceedings some genuinely winning laughs.

Listless little comedy which drags on and on for an hour and a half.Lana Turner,one of the queens of melodrama -"The bad and the beautiful","Madame X","Peyton Place",the sublime "imitation of life"- or film noir ("the postman always rings twice") has not the great comical presence the part asks for.Walter Matthau steals the show:ahead of his time,his character uses a big computer;although a dirty man,he lectures his subordinate about his poor old mother,whom he must support even at his own expense.

A distant relative of "the sting" .People who are allergic to bets,bookies and stuff like that ,take to your heels.

"Who's Got the Action" is a forgettable time-passer. I wasn't totally surprised, as the film starred Lana Turner...and by 1962 the quality of her films had diminished considerably. I was surprised, however, to see a major star at the time, Dean Martin, in such a slight film.

Martin plays a husband who loves to gamble on the horses. He's not very good at it and the wife wants to teach him a bizarre lesson...she sets herself up as a bookie for him because she KNOWS he'll lose a lot of money. The problem is that he starts winning big...and others notice and join him in betting with this mystery bookie. Soon, real gangsters are noticing they're losing clients and they are NOT happy.

The film is supposed to be a comedy but there really weren't many laughs. Add to that one of Walter Matthau's worst performances and you've got a movie that should have been better but wasn't.

One of Dean Martin's least-known films and while not a total success, it's fairly enjoyable.

The initial scenes feel like a fairly conventional romantic comedy but once Turner's plan to be Martin's secret bookie gets into full motion, it becomes a full blown farce.

And as a farce, it's a pretty good one. It develops some fine momentum with running gags (like the car collision scene or whenever Jack Albertson's policeman character appears) and revelling in the consequences and complications of when Turner's plan gets out of hand.

Alas, when the film tries to wrap up its convoluted goings on, it runs out of steam and the final 15-20 minutes are fairly cumbersome and unfunny.

The cast is stacked with talented performers; perhaps too stacked as several are underused. For example, Eddie Albert as Martin's friend and work colleague is funny and amusing but because of the plot goes missing for long stretches in the film's second half.

The one weakness in the cast is Lana Turner, someone who I never found to be a particularly interesting performer. She is competent in her role but doesn't have the same comedic mindset as the rest of the cast and as a result her character is easily the dullest in the film.

So while not what it could've been, this film is an amusing timewaster. It's certainly better than a lot of other films Martin made in the 1960s.