The Golden Arrow

Please ignore the negative reviews. Almost sixty (60) years ago The Golden Arrow film was released and after just watching this adventure film for the first time, I can assure you that I will be watching it again in the future. I have just ordered a Blu Ray copy to add it to my "favourites" film library.

I have always been a big fan of the adventure/fantasy/science fiction genres and when you add some light comedy and romance in as well then the certainly audience gets their moneys worth. Adding even more enjoyment to the film is the beautiful technicolor format and some classic fantasy scenes such as the three (3) genies / wise men, performing Ray Harryhausen type magic interspersed such as a magic carpet ride, massive concrete pillars tumbling and of course The Golden Arrow itself that actor and star Tab Hunter the lowly thief bends when no one else can to win the hand in marriage to the beautiful princess Jamila (Rossana Podestà).

It is a fun film for young and old alike and the film was finished so quickly that I found myself wanting more of the same. I give it a highly rated 8 out of 10 IMDB rating and forget about the negative reviews. This is a fun filled family adventure/fantasy film!

If you are looking for a mindless but entertaining fantasy film that would be great for children, has a lot of exciting twists and turns and magical happenings, THE GOLDEN ARROW fills the bill nicely. Tab Hunter is perfect visually as the outcast who must prove himself and defeat all foes to win the hand of his love. As this featured a major star, it had a bigger budget than many cheap Italian costume epics with lesser-known Americans (it's comparable to, say , a Steve Reeves movie), so it's colorful and visually exciting. Director Antonio Margheriti (aka Anthony Dawson) turned out all kinds of genre films in the 60s and after--westerns, peplums, horror, spy, erotic, giallo, science fiction, etc--and generally produced an exciting, fast-moving product. The only flaw with this film--and, unfortunately, it's a major one-- is that Tab Hunter did not dub his own voice in the English version of the film (at least in the one I'm watching). That seems odd because Hunter has a distinctive voice that would have been well-known to American audiences of the day (as opposed to, say, Brad Harris or Richard Harrison or even Steve Reeves--who would know what THEIR real voices sounded like?). Also, in other European films that are quite obscure and were certainly NOT made with the US theatrical market in mind--films like SHOTGUN and THE LAST CHANCE-- Hunter DOES do his own voice. He certainly is doing his own voice in Sidney Pink's Spanish-made FICKLE FINGER OF FATE (See my review). Why MGM, a major studio, would not have paid Hunter to spend a few days in post-synchronization I don't understand. The voice assigned him is not TOO ill-fitting for his character, but it clearly is not Tab Hunter. While I enjoy the film and have watched it a few times over the years, I find it difficult to forget this as I'm watching THE GOLDEN ARROW. Still, it's a fun way to kill 90 minutes on a rainy afternoon, and it looks great (my copy is letter-boxed, fortunately). If it had featured Mr. Hunter's own voice, I'd consider it a classic.

This film has the colors of a cartoon but much less excitement. The three genies are dull, everyone is dull.

The action and costumes and alligator dungeon might have some appeal, but strictly for children.

Even for kids, it is all quite saccharin.

The is much better out there.

This is a movie which borrows much of its plot from other movies or legends : the golden arrow is the equivalent of the sword in the stone ; the usurper subject is taken from the 1940 masterpiece "the thief of Baghdad " and countless other films whilst the princess' s desease and the characters who turn to stone are stolen from another "thief of Baghdad ",that starring Steve Reeves the precedent year ; the stars in the sky and the three magicians make one think of the magis ;or of the three good fairies in Walt Disney's "sleeping beauty" (1959) ; without their help,like prince Philip , the hero would be defeated all along the movie.

That said , the movie is eventful , full of special effects -which can seem quaint for today's audience ,that is the children under 12. Tab Hunter has plenty of go ,and he shows a good sense of humor (" the law says : "eternal slavery" !- Have it change !") and the trick of the feather and the final chase on the shrinking flying carpet are moderately funny .But as a blond ,he looks too Nordic for a story more or less inspired by "The Thousand And One Nights "; the make-up man should have had his hair dyed .

Beautiful colors , the landscapes remind you ,towards the end ,of the valley of the Nile and its feluccas ; it was aimed at the children 's market,if they are not too demanding ,they can enjoy it.

I was looking forward to this one, being a fan of Arabian Nights fantasies and in view of cult director Margheriti's participation (unusually billed under his real name here, instead of the familiar pseudonym Anthony M. Dawson!); distributed internationally by MGM, the film used to crop up from time to time on the TCM U.K. schedule – but it may have been the 1936 Warner Bros. effort bearing the same title, and which I acquired not too long ago via this very channel, all along!

Anyway, the movie is appropriately colourful and intermittently diverting; yet, given the utter lack of originality, the result is mainly dreary – not helped by lifeless treatment, ill-advised star casting (blond Tab Hunter as the proverbial 'prince who was a thief'!) and ropey special effects (the handiwork of the obligatory suppliers of resistible comedy relief, a buffoonish trio of wizards who literally come down to earth to aid the hero regain his throne)!! The current princess (Rossana Podesta', a regular of such costumed fare) is contended by a number of potentates, one of whom is in league with the – what else? – wicked Grand Vizier (for once, though, he does not covet either the girl or the throne himself, apparently content merely to pull the strings at court!). Eventually, she asks them to bring her the most precious gift – but, what they come up with (a crystal ball, a life- restoring potion and a magic carpet), has equal value in her eyes when she is stricken by a 'mysterious' illness and near death!

Hunter naturally has a coterie of bandit pals (who initially turn against him when he allows the kidnapped princess to flee rather than demand a ransom for her) – but their role is downplayed in favour of the afore-mentioned magicians. Incidentally, the script is indiscriminate in its borrowings: the titular weapon is first presented as having Excalibur-type powers i.e. only the right person can handle it; while, halfway through, we get thoroughly pointless sections that would have better served the peplum genre involving a cave guarded by flaming monsters and, subsequently, a Theban community – from what I could gather, under some sorcerer's spell – which the hero saves (by destroying a temple in the desert)! The climax, then, features the protagonist's 'supernatural' sidekicks dumping jars from the air on the assailing forces and Hunter adopting the golden arrow to slice up the villains' own flying rug!