IMDb RATING
6.0/10
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A vagabond Viking adventurer and a Moor both compete to find "The Mother of All Voices", a legendary golden bell near the Pillars of Hercules.A vagabond Viking adventurer and a Moor both compete to find "The Mother of All Voices", a legendary golden bell near the Pillars of Hercules.A vagabond Viking adventurer and a Moor both compete to find "The Mother of All Voices", a legendary golden bell near the Pillars of Hercules.
- Director
- Writers
- Stars
- Nominated for 1 BAFTA Award
- 1 nomination total
Beba Loncar
- Gerda
- (as Beba Lončar)
Peter Brace
- Viking
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Considering Kirk Douglas, only five years before, has made of his 'The Vikings' the definitive viking epic, not so bad we could be entertained with a lighthearted version of the norwegian warriors. Sort of a 'comic relief' after the bloody, harsh, moody Douglas unsurpassed masterpiece.
Not to be taken seriously, this one. Directed by Jack Cardiff ('The Vikings' cinematographer), it offers fun, adventure, and a semi-Monty Python approach at times. The plot is the silliest ever, acting is hammy to the best, but what the hell?
The Othelo-tailored moor, cortesy of Sidney Poitier, is straight. The nice Russ Tamblyn makes his best. Rossana Schiaffino is traffic-stopper, jawbreaker, but this is a Richard Widmark's movie from the beginning to the end, because he is the only one who clearly got the point across: he is taken nothing, absolutely nothing, too seriously! He is clearly blinking an eye to all off us viewers all the time, saying: "Relax, folks, it's only a movie! Let's have fun!"
Somewhere in this very picture a given viking sighs: 'there's no real vikings anymore, like in the old times!" Man, they stayed all in the Kirk Douglas' movie, you bet! In this one, just tongue-in-cheek slapstick. Where's my popcorn pack?
Not to be taken seriously, this one. Directed by Jack Cardiff ('The Vikings' cinematographer), it offers fun, adventure, and a semi-Monty Python approach at times. The plot is the silliest ever, acting is hammy to the best, but what the hell?
The Othelo-tailored moor, cortesy of Sidney Poitier, is straight. The nice Russ Tamblyn makes his best. Rossana Schiaffino is traffic-stopper, jawbreaker, but this is a Richard Widmark's movie from the beginning to the end, because he is the only one who clearly got the point across: he is taken nothing, absolutely nothing, too seriously! He is clearly blinking an eye to all off us viewers all the time, saying: "Relax, folks, it's only a movie! Let's have fun!"
Somewhere in this very picture a given viking sighs: 'there's no real vikings anymore, like in the old times!" Man, they stayed all in the Kirk Douglas' movie, you bet! In this one, just tongue-in-cheek slapstick. Where's my popcorn pack?
They say you shouldn't re-visit things you dug when you were a kid, because you'll be disappointed. I remember being blown away by 'The Long Ships' on b/w TV when I was about 8, and I knew that the film wasn't going to live up to my memories - but it could have been a lot, lot worse.
'The Long Ships' was made at the tail end of the historical togas and sandals epics of the fifties and early sixties, and it doesn't take itself anywhere near as seriously as 'Ben Hur', 'El Cid' or 'The Egyptian'. It's basically a good old adventure yarn, and it's still actually a load of fun, even if it gets a bit bogged down in the middle.
Richard Widmark is a Viking (only slightly more ridiculously than his nemesis Sidney Poitier as a Moor) who is shipwrecked and thinks he has found the location of the fabled 'Mother of Voices' - a gigantic golden bell as tall as 'three tall men', made by monks somewhereorother. In his efforts to capture it he and his crew constantly run up against Poitier who has similar designs. All of this leads to some rather improbably rapid voyages from one end of Europe to the other, apparently accomplished overnight - but the film makers obviously didn't give a lot of priority to plausibility, and neither should the viewer.
Widmark plays his hero more like Indiana Jones than Ben Hur. There is a good deal of comedy, and a couple of scenes even feel like they belong in a 'Carry On' movie (particularly the scene where the Vikings bust into the Harem, which might have been offensive if it wasn't so deliberately slapstick).
