The 7th Dawn

Odd, that I don't recall the word 'communist' being uttered throughout this picture. Anyone notice if it was? It was pretty clear from the references and the red stars the Ng and his guerrillas were communists. This is an entertaining film from a jungle war that has been largely forgotten in the shadow of Vietnam. The British spent 12 years eradicating the elements they called "communist terrorists" before Malaysia became independent. Most of their enemies weren't conveniently

uniformed like Ng's forces, but were more like the grenade-tossing chauffeur. The SAS played a key role in suppressing the communists, and the British pretty much wrote the book on how to deal with these sort of insurgencies, lessons the

Americans too often seem to forget (though they slowly seem to be figuring it out in Iraq and Afghanistan). Saw this movie years ago and liked it, liked it more in a recent viewing, in spite of its flaws. Always liked Holden, have a real soft spot for Susannah York - and Capucine was splendid. Some great cars in this movie, too (and a Gloster Meteor, too, I think). And yes, superbly photographed.

The Seventh Dawn seemed a natural for William Holden given the spectacular success he had in that part of the world with The Bridge On the River Kwai. Unfortunately Seventh Dawn doesn't quite live up to the David Lean classic.

What The Seventh Dawn is, is a sincere attempt to look at the issues confronting Southeast Asia during the Fifties. Three people, American William Holden, and natives Capucine and Tetsuro Tamba have been involved in resistance to the Japanese. Holden like the country so much, he's going to settle down as a rubber planter. Capucine is going back to teaching school and agitating for eventual independence from Great Britain. Tamba is going to school himself, a scholarship awaits him at a university in Moscow.

Fast forward seven years or so from V-J day and all of them have succeeded more or less in their chosen paths. Unfortunately their paths put them on a collision course with each other.

Holden's a free-wheeling hedonist who just won't settle down and marry Capucine and he's got a new distraction in the form of Sussanah York the daughter of the new British administrator. Her role is the weakest here and the dumbest. Her offer of sacrifice to bring peace to Malaya just doesn't ring true at all.

I do like what Tetsuro Tamba did with his part. His people as he's been taught in Moscow can't feed themselves, let alone govern themselves. They need Red style tutelage and he's going to see they get it.

Measured against The Bridge on the River Kwai, The Seventh Dawn falls far short. Still it's nicely photographed in the Republic of Malaysia and the cast is earnest enough in their roles. William Holden fans will like it.

This film was made in Malaya in 1963. Because it was to show scenes of burning a malay kampong, the British government refused permission for their troops to take part. Australia was approached and agreed. Myself and about 80 other soldiers from the 2nd Battalion, the royal Australian regiment, who were based at terendak camp, malacca, malaya were selected. We got to meet bill holden and beautiful cupacine the french actress and many other people on the set (directer camera men and so on). it was all very exiting and over 40 years ago. I still have a number of black and white photos taken at various times. by the way when it was released it was called "the year of the dragon" evidently it was thought not a good title for America and changed to the "seventh dawn" when i attend battalion re-unions on the gold coast in queensland, those of us who were in the film still enjoy a good laugh about our parts, but then again the subject was very close to our hearts. it is the only fight against communist terrorist that was a full success, although Vietnam was, only for what the press did at tet.

When the old KCOP Channel 13 in Los Angeles showed matinées (afterschool for me then), I saw this engrossing movie. Who could resist the lushness of the Malay jungle juxtaposed with the British Governor's pristine lawns? Not to mention the fascinating interweaving of the old love triangle amongst Ferris, Dhana, and Ng with an anti-colonial rebellion? I may have been a precocious child, but these things were clear to me amidst the Vietnam War. It's good to see others who recall this movie for what it remains--a trenchant comment on nationalist insurgents fighting their imperialist overlords. The irony is that, despite the purity of their intentions, the guerrillas destroy what they fight for: control of their own destiny. One might read the lovely Dhana as the fragile Malayan countryside laid waste in the ensuing skirmishes. True enough that the British colonial government executes Dhana. Yet both Ferris and Ng lose their dreams as well: Ferris leaves Malaya without Dhana (or even Candace), and Ng is dead.

When I found the LP recording of the beautiful Riz Ortolani score about 20 years ago, I snatched it up. I won't expect a CD version, but Ortolani deserves to be lauded for music that supports the storyline. We may well remember "More" from Mondo Cane, but the haunting theme from The 7th Dawn can hold its own.

Now, if only one could include this movie in a grouping of films with the broad theme of protesting war (Live for Life, Year of Living Dangerously, Torn Apart, Indochine)and show them to politicians....

I agree with most posts. I think this was an underrated film, surprisingly hard to find. It was quite critical of the British elements of counter terrorism. It seemed a little simplistic, but it told a story not usually found in most movies. I think that it was a good, balanced viewpoint of colonialism, terrorism as well as romance. This would be an intriguing remake, if today's times were a little different. Today's culture is far into the anti-terrorist mode to understand the psychology of insurgency. Vietnam was much more complex, with the S.Vietnamese bureaucracy betraying themselves and China masterminding the NVA for its own purposes. William Holden played the naive, if somewhat self-important voice of reason. He played the angle from his side, and was critical of the British viewpoint. The "loyalty" aspect was quite intriguing and prevalent throughout most of the film, and he distinguished that element again in the Wild Bunch. This was a pretty good movie.