Carry on Cabby

Well almost! There is a real battle of the sexes in this carry on and if you don't mind the expression the women come out on top. This is not a very funny carry on, in fact quite the contrary. There are moments that are actually quite touching. THe marriage between Hatti and husband Sid is a troubled one and its nece to see real character development. Its actually quite poignant. Hatti is playing for truth rather than being cast as the fat funny lady.The climax of the movie when all the cabs start chasing the bad guys who are abducting Hatti Jacques and Liz Frazer is actually very exciting. Those taxis and other "relics" of the time look wonderfully nostalgic. The interior sets look cute too and its all in glorious black and white. The music is wonderful and the script is character driven but still has a strong story line. Although it may not be very funny it is extremely entertaining and its a fine movie. The script is excellent and the characters are beautifully developed. This is a good story. We are given a break from the fabulous Kenneth Williams but there is plenty of talent. Great to see Hatti Jacques get more to do and she gives a brilliant performance. The ever reliable Liz Fraser does great work too. Sid James is wonderful in this role and its easy to see why he became so popular. Jim Dale in a small role is great and later its interesting that he became so sexy. Charles Hawtry is in fine form and the normally annoying Kenneth Connor gives his best under stated performance without the annoying mannerisms that detracted from many of the carry on movies. Esma Cannon plays it quite straight for a change and as always still steals every scene she is in. The real star of this is Hatti Jacques who really makes this fine movie a totally enjoyable experience.

Sid James plays Charlie Hawkins, workaholic owner of Speedee Taxis, the only cab firm in town. After repeatedly ignoring his long-suffering wife Peg (Hattie Jacques) in favour of picking up fares, Charlie finds himself unexpectedly facing competition from his miffed spouse, who secretly sets up rival taxi company GlamCabs, featuring all female drivers.

From the above synopsis, one might think that this film intends to strike a blow or two for feminism, but this being a Carry On film from the early sixties, it quickly becomes apparent that fighting for sexual equality isn't the film's primary motive. With GlamCabs only employing women with an hour-glass figure and a cracking sets of pins, the film's 'battle of the sexes' plot is actually a thinly veiled excuse to fill the screen with cracking crumpet.

Not that I'm complaining: the leggy lovelies, whose number include the fabulous Amanda Barrie (who would go on to star as Queen Cleopatra in Carry On Cleo), not only provide viewers with quality eye-candy (especially in the scene where Kenneth Connor, disguised as a woman, is ushered into the ladies changing room), but also plenty of laughs as they use their impressive womanly attributes to steal Hawkin's business.

6.5 out of 10, rounded up to 7 for IMDb.

Cabby is generally regarded as one of the best of the series and it was to be said it is a very good film. Hattie Jacques has probably her finest part and her and Sid James always made a good team. That said even though this was Talbot Rothwell's first Carry on script and there are some bawdy lines and very funny situations it still has that Norman Hudis feel to it. Now i was never a fan of the Hudis Carry on's i feel they were no different to any other harmless stiff upper lip British comedy film's that were being made at the time despite their somewhat high reputation. This was a decent warm up for Rothwell and after a couple of silly follow ups Jack and Spying he really hit home with the hilarious and brilliant Cleo (the first great Carry on film). Cabby is harmless fun with great support from Hawtrey and Connor, but much better was to come.

Made in the days when Cortenas were considered exotic; this is an unusual 'Carry On' in that the humour is gentler (Sid James - fresh from a TV series called 'Taxi' - isn't yet the coarse lecher he later became) and the woman more nuanced, possibly because it started life as a non-'Carry On'.

Written under the title 'Call Me a Cab' by Morecombe & Wise's old writers Sid Green & Dick Hills, this was one of the last 'Carry On's in black & white, the last to feature Cyril Chamberlain, Esma Cannon, and the lovely Liz Fraser (unless you count the unspeakable 'Carry On Behind', which I don't), the first to feature Jim Dale and Amanda Barrie and be scored by Eric Rogers. And one of the VERY few without Kenneth Williams.

This is a really heart warming flick with a cracking story. Sure, the gags are there, but they are not the forefront of the film.

James and Jacques have rarely been in finer form, and manage to construct some very poignant scenes. Amanda Barrie is absolutely drop dead gorgeous.

Perhaps most overlooked, this film has one of the loveliest scores of all the Carry Ons, and makes use of some lovely arrangements.

Definitely a must see if you like the genre.