Send Me No Flowers

Admittedly, I would have never seen a Rock Hudson picture if I hadn't seen a clip from this movie of Hudson in a wheelchair rolling out his backdoor, bouncing off a mattress and rolling back into Doris Day on "The Beverly Hillbillies." Determined to see the whole of this movie based on that one funny scene, I got myself a copy of this movie and loved it ! Hudson plays a hypochondriac who mistakenly believes he is dying. Trying to set up his wife played by Doris Day for after he is gone, he sets off one horrendous fight that looks like a comic version of "War of the Roses." Tony Randall has the Danny DeVito role in this comedy that also stars Paul Lynde in one of his best roles next to Uncle Arthur on "Bewitched" and Edward Andrews, a great actor of the Sixties whose first name is almost an anagram of his last. The movie is fast, furious and enjoyable, but mildly dated for it's times. While the times may have changed, the humor basicly has stayed the same.

Rock Hudson is in his element here--a situation comedy that's got some clever lines built around the theme that he's a hypochondriac who mistakenly believes he has only a few weeks to live--and wants to put certain issues in order believing that his wife needs another man as soon as he's gone. The "other man" that he and Tony Randall choose turns out to be Clint Walker, his wife's old flame from school days.

With the help of a fairly amusing script and some well played bits by Paul Lynde (as a dedicated undertaker) and Edward Andrews (as a doctor who thinks the specialists get all the breaks), Rock Hudson makes the most of his central role and actually gives the most polished comic performance of his career. Tony Randall does well as his gin-guzzling neighbor who promises to deliver a eulogy for him. And Doris Day (despite wearing what looks to be the worst looking wig since Barbara Stanwyck's blonde hairdo in "Double Indemnity") uses her own comic flair with style--but personally, I've enjoyed her much more in her other roles with Hudson, especially "Pillow Talk". The focus here is on Hudson and he makes the most of a well-written comic role.

Since one of the writers on the script is Julius J. Epstein, it's no wonder that there's a fresh, smooth-flowing flavor to the proceedings. Not the kind of film you should go out of your way to catch, but it passes the time pleasantly. Epstein worked on some great scripts ranging from "The Strawberry Blonde" to "Light in the Piazza" and his deft writing style is evident here.

Very good screenwriting here and a very good example of early sixties suburban lifestyle.Very funny and this movie is one of the best comedies of all time.The cinematography was splendid as well.Comedy fans please watch this one!

I stumbled across this movie one morning. I don't usually like comedies from this era, but I really liked this one. It is very cute and funny and just perfect. The three are a great team and Tony Randall is especially funny. I recommend it to all.

For the last film of Rock Hudson-Doris Day-Tony Randall, Rock and Doris are already married so it's not like Rock is in hot pursuit of our all American virginal goddess. Instead they seem like a typical suburban couple of the early sixties except for one problem, Rock is an obsessive compulsive hypochondriac.

Another visit to Edward Andrews the doctor and a big misunderstanding convince Rock he's a terminal case and he starts making preparations both to meet his Maker and make sure about Doris who he leaves behind. That causes all kinds of funny situations that Rock and Doris muddle through with the fumbling help of a lot of people.

Hudson and Day did three films together and by rights they should be listed as a trio with Tony Randall because he was in all three of the films and added so much to them as Hudson's comic foil. Of course this was in the day much before he became TV's most famous fuss budget, Felix Unger. Still you can see traces of Felix in all three of Randall's roles with Rock and Doris.

Send Me No Flowers is the weakest of the three comedies I feel because the Hudson-Day team works so much better with Rock trying to grab a little nookie from Doris and getting hooked for his troubles. Still the film has some really nice moments. All three of their films were well cast with some of the best supporting players around.

My favorite in Send Me No Flowers is Paul Lynde as the cemetery director who just loves his job. He has two scenes, one with Rock buying a cemetery plot and a second with Doris where he inadvertently solves the problems Rock's hypochondria works them into.

Rock and Doris surely made one wonderful movie screen team.