IMDb RATING
7.4/10
12K
YOUR RATING
Wealthy businessman Domenico and penniless prostitute Filumena share a large part of their lives in post-WWII Italy.Wealthy businessman Domenico and penniless prostitute Filumena share a large part of their lives in post-WWII Italy.Wealthy businessman Domenico and penniless prostitute Filumena share a large part of their lives in post-WWII Italy.
- Nominated for 2 Oscars
- 7 wins & 10 nominations total
Marilù Tolo
- Diana
- (as Marilu' Tolo)
Alberto Castaldi
- Doctor
- (as Alberto Gastaldi)
Vincenzo Aita
- Alfonso - Priest
- (uncredited)
Featured reviews
A fine showcase for Sophia Loren who at the age of thirty portrays and older women seemingly at death's door as well as a young girl of seventeen. And throughout she has a fantastic rapport with Marcello Mastroianni and however fantastical becomes the action, however unrealistic the Italian 'realism' we believe in her. She is not, if there is such a thing, a 'classic' beauty and yet she always looks lovely. Her face can express sadness, concern, happiness and glee, all within seconds of each other and with her all the time remaining attractive. Her body is probably even more remarkable but it is the way she can move that is truly magical, and sexy. She can striptese all day long but the magic is when she begins to walk or skip along the street. Remarkable. And on the screen, of course, quite magical. So if the first half of this Vittorio De Sica film can be sluggish with comedic moments that don't quite cut it today (if they ever did outside of Italy) there is always Loren to look at and the pairing of the two to enjoy. Things get going and if we find it hard to glorify prostitution one moment and femininity and motherhood the next, it is not a problem for the Italians and eventually we too are swept along in a romanticised wave of well being.
10paolo-28
Well I think that you should watch this wonderful Italian film. It is taken from the comedy "Filumena Marturano" by Eduardo De Filippo. Marcello Mastroianni is superb and Sophia Loren is excellent. It's a pity she didn't won the second Oscar as best actress of this film.
The title-song "'O cielo ce manna 'sti 'ccose" by Fred Bongusto is absolutely wonderful.
The title-song "'O cielo ce manna 'sti 'ccose" by Fred Bongusto is absolutely wonderful.
Yes, Sophia Loren is breathtakingly beautiful in this movie - at times - but there is much more to it than that.
This movie does a remarkable job of developing two characters, especially Loren's character, over more than 20 years. There are no stereotypes - the warm-hearted prostitute, etc. - here, no facile caricatures. Rather, Loren, directed by di Sica, is able to develop a complex and fascinating character who goes from a 17 year old girl to a woman in her 50s. Loren does this not with fancy make-up, etc., but by ACTING. She is believable as the terrified young girl thrown into prostitution by abject poverty; she is completely believable as the 50+ year old woman defending her three children. (She was 30 when she made this movie.) I couldn't stop watching this movie. Loren is so real in it that you HAVE to find out what will become of her character.
This movie shows you what a good movie can be: something with complex, real characters whom you want to know more about. It is the complete opposite of the caricature-, stereotype-ridden formulaic pictures we get too often.
This movie does a remarkable job of developing two characters, especially Loren's character, over more than 20 years. There are no stereotypes - the warm-hearted prostitute, etc. - here, no facile caricatures. Rather, Loren, directed by di Sica, is able to develop a complex and fascinating character who goes from a 17 year old girl to a woman in her 50s. Loren does this not with fancy make-up, etc., but by ACTING. She is believable as the terrified young girl thrown into prostitution by abject poverty; she is completely believable as the 50+ year old woman defending her three children. (She was 30 when she made this movie.) I couldn't stop watching this movie. Loren is so real in it that you HAVE to find out what will become of her character.
This movie shows you what a good movie can be: something with complex, real characters whom you want to know more about. It is the complete opposite of the caricature-, stereotype-ridden formulaic pictures we get too often.
After anthologies "Boccaccio 70" and "Yesterday, Today and Tomorrow," director Vittorio De Sica returns to a single story format with his favorite actress Sophia Loren, joined yet again by Marcello Mastroianni, evoking memories of her Oscar-winning turn in "Two Women" as Filumena, devoted companion to Mastroianni's wealthy Domenico, who discovered her as a frightened 17 year old in a bordello during a wartime bomb raid, putting her to work as a domestic in his mother's home rather than waste his position in society on a woman below his station. 20 years pass and she now lies on her deathbed, requesting the presence of a priest who promptly joins the two in marriage (just as he's prepared to wed a girl half his age), Domenico stunned to see Filumena up in no time and fighting fit, and more determined than ever to emerge the victor in this battle of the sexes, not so much for herself but for the three sons she has secretly cared for over the years. There are amusing moments to be sure but it's by heart a serious drama in which Sophia effortlessly ages from bubbly coquette to middle aged dowager over 100 minutes yet still meets her perfect match in Marcello Mastroianni, who has no business being so likable when he's essentially portraying a cad.
Absolute classic romantic comedy with two of the absolute greats in Marcello Mastroianni and Sophia Loren. The romance is stunningly powerful, the comedy is witty and hilarious.
"The more the world changes, the more it stays the same."
Marriage Italian Style is a beautiful love story between Sophia Loren and Marcello Mastroianni, that created electricity when they worked together. Passionate chemistry and amazing acting. A difficult story, which makes you question good and bad, right and wrong. It's a "problem play" which ends up happy, but not happy. You wonder what the future will bring, but hope for the best. Sophia Loren and Marcello Mastroianni could not be better matched or more compelling to watch. Overall, I've seen Marriage Italian Style many times and love it more every time.
Marriage Italian Style is a beautiful love story between Sophia Loren and Marcello Mastroianni, that created electricity when they worked together. Passionate chemistry and amazing acting. A difficult story, which makes you question good and bad, right and wrong. It's a "problem play" which ends up happy, but not happy. You wonder what the future will bring, but hope for the best. Sophia Loren and Marcello Mastroianni could not be better matched or more compelling to watch. Overall, I've seen Marriage Italian Style many times and love it more every time.
Did you know
- TriviaDomenico arranges an apartment in Naples for Filumena. The former tenant's belongings are still in. There is a picture of Clara Petacci (dictator Mussolini's mistress) on the wall and Filumena asks when this will be removed. The scene is set in the late 1940s, so this obviously symbolizes Italy's transition from fascism to a republic. Mussolini himself would probably not have passed the censors.
- Quotes
Filumena Marturano: [subtitled version] The problem is that our hearts used to be so big...
[holds up pebble]
Filumena Marturano: and now look how small they are.
- ConnectionsEdited into Marcello, una vita dolce (2006)
- SoundtracksMunasterio 'e Santa Chiara
(uncredited)
Written by Michele Galdieri and Alberto Barberis
Sung by Don Domenico on the trip home from the racecourse; Don Domencio also asks the boys to sing it
- How long is Marriage Italian Style?Powered by Alexa
Details
Box office
- Gross US & Canada
- $10,600
- Opening weekend US & Canada
- $4,967
- Sep 25, 2011
- Gross worldwide
- $216,749
- Runtime
- 1h 42m(102 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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