A Distant Trumpet

Troy Donahue and Warner Bros had a great collaboration starting with "A Summer Place" and following with "Parrish" "Susan Slade" "Rome Adventure" and "Palm Springs Weekend" where Troy was always first billed over stars such as Claudette Colbert, Karl Marlden and Angie Dickinson, etc. Jack Warner obviously decided it was time to ramp up the Troy Donahue films and assigned veteran and legendary director Raoul Walsh who directed many of Warner Bros. greatest stars such as Errol Flynn in this rousing action drama. In addition William Clothier another stalwart professional of great films was the Cinematographer. First rate Warner Bros. production values and great action scenes crafted by Raoul Walsh, and some fine acting by a cast of supporting players makes this a fine film to watch anytime. Thumping Max Steiner score is tops.

Warners in the 1960's had a large group of fine contract players and Jack Warner slotted them in major Warner Bros films when he could so look here for Diane McBain and William Reynolds -both WB contract players- in this film. For Diane McBain this was her second film with Troy Donahue after "Parrish" and Suzanne Pleshette who married Troy Donahue after "Rome Adventure" is also cast.Very effective western with a splendid rousing memorable Max Steiner score.

Bringing closure to the Apache hostilities on the Arizona frontier is the subject of this cavalry-Indian dust-up. William Clothier's wide screen CinemaScope camera captures the colorful vistas and expanses of the southwest where the battles take place. The casting of the picture is somewhat off-beat, from the heroic Matthew Hazard to the Latin-quoting General Alexander Upton Quait and finally, and tragically, to the cowardly Private Cranshaw. The Indian scouts serve the cavalry with bravery and dignity while their wild and fierce brethren ride the warpath a final time to hold on to their way of life. There is also a romantic triangle that complicates matters at the post. Director Raoul Walsh, an old hand at action westerns, serves up several Indian-trooper clashes and Max Steiner contributes a very nice score that is reminiscent of his earlier music in John Ford's legendary westerns.

Is that a western from Lesley Selander, Sidney Salkow, or what? I can't believe that this however good western is from the fabulous Raoul Walsh, his last stand by the way. His last film. Let's be fair, it's a good western, but it's for Walsh the metaphor of THEY DIED WITH THEIR BOOTS ON, Custer 's last stand. But Errol Flynn is dead now, and Raoul Walsh's career faded out. So sad. The last film of a director is always touching for me. But imagine Troy Donahue as the lead in a Raoul Walsh's film...I did not weep but I feel some grief inside of me. But if you have not seen it yet, don't miss it. Imagine you are watching a Lesley Selander, Gordon Douglas or Sidney Salkow's western; the latest gave us SITTING BULL and GREAT SIOUX MASSACRE during the same period.

Although no one would ever confuse Troy Donahue with John Wayne, Donahue does acquit himself well in A Distant Trumpet which turned out to be Raoul Walsh's final feature film.

Donahue who made his bones in Hollywood playing mostly decent All American type young men. Here he's a fresh West Point graduate assigned to an Arizona frontier post where the army is busy subduing the last of the great Indian tribes, the Chiracauhua Apache. He's under the command of General James Gregory who was a mentor to him at West Point.

In addition to fighting Indians Donahue has a romantic dilemma. He's engaged to Diane McBain who is Gregory's niece. But on the post now is an old flame Suzanne Pleshette who is married to fellow officer William Reynolds.

Donahue has a similar dilemma faced by John Wayne in Fort Apache. As with the Duke, Troy behaves in an honorable fashion. In fact in his private affairs he's honorable if very tempted.

Take note of a good performance by Judson Pratt as a superior and sympathetic officer to Donahue's plight and a really rollicking and unforgettable one by Claude Akins who is quite the flesh peddler to both the red and white race.

A Distant Trumpet is not as sentimental as John Ford's cavalry westerns. But Raoul Walsh ended his career with a good one.

This last Raoul Walsh film has to be assigned the status of a hot mess but since it is a Walshian mess there are, of course, some nuggets to be found within the detritus. Chief among these is one of the finest cavalry/Indian battle scenes you are likely to see, a nearly fifteen minute affair complete with well orchestrated charges, strategic retreats, feints and ambuscades. Nice to see this finest of action directors go out with at least one great action sequence under his belt. Also notable are good performances from Suzanne Pleshette and James Gregory. Plus, the Arizona location shooting is awesome (thinking especially of those extensive, terraced rapids next to War Eagle's camp). And Max Steiner's half stirring, half mocking musical score, one of HIS very last, rises to the occasion, as well.

Because I am a huge Walsh fan I will deal with the two main flaws as quickly as I can and assign them to others. One is a florid, clunky screenplay with a too hasty and historically inaccurate denouement and stiff, melodramatic dialogue from messers John Twist (known mostly for gal weepies and it shows), Richard Fielder and Albert Beicht. The other is Troy Donahue's performance in the lead. Put simply, it sucks. When he's with good thesps like Pleshette and Gregory you don't notice as much but when he's paired with a similarly crappy actor like Diane McBain it's like watching rejected scenes from "Surfside 6".

Bottom line: If you're a Walsh fan you'll like it, if you're a Pleshette fan you'll put up with it and if you're a Donahue fan, may I suggest therapy? Give it a C plus.