The Yesterday Machine

Years ago, I read about this movie in a book, and it stated that actor Jack Herman gave an incredibly campy performance as an evil Nazi scientist. The prospect of seeing some really bad acting made me want to see the movie, but I couldn't find a copy of it in any video store. But today I found the movie on YouTube, so I could finally watch it, and I was mostly let down. For the most part, I found the movie to be very forgettable. The first half of the movie is really boring, with almost no action (and what action there is is extremely lame), and is filled with drab scenes of people engaged in dull chat that is clearly padding out the movie past the breaking point. The second half of the movie is a bit more successful, having a bit more energy and punch to the story. However, the highlight is Jack Herman's acting, which is indeed campy and over the top at times, though actually I was expecting something even more overdone than I had been lead to believe. But even at his "best", Herman isn't enough to save the movie and make it worth watching. I would only recommend the movie to true aficionados of mad scientist performances.

I was hooked by the first two minutes, like something from a Werner Herzog film. Competent writing, over the top acting, a torch song and a physics lecture. What else do you need? Spoiler alert: Nazis are bad mmm-kay? Enjoy with some popcorn on a stormy day.

This film has to be seen to be believed. A post-war Nazi physicist who is exploring the concept of time travel to bring back Adolph Hitler, sets up his laboratory in a farmhouse in Texas!!! What happened to hiding out in South America with the rest of the gang? To add insult to injury, he manages to kidnap a majorette(!) the day before the big game. This really ticks off the local police, led by an aging Tim Holt whose star was sinking fast. Also involved in the investigation is a reporter and a nightclub singer (??!!!). They must take on the band of evil henchmen, which consists of 2 or 3 heel clicking guys and a slave girl from somewhere in the past. And if you can believe it, it goes downhill from there.

The reason to even consider watching this horror, is for the joy of seeing Jack Herman as the unapologetic Nazi. This is a man who at one time worked in the Yiddish Theater, a proving ground for such stars as Paul Muni and Edward G. Robinson. His performance can be summed up in one word......ludicrous. Flailing arms, rolling eyes, clenching fists....unbelievable!! I am not familiar with Mr. Herman but I have to believe that he did not use this type of emoting in the Yiddish Theater. This was near the end of his life and possibly he was failing in health. Whatever the reason, it is the type of performance that hasn't been witnessed since. It is for this alone that I recommend this film for the bad movie buff. You will love it!!!!

In this threadbare budgeted sci-fi former cowboy serial star Tim Holt and a cast of one and done performers wade through this story about a scientist, hiding out in Dallas, bent on returning the Reich to its former glory. A pure schlock cash grab sloppy production it is not without its charm with a gangbuster opening of a baton twirler performing to pop music with a disabled car in the background a nice surreal energized touch. From there the film begins to lose its burst and slip into mediocrity and stilted performance before the electrifying appearance of Jack Herman as an enthusiastic mad scientist Ernest Von Hauser. Far from the traitor to the "cause" that Werner Von Braun is, Ernie is hard at work with weaponry and a way back machine in the passionate hope of restoring his former bosses to power. Herman's over the top performance is so wonderfully strident it threatens to steal the picture but save for the baton twirling demonstration and ditzy remonstration of the daffy doc there is nothing to steal, the picture is worthless.

If "Goofy" had a scale from 1-10, this would be about a 8.5.

It's a Scienece Fiction, or roughly Science Fiction, bit about a time machine invented by a Nazi.

It starts off okay, and when you watch how it begins, you will get a big thrill, because you will recognize a later classic for using much of what you see here. If you see it, you'll instantly know the name of the satire that uses much of the early part of this movie.

There are a few things to like. The girl with the legs at the start vanishes for a while, but then you get to see her again.

We have the "reporter and cop friend" cliché, which is sometimes not too bad, depending on how much "atmosphere" you get. This movie does give a pretty good amount of atmosphere for the few special effects it has.

Most of the early sixties and late fifties science fiction has good atmosphere, and a camaraderie among local folk. We get that here. What we don't get are good lines. These movies aren't usually this "corny". And the acting usually isn't this poor, either. I am usually not that particular with "acting", but these actors cross the line. They are truly just reading lines. Ironically, the best acting comes from the hot babes. The men are the dweebs here.

The atmosphere would usually let me forgive the corny writing and acting, but the second half just had too many "horrible" scenes. The worst one is where a girl helps the heroine escape, and the heroine just stands and watches while the girl who helps her is strangled to death. No explanation can cover this. Then there is the Hitler's scientist, whose lines are the most "expository" you will ever see on celluloid.

Not the worst, by far, but it leaves you with a feeling that even for a low budget horror, it should have been much better.