Invitation to a Gunfighter

Co-star George Segal gives a creditable performance as Matt Weaver, the one Reb soldier in a Union town who returns home from the war to find his house and woman taken away from him. When he is later thought to have killed homesteader John Medford (an unbilled Russell "The Professor" Johnson), the townspeople agree to hire a gunslinger to eliminate Matt. The man they hire is a smooth Creole with the fancy name of Jules Gaspard D'Estaing (Yul Brynner). Jules doesn't really like the place, or the people, but he hangs around long enough to take their money, and ultimately go to war with his own conscience.

What this viewer appreciated about "Invitation to a Gunfighter" was the fact that it didn't play out in an obvious, formulaic way. It's definitely a Western with a social conscience, taking place in a supposedly enlightened town where racism can still be revealed in modest ways. The screenplay is by producer / director Richard Wilson ("Man with the Gun") and his wife Elizabeth, working from an adaptation (by future 'Night Gallery' veteran Alvin Sapinsley) of a story by Hal Goodman & Larry Klein. There is a fair amount of nuance here, and not just gun fighting. Most unexpected was the drunken rampage that our hired killer goes on in the final third of the picture. What we learn from the evolving storyline is how things are not always the way that they appear to be.

Brynner, as always, has a very commanding screen presence. If other viewers overall don't care much for the film, they can at least agree that it delivers for fans of the star. Janice Rule has definite appeal as the wife of the local storekeeper (Clifford David); other familiar faces appearing throughout include Strother Martin, Clifton James, Brad Dexter (one of Brynners' co-stars in "The Magnificent Seven"), Mike Kellin, Bert Freed, and William Hickey. Pat Hingle is excellent as the town boss who knows just how to keep his citizens riled up and passionate. Future big-time cinematographer John A. Alonzo (who'd also acted in "The Magnificent Seven") plays Manuel here.

In general, "Invitation to a Gunfighter" makes for reasonably interesting viewing, and is paced quite efficiently, clocking in at a little over an hour and a half.

Seven out of 10.

I loved Yul Brynner in this movie, and Janice Rule did a good job as the frustrated wife of the crippled, hard-drinking, ex-Civil War fighter. Yul Brynner is excellent as the brooding, cold, mercenary who has a job to do, but falls for the lady whose house he's decided to stay in while doing it. I was in my "Yul Brynner" phase when this one came out, and I can still see it over and over--much as I feel about The Magnificent Seven, the Return of the Seven, The Journey, or The King and I. I couldn't help but wonder if he actually played that harpsichord. He obviously couldn't sing, and only spoke the song while he played the tune on the lady's harpsichord.

Yul Brynner was a smoker, and the cigar is ever present. I met him in 1972 out in Malibu, and I asked him if he could quit smoking for his health's sake. He said, "Nope. Too hooked." He was, and sadly for his fans, it was his undoing. He signed a photo for me for my birthday that year, which I still cherish. The world lost a great actor when he passed. He was the best in a Western, wearing black and walking that walk...a man of few words.

Yul Brynner is a commanding presence in Richard Wilson's Invitation to a Gunfighter, a Stanley Kramer production set in New Mexico just at the end of the Civil War. Brynner is Jules Gaspard D'Estaing, a half-Creole, half-black gunfighter, hired by the town boss Sam Brewster (Pat Hingle) to kill Matt Weaver (George Segal), a soldier who has just returned from the war. When Weaver, who fought on the Confederate side, finds that his house and farm had been auctioned by Brewster as "enemy property", he guns down the man who had "acquired" his farm and stole his girlfriend Ruth Adams (Janice Rule). Now the town wants payback and hires a self-appointed dispenser of instant justice.

Nattily dressed in a black suit and a ruffled white shirt, Jules is the strong, silent type, equally adept at playing poker, reciting poetry, and playing the harpsichord as he is engaging in "work and play" with his guns. He is well paid to finish the job but soon discovers that his prospective victim may be more honest than those who are joined against him. Although he makes the statement that he is no longer human, Jules' actions prove otherwise as he develops a sympathy for Weaver, becomes attracted to Ruth, and finds aid and comfort with the Mexicans in the village who have been shunted to the outskirts of town by the corrupt bosses. When Jules, seething with frustration, goes on a drunken rampage and nearly destroys the town single handedly, Sam makes a truce with Matt to get rid of the mysterious stranger and the showdown is set.

Yul Brynner turns in a compelling performance as the son of a slave who wants justice more than another payday. While there is a tendency in many films to glorify murderers for hire, we can relate to Jules more as a flawed human being with a troubled past than as a cold-blooded killer. Unfortunately the other characters are not as well developed and George Segal seems miscast as the vengeful war veteran. Janice Rule is lovely but is given little to do except stand around and look pensive. The less said about the musical score the better. Suffice to say, it did not add to the pleasure of watching this film. Being a Yul Brynner fan, however, I found Invitation to a Gunfighter a satisfying experience, a film whose themes of racism and interracial love were advanced, even for 1964 when consciousness about civil rights was exploding.

I have always like westerns and would consider this one a must-see. It's quite dated in places with many of it's attitudes rooted in the 1950s and some really laughable dialog. But it's moral stance and it comments on society's treatment of it's poor, it's minorities, it's women, hits you like a slap to the face. It's always a pleasure to watch Yul Brenner at work and he really carries this movie. George Segal is okay as his presumed antagonist but the real bad guy(s) in this movie are not so easily identified. I was stunned to see how much of the plot of this movie influenced one of my favorite Westerns of all time - High Plains Drifter. The resemblance is uncanny - of course HPD does it better but still I have to recommend this to anyone who likes Westerns.

Studio-slick story with talky screenplay, it starts when Confederate soldier named Matt Weaver (George Segal) goes back to his village after the Civil War, he encounters that his house has been sold by landowner Sam Brewster (Pat Hingle). Brewster hires enigmatic gunfighter Jules Gaspard d'Estaing (Yul Brynner) to deal with Weaver and charged with taking him out but d'Estaing's independent approach settles the issues in a very unorthodox manner . When Jules is assigned for cleaning up the troubled community , he suddenly shifts loyalties and turning the balance of power. Meanwhile , there takes place a lovely triangle among the main characters (Brynner, Segal and Janice Rule).

This is a tremendously exciting story of a gunfighter-for-hire who had only one more killing to go. It begins as a slow-moving Western but follows to surprise us with dark characters and solid plot ; resulting to be a striking piece. Long on dialog but contains an exciting final with surprising duel . The tale is almost grim , a killer comes to a town just in time to make sure its citizenry but later the events get worse . Short on action Western with Brynner as rare gunslinger who is hired as professional murderous to kill outcast Confederate George Segal. The highlights are the violent destruction of the town and the climatic showdown at the ending. Phenomenal and great role for Yul Brynner as avenger angel and bitter gunfighter, he's the whole show at the height of his iconic game . Vivid and lively musical score by David Raksin. Atmospheric cinematography in glimmer color by Joseph McDonald. The motion picture is professionally realized by Richard Wilson (Al Capone , Three in Attic). Wilson was a previous associate of Orson Welles in the Mercury Theatre days and made another good Western as ¨Man with a gun¨, starring Robert Mitchum and ¨Zane Grey¨ episodes. Watchable results for this offbeat Western.