IMDb RATING
5.1/10
9.1K
YOUR RATING
A young French soldier cut off from his unit is beguiled by a mysterious woman, whom he learns is the wife of the local Baron - and that she seemingly died twenty years earlier.A young French soldier cut off from his unit is beguiled by a mysterious woman, whom he learns is the wife of the local Baron - and that she seemingly died twenty years earlier.A young French soldier cut off from his unit is beguiled by a mysterious woman, whom he learns is the wife of the local Baron - and that she seemingly died twenty years earlier.
Featured reviews
Enjoyment of this film will depend on two things. First how much you like the actors involved. The second is the understand that this film was pieced together from scraps of film shot by various directors to fit in with footage that had been shot of Karloff on left over sets after the original feature had been finished. If you can forgive your favorite actors anything and accept that this is a paste up job, then you'll have yourself an okay time at the movies.
Lets face it this film is a mess. The story of a French soldier following a mysterious woman to a castle is so disjointed that they actually shot a scene where Jack Nicholson grabs one of the characters and asks him whats going on, its at that point all of the loose ends are brought together in a tenuous grip.
Its the sort of movie that shouldn't work on any level but some how does.Its well acted considering that no one probably had any idea what they were starring in. Its also directed well enough that you don't realize that there were actually five directors other than Roger Corman behind the camera.
Currently floating around in the public domain (cheap video copies are to be had) this is a movie worth seeing if you want to see how Jack Nicholson started or how Boris Karloff ended up. Its a just okay thriller with a more interesting production history. Worth a bag of popcorn if you need another movie to fill out a night of Corman Poe movies.
Lets face it this film is a mess. The story of a French soldier following a mysterious woman to a castle is so disjointed that they actually shot a scene where Jack Nicholson grabs one of the characters and asks him whats going on, its at that point all of the loose ends are brought together in a tenuous grip.
Its the sort of movie that shouldn't work on any level but some how does.Its well acted considering that no one probably had any idea what they were starring in. Its also directed well enough that you don't realize that there were actually five directors other than Roger Corman behind the camera.
Currently floating around in the public domain (cheap video copies are to be had) this is a movie worth seeing if you want to see how Jack Nicholson started or how Boris Karloff ended up. Its a just okay thriller with a more interesting production history. Worth a bag of popcorn if you need another movie to fill out a night of Corman Poe movies.
For a DVD that sells 3.99 at Walgreens, this movie was a lot better than I expected. Yes, seeing Jack Nicholson pre-Schmidt days is a fun concept. But that amusement was short-lived, and I eventually found myself actually intrigued with the entire plot-line going on.
Jack is an officer of some sort, and he gets stranded on a seluded island of some sort with this witch of some sort, her boy of some sort and this weird girl of some sort. Turmoil unravels when he finds himself curiously (or not so curiously, considering there was the whole cleavage thing going on) attracted to the weird girl.
Vague, yes. But this is kind of the type of movie whereas if I say anything more, it would be considered a spoiler. Everything/everyone will link together in the end. There is also a killer crow that is quite amusing and scary at times.
Ignoring the fact I could barely hear the dialogue despite I had the volume turned up on 10, the oldness of the film was actually fitting. It adds to the whole vintage horror flick persona, supported by a young Jack Nicholson, dramatic music, and fuzzy-staticky screen. So don't be discouraged if it appears to be a little washed out. It's satisfying, and leaves you feeling disturbed. 3.99 was well spent.
Jack is an officer of some sort, and he gets stranded on a seluded island of some sort with this witch of some sort, her boy of some sort and this weird girl of some sort. Turmoil unravels when he finds himself curiously (or not so curiously, considering there was the whole cleavage thing going on) attracted to the weird girl.
Vague, yes. But this is kind of the type of movie whereas if I say anything more, it would be considered a spoiler. Everything/everyone will link together in the end. There is also a killer crow that is quite amusing and scary at times.
Ignoring the fact I could barely hear the dialogue despite I had the volume turned up on 10, the oldness of the film was actually fitting. It adds to the whole vintage horror flick persona, supported by a young Jack Nicholson, dramatic music, and fuzzy-staticky screen. So don't be discouraged if it appears to be a little washed out. It's satisfying, and leaves you feeling disturbed. 3.99 was well spent.
Actally its none too "original" either, being little more than a variation on Edgar Allan Poe's FALL OF THE HOUSE OF USHER coincidentally made by Corman himself five years earlier. Contrary to popular public opinion, THE TERROR was NOT filmed in four days. The scenes with Karloff were, but the remaining 2/3 of the movie were shot sporadically over a ten week period....with a little help from Corman's inner sanctum of friends, including Francis (Ford) Coppola no less!