Sure, it's an adventure drama, but if you're expecting the sort of grave, Biblical epic which had been popular for most of the previous decade, look somewhere else. 'The Long Ships' is a good old-fashioned adventure yarn, and as such is still pretty good fun; at least as much as modern equivalents like 'The Mummy'. I'm giving it a strong 6.0.
'The Long Ships' was made at the tail end of the historical togas and sandals epics of the fifties and early sixties, and it doesn't take itself anywhere near as seriously as 'Ben Hur', 'El Cid' or 'The Egyptian'. It's basically a good old adventure yarn, and it's still actually a load of fun, even if it gets a bit bogged down in the middle.
Richard Widmark is a Viking (only slightly more ridiculously than his nemesis Sidney Poitier as a Moor) who is shipwrecked and thinks he has found the location of the fabled 'Mother of Voices' - a gigantic golden bell as tall as 'three tall men', made by monks somewhereorother. In his efforts to capture it he and his crew constantly run up against Poitier who has similar designs. All of this leads to some rather improbably rapid voyages from one end of Europe to the other, apparently accomplished overnight - but the film makers obviously didn't give a lot of priority to plausibility, and neither should the viewer.
Widmark plays his hero more like Indiana Jones than Ben Hur. There is a good deal of comedy, and a couple of scenes even feel like they belong in a 'Carry On' movie (particularly the scene where the Vikings bust into the Harem, which might have been offensive if it wasn't so deliberately slapstick).
Sure, it's an adventure drama, but if you're expecting the sort of grave, Biblical epic which had been popular for most of the previous decade, look somewhere else. 'The Long Ships' is a good old-fashioned adventure yarn, and as such is still pretty good fun; at least as much as modern equivalents like 'The Mummy'. I'm giving it a strong 6.0.
"The Long Ships" is the story of a mighty gold bell "as tall as three tall men," the one people call the Mother of Voices, cast long ago by the monks of Byzantium
Prince Aly Mansuh had searched from the mountains to the sea for the bell Now he must know what lies beyond the horizon until Allah's divine guidance leads him to the treasures of Islam
Prince Aly's wife Aminah thinks that her husband is chasing a legend, a fairy tale that has already cost them dearly in lives and gold But the prince is no dreamer He is sure that the bell does exist and it rests somewhere in this world, in a Christian land For him it was stolen by the Christian armies when they plundered their way across his cities to the dishonor and humiliation of his ancestors
In that morning, the obsessed Moorish prince is informed by his guards that a stranger in the market knows the whereabouts of the golden bell The stranger is arrested and taken to a tower for interrogation The stranger assures to the prince that he knows nothing but stories and legends, and swears that, out in the market he was trying to earn some money for food and shelter He also said that he is a sailor, a dreamer, a Norseman, a Viking who was shipwrecked and was simply trying to get back to his homeland
Richard Widmark is the true Norse warrior who swallowed the ocean He tells his father that he has returned because he needs another ship and another crew Rolfe said that he had found the bell He heard it booming away like a god's hammer on a mountain of ice Nothing else would've brought him back after losing his ship That ship cost his father the tribute money he owed the king
Sydney Poitier promised Rolfe that he would not be prepared to die so calmly He shall give him an example of real courage that comes from authority, 'his' authority Aly Mansuh asks Lady Aminah to select one of his guards to be the first to feel the kiss of steel before the Viking
Rosanna Schiaffino could offer Rolfe and his comrades the chance to live and to sail from these shores as rich men With fire in her cheeks, Lady Aminah looked lovely as the most envied woman with eye-catching legs
Orm (Russ Tamblyn) asks the great Odin what did they do that he turns his rage against them ruining his father
Gerda (Beba Loncar) is the beautiful snow princess taken as a hostage and whom to be sacrificed as a maiden to lift the curse of the death ship
Krok (Oskar Homolka) is the old, ruined man who asks himself how a thane whose entire fortune consists of two gold pieces, find or even equip another ship
