The Old Dark House

This film is definitely worth a higher rating, although of it's time, it is funny, not side-splitting or laugh-out-loud, but quaint in it's way, and Fenella Fielding is always worth watching - not quite up to 'Carry On Screaming', but as delectable and sexy as ever...

And in the final scenes, she most certainly says "Daddy" and NOT "Danny", as suggested in Goofs.

One would expect a collaboration between the American director William Castle and the British production studios Hammer to result in a terrific must-see film, considering they were both horror genre giants in their respective continents during the early sixties. Castle became world famous and appreciated thanks to his morbidly themed but nevertheless light-headed Gothic horror spectacles ("House on Haunted Hill", "Mr. Sardonicus", "13 Ghosts"…), and on the other side of the Atlantic Ocean, Hammer studios boomed with the gruesome re-imaging of the legendary Universal classics from the thirties ("Dracula", "The Mummy", "Frankenstein"…). Knowing this, "The Old Dark House" seems to be the ideal marriage, since it's more or less a remake of the underrated 1932 Universal masterpiece and a great opportunity for a director like Castle to showcase his creativity. Strangely enough, however, the film is somewhat of a disappointment and it's only rescued from inglorious mediocrity thanks to a handful of nice gags and an entertaining final act; including a surprising plot-twist and an exciting race against the clock – literally! The rest of the film clumsily bounces back and forth between talkative mystery and immature comedy. Please don't get me wrong, "The Old Dark House" is never boring and I still prefer it over most of the soulless horror junk being released nowadays, but I simply expected a little bit more… American car salesman Tom Penderel drives out to the god-forsaken British countryside in order to deliver a car at the request of his odd pal Caspar Femm. The two share an apartment, but they never see each other since Caspar always mysteriously vanishes before midnight. When he arrives at the sinister Femm country estate, he learns that all the eccentric family members are obliged to stay at the house and gather at midnight, or otherwise they lose the rights to their part of the inheritance of their notorious ancestor (a pirate). Synchronous with Tom's arrival, the family members are being killed off one by one. Tom should leave while, but he fell for the charming cousin Cecily and the remaining Femms suspect him to be the killer. "The Old Dark House" begins delightfully, with animated opening credits by none other than Charles Addams – the creator of the immortal blackly comical series "The Addams Family – and brings forward several great Gothic aspects, like a moody old castle and never-ending thunderstorms. Some of the supportive characters are also uniquely bizarre, like the crazy uncle who's building an arc or the grandmother that doesn't stop knitting, but overall the film isn't absurd or spooky enough. The actual "horror" footage in the film is limited, a few inventive death scenes and a laughably inept moment with a stuffed hyena.

The Old Dark House does not provide the gore and R-rated material seen in today's horror movies but it does reflect a more simple time when comedy and horror could be matched while maintaining a family rating.

As a child I saw The Old Dark House over one hundred times, I remember being on the edge of my chair during the entire movie every single sitting.If only the local television stations would be able to air this movie, a new generation of viewers could enjoy, The Old Dark House.

The film may be the last of the "old age" comedies that were popular during that time. Tom Poston does a good job of not only showing fear but does so in comedy style to allow us, the viewers, to use our imagination.

While The Old Dark House may not live up to today's standards, it was a "movie of the day" in 1963.

Well, I'm a big fan of William Castle and of Hammer Horror, so I figured that this meeting between the two would be damn good. William Castle's The Old Dark House is not a remake of the classic James Whale film, and this is actually unfortunate because if it was, it no doubt would have been a better film. Instead, what we have is a plot involving an American car dealer who goes to an old house after receiving an invitation from a friend of his, who he shares a house with. While there, he is introduced to a host of strange characters, as well as a plot involving a huge inheritance. The film is obviously intended to be a comedy, but it would seem that Castle should have stuck to horror as little in this film is actually funny, and I was really bored before the ending - not something I expect from William Castle! Considering the film focuses on an 'old dark house', there's very little in the way of atmosphere and I'm guessing that Castle wanted this film to appeal to a younger audience, and for that reason - there's not much here for the older movie fan. The plot rambles on until the conclusion and by then I didn't really care what happened. Overall, this is a sub standard William Castle film if ever I saw one. Straight-Jacket, Homicidal, Mr Sardonicus, The Tingler, House on Haunted Hill and 13 Ghosts come highly recommended - this one doesn't!

Owing little to either James Whale's 1932 chiller, or to J.B. Priestly's original source novel, "Benighted", THE OLD DARK HOUSE is a small, off-beat and pleasantly daffy scare-comedy, a change-of-pace for director William Castle. Filmed and set in England, Tom Poston stars as a hapless American who, on a visit to a curious roommate's even curiouser family home, is caught up in a murderous merry-go-round of mayhem, nursery rhymes, love and (very possibly) the end of the world (including an Ark!). British stalwarts Robert Morley, Joyce Grenfell, Mervyn Johns, and Peter Bull have a charming good time playing the various members of the Femm family, along with Janette Scott and an unforgettably slinky Fenella Fielding as romantic interests. None of the usual Castle gimmicks for this release--just a bit of eccentricity and a pleasant, creepy, multi-murder mystery, with a puzzle to solve, a couple of surprises, and some good solid chuckles.

A note to fans of Charles Addams--the film's poster and its main titles contain some choice Addams artwork.

An additional note: the film was shot in color, but released in a very faintly tinted black-and-white version. The color version of the film was only seen on subsequent television release.

This movie really does deserve a DVD release, not only for its place in the William Castle canon, but for the performances and the fun.