The Golden Arrow

Bandit chief Hassan (Tab Hunter) infiltrates Damascus with a daring plan. Impersonating a prince from the "Island of Flames," Hassan joins the nobles contending for the hand of beautiful Princess Jamila (Rossana Podesta) intending to kidnap her for ransom. The suitors' contest revolves around the legendary Black Bow, the weapon of the true savior and Sultan of Damascus. Whoever can bend the bow will wield the invincible power of the Golden Arrow, claim the hand of Jamila and become ruler. No one is more astonished than Hassan when he succeeds in bending the Black Bow, but the brash young thief ignores the call to heroism, kidnaps the princess and loses the Golden Arrow. With the aid of three magical spirits, Hassan must embark on a quest to recover it, contending with a series of supernatural challenges that refine his spirit and prepare him for battle against Baktiar, the evil vizier who controls Damascus.

Tab Hunter isn't the first person to come to mind when thinking of who would be suitable to star in a "scimitar and sandals" epic that soars across fantastic locations with sweeping spectacle and grand lushness, but he does well as the bandit chief who falls for the beautiful princess played by Rossana Padesta and hunts for the golden arrow. It's a thoroughly out-there Arabian fantasy with a flying carpet and other well done special effects. There's even a bit of humour with the sound of jet engines when the carpet flies up. The Golden Arrow doesn't always make sense, it can be incoherent and nonsensical but it's really entertaining with great filmmaking and camerawork. There's something magical about this film.

The only two names us film fans from the English speaking world will recognize is that of Tab Hunter and Rosanna Podesta in The Golden Arrow. This is another of a gazillion epics made in Italy in the late 50s and 60s to take advantage of those Ben-Hur, Quo Vadis, and Cleopatra sets that American companies built for those productions and left for the Italian cinema.

As for Hunter he was one of several B list actors who left for Europe to appear in these and in spaghetti westerns just coming into being at the time. After this one he never did another for which he was grateful no doubt,

It's the usual Arabian Nights type fare with Hunter as a bandit who's really a prince lest how else could he compete for the hand of princess Rosanna Podesta and defeat the evil vizier who's peddling her hand in marriage to an even eviler prince.

But before Hunter can do that he's got to go through a lot of adventures and collect his arsenal which consists of a magic carpet and magic Golden Arrow which always hits what it's aimed at. Like the Lone Ranger, Tab only shoots to wound or disabled. He's got a posse of three wizards who could have been played by the 3 Stooges. Now that might have been interesting.

For reasons only God could imagine they dubbed Hunter's voice with an actor who sounded an awful lot like Stephen Boyd. He might have made more sense than blond All American Tab Hunter in the part.

If you are looking for a mindless but entertaining fantasy film that would be great for children, has a lot of exciting twists and turns and magical happenings, THE GOLDEN ARROW fills the bill nicely. Tab Hunter is perfect visually as the outcast who must prove himself and defeat all foes to win the hand of his love. As this featured a major star, it had a bigger budget than many cheap Italian costume epics with lesser-known Americans (it's comparable to, say , a Steve Reeves movie), so it's colorful and visually exciting. Director Antonio Margheriti (aka Anthony Dawson) turned out all kinds of genre films in the 60s and after--westerns, peplums, horror, spy, erotic, giallo, science fiction, etc--and generally produced an exciting, fast-moving product. The only flaw with this film--and, unfortunately, it's a major one-- is that Tab Hunter did not dub his own voice in the English version of the film (at least in the one I'm watching). That seems odd because Hunter has a distinctive voice that would have been well-known to American audiences of the day (as opposed to, say, Brad Harris or Richard Harrison or even Steve Reeves--who would know what THEIR real voices sounded like?). Also, in other European films that are quite obscure and were certainly NOT made with the US theatrical market in mind--films like SHOTGUN and THE LAST CHANCE-- Hunter DOES do his own voice. He certainly is doing his own voice in Sidney Pink's Spanish-made FICKLE FINGER OF FATE (See my review). Why MGM, a major studio, would not have paid Hunter to spend a few days in post-synchronization I don't understand. The voice assigned him is not TOO ill-fitting for his character, but it clearly is not Tab Hunter. While I enjoy the film and have watched it a few times over the years, I find it difficult to forget this as I'm watching THE GOLDEN ARROW. Still, it's a fun way to kill 90 minutes on a rainy afternoon, and it looks great (my copy is letter-boxed, fortunately). If it had featured Mr. Hunter's own voice, I'd consider it a classic.

Whilst watching this, I couldn't help wonder if Tab Hunter would have made a decent Lawrence of Arabia? He certainly has the looks in his white garb! Sadly though, as an actor his talents don't stretch a great deal further in this amiable fantasy adventure. He has to beat three suitors and a manipulative vizier to win the hand of the Princess "Jamila" (Rossana Podestá). Luckily, he has three genies to help him out as he seeks the golden arrow that will prove his identity as the heir to the kingdom and a worthy husband for the princess. The production is pretty basic, but this is still a colourful romp with plenty of action, bows and arrows, magic carpetry and Hunter has a distinct glint in his eye - especially when talking to people who are clearly going to be superimposed by the visual effects people later! At least they all went to Egypt to film the exteriors, and there is plenty of light-hearted action taking us to the inevitable - and really quite entertaining - battle at the end. I quite enjoyed this.

This film has the colors of a cartoon but much less excitement. The three genies are dull, everyone is dull.

The action and costumes and alligator dungeon might have some appeal, but strictly for children.

Even for kids, it is all quite saccharin.

The is much better out there.