Mary Follet, a wife and mother in 1915 Tennessee, copes with the loss of her husband and the necessity of raising their children alone.Mary Follet, a wife and mother in 1915 Tennessee, copes with the loss of her husband and the necessity of raising their children alone.Mary Follet, a wife and mother in 1915 Tennessee, copes with the loss of her husband and the necessity of raising their children alone.
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Ferdi B. Hoffman
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David Huddleston
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10lizerooh
I can't remember how I was fortunate enough to even see this movie. It might have been on Bravo. It is based on the Pulitzer prize winning novel "A Death In the Family" by James Agee. He also wrote the screenplay for this excellent movie. It is a small story about a southern family who love one another and what happens when there is a death in that family. Robert Preston is wonderful. His character has such depth and sincerity and the relationship between he and his small son is very moving. Jean Simmons is also very good as the pregnant wife in this small family. I hope this movie is available on DVD or VHS soon. I can't wait to purchase it. Highly recommended.
Why didn't someone tell me to bring 5 boxes of hankies for this one? I just watched (or rather re-watched after some 30 years) All The Way Home, (1963), based on the James Agee play "A Death In the Family". This story has seen other versions, but this one is by far the most outstanding.
Robert Preston was in his element as a loving husband and father of a young son, played endearingly by Michael Kearney. Jean Simmons gives yet another incredible performance as the wife, and Aline MacMahon shines as Aunt Hannah. She was an old woman in 1963, but still, how that woman could act. She was great in the 1930's, she was great in the 1960's. She's just great! It was also neat to see John Cullum the musical star in an early role in a non-musical. He was memorable as the brother who comes to tell the bad news, and not being able to face the wife, bursts into tears and hugs Aunt Hannah instead, and this is how the wife learns that her husband has died. An effective moment, not maudlin at all, but very natural. Do we always learn about the death of a relative in an ideal way? Not at all. I learned about the death of my mother after coming home from the grocery store, my arms filled with packages. It was like someone had kicked me in the stomach and the groceries suddenly felt like dead weight.
This film's actions take place in America during the World War One era, a time period shamelessly neglected by today's filmmakers. I guess they don't like its outright sentimentality, they'd rather foist gore and sex on us instead.
The film's credits are fantastic for the silent film fan, because the credits roll and are interspersed with shots of the young son and the father in the theater laughing at a Charlie Chaplin movie (sorry, Charlie fans, I didn't recognize which one it was but it had Charlie trying to get through a door in which a fat man's rear end was stuck). The "audience" is laughing like mad. It was eerily reminiscent of the last scene in the silent classic The Crowd (1928), only this film begins with such a scene. You hear a tinny piano in the background and it puts you immediately in the correct frame of mind to watch such a picture.
You are lulled into thinking you will be watching a simple tale of an early 20th century American family, but slowly you find yourself getting deeper and deeper into pathos and drama, a story filled with universal truths which are often hard for us to bear. A really wonderful film. It needs to be out on video or DVD.
Robert Preston was in his element as a loving husband and father of a young son, played endearingly by Michael Kearney. Jean Simmons gives yet another incredible performance as the wife, and Aline MacMahon shines as Aunt Hannah. She was an old woman in 1963, but still, how that woman could act. She was great in the 1930's, she was great in the 1960's. She's just great! It was also neat to see John Cullum the musical star in an early role in a non-musical. He was memorable as the brother who comes to tell the bad news, and not being able to face the wife, bursts into tears and hugs Aunt Hannah instead, and this is how the wife learns that her husband has died. An effective moment, not maudlin at all, but very natural. Do we always learn about the death of a relative in an ideal way? Not at all. I learned about the death of my mother after coming home from the grocery store, my arms filled with packages. It was like someone had kicked me in the stomach and the groceries suddenly felt like dead weight.
This film's actions take place in America during the World War One era, a time period shamelessly neglected by today's filmmakers. I guess they don't like its outright sentimentality, they'd rather foist gore and sex on us instead.
The film's credits are fantastic for the silent film fan, because the credits roll and are interspersed with shots of the young son and the father in the theater laughing at a Charlie Chaplin movie (sorry, Charlie fans, I didn't recognize which one it was but it had Charlie trying to get through a door in which a fat man's rear end was stuck). The "audience" is laughing like mad. It was eerily reminiscent of the last scene in the silent classic The Crowd (1928), only this film begins with such a scene. You hear a tinny piano in the background and it puts you immediately in the correct frame of mind to watch such a picture.
You are lulled into thinking you will be watching a simple tale of an early 20th century American family, but slowly you find yourself getting deeper and deeper into pathos and drama, a story filled with universal truths which are often hard for us to bear. A really wonderful film. It needs to be out on video or DVD.
I caught this movie on TV many years ago and was so touched by it I wish it was available on DVD but sadly it seems to be one of those movies that disappears into the ether. Strangely enough the people who make the decisions as to what to program on broadcast and cable and those who market DVDs etc. are in lockstep with one another, offering the big hits and so called "classics" as well as truckloads of trash from the last quarter century. This film is an adaptation of James Agee's "A Death in the Family" and is beautifully filmed and acted and it's one of those films that seems somehow better on the home screen because of it's intimacy. If you think as highly of Robert Preston as I do you must see his performance in this movie.
When I first watched this film, I really wasn't sure whether I liked it or not but after careful thinking and being honest with myself I have to admit that I like it. I have never seen such a tender portrayal than the one played by Robert Preston. He is in rare form. I was also very moved by Jean Simmons's character and the interaction she had with the other characters, especially the ones dealing with God, life and death. Aline MacMahon was a real inspiration in this film as Aunt Hannah--I had never before seen her in a movie to my knowledge and yet I really had and still do have the feeling that no one could have played Hannah as well as Miss MacMahon did. This film is about life, its ups and downs, tragedies and triumphs, reality and the choice of giving up or going on. This one's a real treat and blessing!
Set in the turn of the century, this is a wonderful period piece. Micheal Kearney as Rufus, the couples little boy is sweet and realistic. His father, Jay Follet played by Robert Preston is a top- notch, Oscar caliber performance. His interaction and love for his family is the most realistic that I have ever seen in a movie. Jean Simmons is great, too, her character is heartbreaking and moving. If you get a chance to see this, do it. I don't want to give away the story, but the tragedy she has to deal with will make you think about your loved ones and what it would be like if they were taken away suddenly. A real tear-jerker but a beautiful film.
Did you know
- TriviaAccording to a 1986 Knoxville Journal article, Robert Preston was one of the few people involved in the production who knew how to drive the borrowed 1915 Model-T used in the film, and he wanted it to be used accurately. In one scene the director wanted to have the Model-T parked with the headlights on, but without the motor running. Those vehicles were not equipped with batteries, though, and electricity for lights was supplied by the running motor. The director wanted to have a battery hooked up to the car, but Preston refused, saying that Model-T buffs would notice the inaccuracy if the lamps were lit without the motor running.
- GoofsWhen Rufus runs out of the house towards the train, in one wide shot a busy road with modern vehicles is visible in the background.
- Quotes
Rufus Follet: Rufus is a NIGGER name...
Jay Follett: Rufus is a powerful name... don't ever talk that way, that word is used to hurt colored people...
- ConnectionsReferenced in The Story of the Swimmer (2014)
- How long is All the Way Home?Powered by Alexa
Details
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- Ein Schmetterling flog auf
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- Runtime
- 1h 37m(97 min)
- Color
- Aspect ratio
- 1.66 : 1
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