King Harald (Clifford Evas) practically stole the ship build by Krok's men He cheated the broken man in giving him two gold pieces for his funeral ship, the difference between the ship's price and two years' tribute he owes him
Sven (Edward Judd) is the sailing master to King Harald of Norseland who really thinks the ship is cursed for being a funeral ship He commands the sailors, these 'greedy devils' to turn back or they'll be hanged in the king's name
With great stars, mutinous sailors, beautiful cinematography, and a look at a Moorish harem, "The Long Ships" remains another fine Viking adventure with a lot of humor and fun
Prince Aly Mansuh had searched from the mountains to the sea for the bell Now he must know what lies beyond the horizon until Allah's divine guidance leads him to the treasures of Islam
Prince Aly's wife Aminah thinks that her husband is chasing a legend, a fairy tale that has already cost them dearly in lives and gold But the prince is no dreamer He is sure that the bell does exist and it rests somewhere in this world, in a Christian land For him it was stolen by the Christian armies when they plundered their way across his cities to the dishonor and humiliation of his ancestors
In that morning, the obsessed Moorish prince is informed by his guards that a stranger in the market knows the whereabouts of the golden bell The stranger is arrested and taken to a tower for interrogation The stranger assures to the prince that he knows nothing but stories and legends, and swears that, out in the market he was trying to earn some money for food and shelter He also said that he is a sailor, a dreamer, a Norseman, a Viking who was shipwrecked and was simply trying to get back to his homeland
Richard Widmark is the true Norse warrior who swallowed the ocean He tells his father that he has returned because he needs another ship and another crew Rolfe said that he had found the bell He heard it booming away like a god's hammer on a mountain of ice Nothing else would've brought him back after losing his ship That ship cost his father the tribute money he owed the king
Sydney Poitier promised Rolfe that he would not be prepared to die so calmly He shall give him an example of real courage that comes from authority, 'his' authority Aly Mansuh asks Lady Aminah to select one of his guards to be the first to feel the kiss of steel before the Viking
Rosanna Schiaffino could offer Rolfe and his comrades the chance to live and to sail from these shores as rich men With fire in her cheeks, Lady Aminah looked lovely as the most envied woman with eye-catching legs
Orm (Russ Tamblyn) asks the great Odin what did they do that he turns his rage against them ruining his father
Gerda (Beba Loncar) is the beautiful snow princess taken as a hostage and whom to be sacrificed as a maiden to lift the curse of the death ship
Krok (Oskar Homolka) is the old, ruined man who asks himself how a thane whose entire fortune consists of two gold pieces, find or even equip another ship
King Harald (Clifford Evas) practically stole the ship build by Krok's men He cheated the broken man in giving him two gold pieces for his funeral ship, the difference between the ship's price and two years' tribute he owes him
Sven (Edward Judd) is the sailing master to King Harald of Norseland who really thinks the ship is cursed for being a funeral ship He commands the sailors, these 'greedy devils' to turn back or they'll be hanged in the king's name
With great stars, mutinous sailors, beautiful cinematography, and a look at a Moorish harem, "The Long Ships" remains another fine Viking adventure with a lot of humor and fun
The Long Ships is a rather unremarkable Viking adventure, barring one scene that involves an eye-wateringly nasty method of execution called 'The Mare of Steel'; I haven't seen this film since I was a child, but I can still vividly recall how the poor vikings were sent to their gruesome death, sliced down the middle while sliding down the Mare's large and wickedly sharp blade.
Except that this isn't what happens, as I have just found out by at long last revisiting the film. Over the years, my memory has been deceiving me: the scene in question is extremely tame, only one person, a Moorish guard, riding the Mare, his demise not in the least bit graphic, making the film as a whole quite the disappointment.
The humdrum story sees ruffian Rolfe (Richard Widmark) leading a group of scrawny Viking warriors on a quest to find a fabled bell made of solid gold. Also looking for the bell is Moorish king Aly Mansuh (Sidney Poitier), who isn't about to let the pale northerners steal his prize.
