Stingray

I've never been able to get into Thunderbirds or the rest of these marionette shows but I enjoy this one. Even though they are the protectors of the sea, they know almost nothing about it. They are constantly encountering new races of under water people they have never heard of and those people know everything about Stingray and WASP and want to destroy them. They have a woman who never speaks and never has anything to do with the story but the song over the end credits is about her. None of it makes any sense but I like it.

Well, it was set 100 years in the future, to those of us who were kids growing up in the sixties. We had no internet, no digital technology, no VCR's or DVD's. Man hadn't even been to the moon. We had something much better. We had imaginations! Instead of playing games where the intention is to destroy the opposition, we watched shows about heroes and rescues. This was one such show, as were Thunderbirds, Captain Scarlet, Supercar, Fireball XL5 and Joe 90. Watch them with the innocence of 60's youth and you will understand why they are so timeless. Ignore (and enjoy) the mistakes made obvious by passage of time into the real 21st Century. For this step you will need to tap the imagination I mentioned before. As a kid living in Slough, Bucks. (as it was then) I would go to APF studios with my friends. We would watch through door cracks, when we could, and we would hunt through their dumpsters. This was NOT garbage. It was a treasure trove, and we were on a treasure hunt! How I could kick myself in the ass for giving away a script, that I had once found, for the Thunderbirds episode "Give Or Take A Million" when I grew up! Besides anything else, these shows had the best explosions and the bad guys never won, even if they went on to fight another day! Damn you X2-0, the War Lord Titan, The Hood and, of course, the dreaded Mysterons! Thank you Gerry Anderson et al, your imagination fuelled my childhood dreams, and continues to entertain me today.

I liked Stingray a lot. It was a great Gerry Anderson show right up there with Thunderbirds and Captain Scarlet.

It was quite a depressing show in a way. I don't know what it is but I find anything set underwater depressing. The bottom of the ocean doesn't look like a nice place even in real life. It was quite a gloomy show. I suppose the evil villain called Titan added to the gloom.

However, just when things were getting too gloomy Troy Tempest and Phones (and the beautiful Marina) went into action in Stingray to combat Titan and his evil plans. This show was a 25 minute show which was just the right length to set up a story and action.

I may be crazy saying this but as a child I found Atlanta and Marina extremely beautiful which probably added to my enjoyment of the show.

I did enjoy Stingray when I was younger, and still do, but not as much as some of the other Supermarionation shows. The show was simply about a submarine, and the stories weren't as varied. However, it did have its good points.

The stories were entertaining, and divided into three sections; an investigation into a situation, a plan to kill Troy Tempest or to destroy Marineville. The best episodes were in the category of the latter two, the investigation episodes weren't as exciting. There were a few 'it was all a dream' episodes which did nothing for me.

The series ended with a flashback episode based on 'This is Your Life' which worked really well, and had the best ending of all the Stingray episodes; after being called out on a mission near the end of the episode Commander Shore remarks to the presenter, 'Thanks for a great show, but I'm afraid, whether you like it or not, this has got to be the end'. You couldn't have asked for a better closure.

Not my favourite of the Supermarionation puppet shows, but the entertaining scripts made up for it.

The four Supermarionation shows, Supercar, Fireball XL5, Stingray and Thunderbirds, were strange but cool. And often they showed some real creativity. One of my favorite bits was the alarm system in Stingray. As their base went on alert, they didn't use horns or sirens, but drum beats over the PA. As they went to higher stages of alert different rhythms would superimpose themselves over the previous rhythms. It sounded neat and was a really effective way to build up the tension. Someday I'm going to find an excuse to steal the idea.