Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

This movie is possibly the best comedy ever made, only with one fact against it: it's not very "comical". Hilarious? Yes. Comical? Absolutely not. The horrors of the nuclear war caused by a simple mistake materialize before us, directed with skill by the late maestro, Kubrick.

There are simply not enough words to describe Peter Sellers's BRILLIANT performance in three roles: A british officer, the U.S president and Dr. Strangelove. He is hilarious as the british officer, with his wonderful accent, gloomy and neurotic as the president and simply insane as Dr. Strangelove.

Also note that this movie includes a performance by very young James Earl Jones, who we now all know as the voice behind Darth Vader.

The ending scene is also a masterpiece.

Spectacular and chilling to watch Dr. Strangelove in May 16, 2017. I'm not going to talk about prophecy not even coincidence. Art has a way to warn, express or simply entertain in a way that its relevance will always be renewed. That opening with George C Scott's secretary, in her underwear, answering the phone for her boss in the most professional tone imaginable, is a masterful way to introduce us to the normal absurdity we're about to embark on. Terry Southern's extraordinary script (sharing credit with Peter George and Stanley Kubrick himself) is a masterpiece of intention and execution. The film doesn't have a moment of emptiness nor a single cheap shot. Everything works with the irrational logic of tradition and set standards. How can something so serious and ultimately terrifying can be so funny. I think that's the definition of film art. I don't want to sound pompous but that's exactly how I feel. I've seen a 1966 movie by Stanley Kubrick in 2017 that's better, more relevant, ingenious and even revolutionary than anything we've seen in a long, long time. Peter Sellers, fantastic three times over (and he was also going to play the Slim Pickens part) George C Scott in one of the greatest comic performances ever put on film and Sterling Hayden in a frighteningly credible show of abuse of power, complete the pleasures of this remarkable film.

This movie had humor to an intelligent extent and was one of the most entertaining "older" movies. The story was told nice with cuts from the war room, mandrakes story, and the flight. A very linear composition but filled with humor and action. I still love the iconic scene where "yee haw" is being screamed while riding nuclear weapon. ICONIC!

What makes this film so powerful is the message that it made at the time of its release. This film came out at a height of paranoia of the nuclear age and the Cold War, right around the time of the Cuban Missile Crisis. This film depicts a horrible, tragic incident in which a breach in the government and a few diplomatic mistakes result in nuclear holocaust. So, why didn't this film inspire panic? Because of the brilliant way in which Kubrick presents it... as a satire. The scariest thing about this film in retrospect is not how it depicts the impending doom of the Cold War, but how it makes you laugh at it. By presenting it with humor, it conveys just how much of a farce the nuclear arms race was in real life. And I don't think that any other film has captured the absurdity of war nearly as well as this one has. And I am not likely to believe that one ever will. In my opinion, Kubrick has never made a better film since. And kudos to George C. Scott for his astounding performance, as well as Peter Sellers for the most versatile acting I've seen from an actor in one film, and to Sterling Hayden, for performing the most serious, yet the most hilarious role in film with perfect accuracy. Beware of fluoridation!

Doctor Strangelove or: How I Learned To Stop Worrying and Love the Bomb is truly a masterpiece. It manages to be a hilarious comedy while still being a film with very serious themes. It is just the perfect balance, and it is truly overall a flawless film.