The Fire Within

"The Fire Within" (French, 1963): Directed by Louis Malle, scored by Eric Satie. This is a perfect visual reason to use black and white with tons of gray. It is two days in the life of a young, popular man who has returned to his acquaintances, friends and ex-lovers, after vanishing into a program for alcoholics…a program he found comforting, and did NOT want to leave. He searches through his relationships for a reason to continue his life, whether as-is or anew…but overriding any thoughts of the future is his current state of total depression. His friends continued their lives during his absence, they continue their fast-paced, challenging repartee during his visits, and they will clearly continue after his leaving. "The Fire Within" is a quiet, observational film, interrupted only for conversations that seem to have substance, yet offer no solutions. It has one goal, and meets it very well.

THE FIRE WITHIN is a drama about a former alcoholic, who is at the crossroads between life and death in a state of a deep depression. It is based on the novel "Will O' the Wisp" by Pierre Drieu La Rochelle.

Alain, a recovering alcoholic at a rehabilitation clinic in Versailles suffers with a depression. He often thinks about suicide, but still tries to find some valid reasons for living. He is in complete contrast with a behavior of his friends, which further enhances his internal conflict...

Mr. Malle gently touches sore points of a depressed man. His hero is empty and defeated man, who is trapped between a drunken past and an uncertain future. Many of the protagonists, who are full of compassion and love, going through his frustrating life. He's a lost soul, who can not let go of his depressive everyday life. However, a man, without an imagination and love, must find his own peace and certainty. A recovery from alcohol is an ironic view of a collapsed life.

Regardless of a state of his mind and heart, his tragic appearance is not quite clear. This is a kind of flaw of this film, because the main protagonist has condemned himself to a tragic end, before he has considered any options. An authentic scenery emphasizes his escape from any opportunities in life.

Maurice Ronet as Alain Leroy has offered a convincing performance. He is a lonely man who helplessly wanders...search, and then run away from love and certainty.

Life is a kind of agony in this case.

THE FIRE WITHIN chronicles the last chapter in the life of a failed writer who is locked in a struggle with existential despair. Alain Leroy is presently in a hospice undergoing treatment for alcoholism, and he is clearly hung-up on the same dilemma that perplexed Shakespeare's Hamlet-should he continue with his lackluster existence, or end the hopelessness of it all? Always the ladies man, he now feels that he was never able to touch or connect with any of the passions of his nature, and alcohol allowed him a safe haven while he awaited his real life to commence. But, it never did. He spends his last few days visiting with old friends trying to uncover an answer to his problem, but finds no solace in their warmth and encouragement. The film follows the premise to the logical conclusion, but whether we were watching the buildup to a suicide was really not the prime concern of the movie. Malle's film succeeds in that he is able to present a three dimensional character at a significant crossroads in his life. Also, the film contains many wonderful scenes of Paris street life from the early 1960's which further increases the richness of this movie.

One of the triumphs of the otherwise often overrated nouvelle vague,Louis Malle's adaptation of a Drieu de la Rochelle has not aged bit.Thanks to Maurice Ronet ,who portrays a suicidal man,probably the most beautiful performance of this kind.The movie is nothing but a long wandering in a mental hospital,in the Parisian bistros,in the posh world where an Antonioniesque bourgeoisie is killing time (see Alexandra Stewart's character).If I mention Antonioni,it''s not by chance ;actually Malle succeeds here where Antonioni only partially does.The difference ,I think,lies in the fact that we have here a human being,made of flesh and blood,who exists,and I would like to point out once again what a great actor the late Maurice Ronet was.Eric Satie's music perfectly captures the doomed atmosphere.This is arguably Louis Malle 's finest,one of the rare movies which achieve the delicate balance between the strong screenplay and the "liberties" dear to the new wave creators. Yes the new wave did produce great movies:"la tête contre les murs " (Franju)"Cléo de 5 à 7" (Varda)"Lola" (Demy)and this one are jewels on its crown.

One extraordinary feature of this film is what I would call a "filter". Right from the start, the viewer knows that Alain is hurriedly (yet half-heartedly) searching for something that would give him the will to live, otherwise he will commit suicide. This extremely simple premise leads to extraordinary effects: the everyday happenings, which would seem neutral or even pleasant in any other circumstance, now fill us with disgust. Through the filter of Alain's eyes, we perceive the everyday reality as hopeless and empty of any worthwhile purpose. The author's message: you should apply that filter to your own life. But who has the guts to do it? I know I don't.