Filmed pricipally to capitalise on sets left over from THE RAVEN (yet another Edgar Allan Poe tale - Corman had already filmed THE PIT AND THE PENDULUM as well as THE TELL TALE HEART) this hastily produced little flick was mildy interesting with not a little charisma. Nicholson's performance here gives less than no clue as to the great work that was yet to come in such as ONE FLEW OVER THE CUCKOOS NEST, FIVE EASY PIECES and BATMAN. One could be positively uncharitable and say his performance here amounted to little more than disinterested and amateurish acting. But still it remains today early Nicholson and by that token alone offers curiosity value.
In the upshot way better than the sum of its parts...even given the garish Pathe color! The recently re-released DVD version offers surprisingly effective new 6-track surround sound.
Filmed pricipally to capitalise on sets left over from THE RAVEN (yet another Edgar Allan Poe tale - Corman had already filmed THE PIT AND THE PENDULUM as well as THE TELL TALE HEART) this hastily produced little flick was mildy interesting with not a little charisma. Nicholson's performance here gives less than no clue as to the great work that was yet to come in such as ONE FLEW OVER THE CUCKOOS NEST, FIVE EASY PIECES and BATMAN. One could be positively uncharitable and say his performance here amounted to little more than disinterested and amateurish acting. But still it remains today early Nicholson and by that token alone offers curiosity value.
In the upshot way better than the sum of its parts...even given the garish Pathe color! The recently re-released DVD version offers surprisingly effective new 6-track surround sound.
For a film calling itself 'The Terror', Roger Corman's unpolished and critically hounded horror film isn't very terrifying. In fact, by the time the credits role there's a good chance that you'll sit there bewildered asking yourself what, exactly, you've just spent the last eighty minutes of your life on. There's a good reason for this, as The Terror is an almost complete waste of time; it offers nothing in the way of intrigue, invention or influence on the genre, nor does the plot have any kind of point and, to be honest, it's not all that interesting anyway. However, The Terror gains points for protruding that lovely Roger Corman style quickie sort of atmosphere, and for excellent performances from classic horror icon, Boris Karloff, and a man that would go on to set the acting world on fire a decade later; the inescapably excellent, Jack Nicholson. The film has an awesome amount of camp and cult value for these two performances, Nicholson especially as it's always fun to see a highly rated actor in an early, and much less highly rated role.
The point of The Terror would appear to be the classic Roger Corman 'point' "let's make some money!" and the penny-pinching style that Corman perfected over the years is evident in just about every cheap looking scene. The plot follows a French solider (Jack Nicholson) who travels to the castle of the resident baron in search of a girl he met while stranded in the local village. While there he discovers a lot of terror (or not) as we find out that the baron is harbouring a secret. The secret can be guessed within the first half of the film, and that's another area where the film fails, but it's kept alive by a constant stream of ridiculous goings on, and as the film moves closer to it's climax and the lines get more terrible and the plot becomes more ridiculous, you cant help but treat yourself to a good laugh. People that rate films objectively will hate the Terror, but for the cult fans and Roger Corman fanatics; this will fill a gap, and although it's instantly forgettable; there's worse ways to waste your time.
The point of The Terror would appear to be the classic Roger Corman 'point' "let's make some money!" and the penny-pinching style that Corman perfected over the years is evident in just about every cheap looking scene. The plot follows a French solider (Jack Nicholson) who travels to the castle of the resident baron in search of a girl he met while stranded in the local village. While there he discovers a lot of terror (or not) as we find out that the baron is harbouring a secret. The secret can be guessed within the first half of the film, and that's another area where the film fails, but it's kept alive by a constant stream of ridiculous goings on, and as the film moves closer to it's climax and the lines get more terrible and the plot becomes more ridiculous, you cant help but treat yourself to a good laugh. People that rate films objectively will hate the Terror, but for the cult fans and Roger Corman fanatics; this will fill a gap, and although it's instantly forgettable; there's worse ways to waste your time.
I bought the DVD for the Little Shop of Horrors and was pleasently surprised to find it was a double feature with The Terror. I watched it with no expectations and ended up enjoying the movie. If this were a modern day movie, all involved would be laughed out of the box office. Their attempt to throw in a few catsup filled gore scenes and several lame twists at the end made it comical enough to sit through. And how about that young and dapper Jack Nicholson?! This is one to watch in the middle of the night when you can't sleep, and it's worth watching at least once. I had to know how it would end.
Did you know
- TriviaJack Nicholson claims to have nearly drowned while filming in the surf of Big Sur, CA.
- GoofsIn the climactic scene in the crypt as the walls collapse the stones can be clearly seen floating around the actors in the rising water.
- Crazy creditsFrancis Ford Coppola is listed in the opening credits as "Associate Producer Francis Coppola".
- Alternate versionsThe original UK cinema version was cut by the BBFC to remove closeup shots of a bleeding face after the bird attack and a shot of a woman's rotting face during the climax. All later releases are uncut.
- ConnectionsEdited into Deathstalker II: Duel of the Titans (1987)
Details
Contribute to this page
Suggest an edit or add missing content