Poorly executed action scenes rub shoulders with moments of embarrassingly bad slapstick comedy (the raucous vikings' wild antics—drinking, brawling and raping—are played for laughs), leading to an uneven film that lacks the rousing sense of adventure to be found in the earlier Hollywood viking epic The Vikings (1958).
A usually reliable cast do little to distinguish this mediocre romp, Poitier clearly not taking matters seriously judging by his ridiculous James Brown hairdo, Widmark and Russ Tamblyn (as Rolfe's younger brother Orm) failing to put any swash into their buckling, and Brit comic actor Lionel Jeffries camping it up in black-face as an effete eunuch!
And don't even get me started on the film's many goofs, which include the massive bell being towed on a raft (which would sink immediately under the weight of all that gold), Rolfe seemingly able to swim from the Barbary coast to Scandinavia, and the small matter of who has been ringing the bell all this time and why (the rocky outcrop on which it is found being totally deserted).
My rating: 5 deafening golden bell bongs out of 10. Moderately entertaining, but mostly for the wrong reasons.
Except that this isn't what happens, as I have just found out by at long last revisiting the film. Over the years, my memory has been deceiving me: the scene in question is extremely tame, only one person, a Moorish guard, riding the Mare, his demise not in the least bit graphic, making the film as a whole quite the disappointment.
The humdrum story sees ruffian Rolfe (Richard Widmark) leading a group of scrawny Viking warriors on a quest to find a fabled bell made of solid gold. Also looking for the bell is Moorish king Aly Mansuh (Sidney Poitier), who isn't about to let the pale northerners steal his prize.
Poorly executed action scenes rub shoulders with moments of embarrassingly bad slapstick comedy (the raucous vikings' wild antics—drinking, brawling and raping—are played for laughs), leading to an uneven film that lacks the rousing sense of adventure to be found in the earlier Hollywood viking epic The Vikings (1958).
A usually reliable cast do little to distinguish this mediocre romp, Poitier clearly not taking matters seriously judging by his ridiculous James Brown hairdo, Widmark and Russ Tamblyn (as Rolfe's younger brother Orm) failing to put any swash into their buckling, and Brit comic actor Lionel Jeffries camping it up in black-face as an effete eunuch!
And don't even get me started on the film's many goofs, which include the massive bell being towed on a raft (which would sink immediately under the weight of all that gold), Rolfe seemingly able to swim from the Barbary coast to Scandinavia, and the small matter of who has been ringing the bell all this time and why (the rocky outcrop on which it is found being totally deserted).
My rating: 5 deafening golden bell bongs out of 10. Moderately entertaining, but mostly for the wrong reasons.
...story, lines, events, adventure, fights, heroism , love story. but not bad. in few aspects - surprising. because it has the right cast, the right director and...the right music. because it has the same flavor from the "historical" films of same period. but seductive nuances. because Sydney Poitiers is real convincing as the cruel, powerfull Aly Mansuh and Richard Widmark orRuss Tamblyn use the inspired recipe defining each of them roles. so, a film who not gives much surprises but it is more than decent. and, for today, when the Viking fashion is alive, "The Long Ships" has the chance to be real cool.
Did you know
- TriviaSidney Poitier had a miserable experience filming in Belgrade, Yugoslavia. It was April, 1963, and allegedly, the mood was gloom, the locals seemed hostile, and the weather was freezing. Poitier said: ''I have been spending hours on the set, dreaming about tropical climates and little shacks on pink beaches.''
- GoofsThe model ship Mansuh is holding early in the film is of a type of galley that wasn't built until the late 17th century in France, some 700 years after the story takes place.
- Alternate versionsThe UK cinema version was cut for violence and the 1988 video release lost a further 13 secs to edit shots of horse-falls.
- ConnectionsFeatured in Cinema Komunisto (2010)
- How long is The Long Ships?Powered by Alexa
Details
Box office
- Budget
- $3,000,000 (estimated)
- Runtime
- 2h 6m(126 min)
- Aspect ratio
- 2.20 : 1
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