Now Hear This

I've just seen this latter-day Chuck Jones effort for Warner Bros. when I linked Cartoon Brew which linked this from YouTube. Wow, what a psychedelic collage before it became fashionable! This short is very hard to describe so I'll just say what a wonderful mix of sound and images concerning a British man hearing strange stuff from a horn he picked up. Gotta give sound effects man Treg Brown credit for really going creative here. This kind of thing probably isn't surprising to anyone who has seen Jones' later Oscar-winning short The Dot and the Line but even so, Now Hear This certainly qualifies as one of the strangest cartoons ever (and was also nominated for an Academy Award, to boot!). To those who have long looked for this rare short, go to YouTube or anywhere else this might be available and hope it eventually turns up on a future Looney Tunes disc collection.

I love the work of Chuck Jones, I think when it comes to animation he is a genius. Now Hear This shows Jones's talent so well and one of his all-time masterpieces.

What impressed me so much about Now Hear This was how much material it fitted in such a short running time. The cartoon is just six and a half minutes or so, yet it has so many funny moments both visually and sound effects wise especially with the egg. This is all helped by the snappy pacing, Now Hear This does go very quickly without feeling rushed and there is never a dull moment.

The story of Now Hear This is a simple one, yet in its structure it is wonderfully abstract too. It wasn't just the material and pace that impressed me, the animation is wonderful with a great colourful stylistic look to it and very minimalist in style. The colours are audacious, the backgrounds are interesting and the characters are typical Jones in their design and when I say that I mean that in a good way.

The music is energetic and breezy, with the use of Mendelssohn's Spring Song never becoming annoying, a fun rendition of Yankee Doodle and a fun if bizarre variation of the Looney Tunes theme song. There are the sound effects as well, it isn't just the sound effects that make Now Hear This work, there are some truly great and creative sound effects and not one of them feel misplaced. Apart from one word, Quiet!, there is no dialogue, but that isn't a flaw in any way as it is the visuals and sound that drives Now Hear This.

All in all, a Chuck Jones masterpiece. 10/10 Bethany Cox

Another Chuck Jones cartoon where he steps outside his Warner Bros. characters and deals with the abstract in the same vain as 'High Note' and 'The Dot and The Line'(although the previous title may be slightly inaccurate, it is along the same lines). Not much else to say-just a very inventive and enjoyable offering from the greatest short-subject animator in the world. Unfortunately, it doesn't get played very often.

This cartoon can easily be told as a Warner Bros. cartoon directed by Chuck Jones in two ways: 1. It is drawn in his artistic style and abstract design. 2. It features all the famous trademark Warner Bros. cartoon sound effects, as well as some vocal effects by Mel Blanc. Although this cartoon is almost silent, the only line of real dialogue is during the beginning, when a guy yells "QUIET!!!" The unique combination of Treg Brown and the Warner Bros. Animation sound effects department, as well as William Lava's music, makes for a great cartoon. The animation is simple at times, and is slightly similar to UPA, but this wasn't really done because of low budgets, but to make it really artistic. This film is also hard to describe, but some highlights include an egg coming out of the old man's "hearing horn," and then Morse code writing appears around, followed by the sound of a saw. Then legs pop out from the bottom of the egg (wearing Marvin the Martian-style tennis shoes), and then the front of the egg cracks open and a giant trombone begins playing "Yankee Doodle" as the background flashes red, white and blue! Quite odd for a cartoon that takes place in England. I can understand that this cartoon could easily be mistaken for a post-1964 Warner Bros. animated film because of how it opens and closes with the really weird, stylized and "modern" Looney Tunes title sequences (with swirling lines coming toward you and a large, purple abstract "WB," all to a bizarre rendition of the Looney Tunes theme song), seen on all mid-to-late 60s WB cartoons. However, this film was actually the first use of these Looney Tune logos. I bet Chuck Jones never dreamed that his logo creation would wind up becoming the official Warner Bros. Animation opening and closing titles! (This happened when DePatie-Freleng took over production for the Looney Tunes.) However, this cartoon is so good (it even got nominated for an Oscar,) it DEFINITELY belongs on one of the Looney Tunes Golden Collection DVD sets! Overall, a great cartoon and you should check it out!

UPDATE: Well, Warner Home Video must've read this comment. They have now released "Now Hear This" on the sixth and final Looney Tunes Golden Collection DVD set. They did an EXCELLENT job restoring this cartoon to its original brilliance! If you ever get a chance to see this cartoon, try to see it on DVD for a pure pristine-quality Chuck Jones work of art!

As beloved as animation pioneer Chuck Jones was in artistically revolutionizing the Warner Bros cartoons, he did lend towards pretension a lot in many of his later efforts. In the case of his one off experiment Now Hear This, it was a fascinating attempt at trying out something new with the media of animation and sound design. Despite the short being nominated for an Oscar, it has now been regarded as somewhat of a polarizing picture in its own regard. Considering that Jones himself admitted that he didn't understand what he was trying to achieve, perhaps looking at this short should be taken under face value.

The basic premise follows an elderly British man who mistakes one of Satan's horns as an ear trumpet and proceeds to fall into hijinks and chaos. With the right comedic timing and all the sound effects courtesy of legendary LT editor Treg Brown, this short could easily be a delight throughout. Unfortunately, what bogs it all down is how sluggish and labored the pacing becomes, making a lot of the surprises feel more off putting than funny. Outside of the variety of sound effects which do at least convey a lot in how they're utilized, much of the humor is executed through eye popping pop art, making the short feel too dated for its own good. As a result, much of what happens as a result of the hellish horn feels as made up as it goes along, with the so-called wacky nonsense feeling all over the place. Unlike any other cartoon where you empathize with the unfortunate victim in this circumstance while also being entertained by all the inventive trickery on screen, the short makes you feel sorry for the old man and wish he could get out of this nightmarish predicament.

If there is one notable quality that does actually pay off in the cartoon's favor, at least controversial musical composer William Lava made the most with the material. Lava's work in the later WB cartoons paled in comparison to the likes of Carl Stalling and Milt Franklyn as his trademark style favored experimental cutting edge tracks over classic vaudeville or jazzy bands. That being said, as this short goes all over the place in its execution, it actually allows for a lot of free range in the usage of musical instruments, conveying the tone a lot better than any of the writing or animation does. As mechanical and alienesque as Lava's work tended to sound in the later WB shorts, this one fully displayed his talent through careful planning and pay off. Also, the pantomime acting Chuck Jones was known for in a lot of his best work like Feed the Kitty and Mouse Warming lends itself well in how much emotional turmoil the old man is going through. Even at a time when the UPA influence in animation was still at play, albeit not so effectively, Jones was still able to lend his solid tropes well.

So despite an interesting concept and some fine details sprinkled throughout, Now Hear This fails as an experimental piece by indulging too much in its minimal grandeur. It should go without saying that while any animated short film has the right to go outside what is expected from casual viewers, it should at least understand what it's trying to accomplish while entertaining whoever is interested in it. If it's supposed to be for a niche market, it should at least know what is to be expected in the long run. Perhaps recommending this short is up to whoever lies in that type of field.