Smokescreen

Peter Vaughan, a wonderful actor, is the rather slimy insurance investigator investigating a claim in coastal Sussex.

And this unlikely hero succeeds where the Police have failed!

Made on a tiny budget, this film proves that enormous budgets are not always necessary to make good cinema.

Truly a minimalist marvel.

A flaming car goes over the cliff near Brighton to land in the water hundreds of feet below. There's an insurance policy to be paid out, a bright new one just taken out, for a hundred thousand pounds, so his suspicious boss sends insurance investigator Peter Vaughan to poke around. There's no clear motive for what happened, since business was good and so was his marriage to beautiful, rich Yvonne Romaine, but it's clear that the driver faked his death to clear out.His boss, however, insists on a motive..... and that leads to some interesting insights.

Vaughan offers a delightful performance of a cartoonish-looking man in homburg and black umbrella, a skinflint as interested in cheating his insurance company out of shillings as of saving them from a false claim for a hundred thousand pounds..... even as they put him up at the most expensive hotel in Brighton while he investigates. He looks terrified trying to get information out of man-hungry Penny Morrell by getting her squiffed, and the question of who did what and why is brilliantly hidden under a trail of red herrings.

Vaughan is probably best known these days for his role on GAME OF THRONES. His role was probably written out when he fell ill and died in 2016 at the age of 93.

A modest, but quietly effective story of an insurance assessor (the ever reliable Peter Vaughn) investigating a possibly suspicious claim following the plunging of a car over a Brighton clifftop. Vaughn is first class as the dogged, brolly-carrying Roper, on screen virtually throughout, as he questions everything and trusts no-one. It has the feel of a police procedural, and there is some wry humour derived from his reluctance to spend money, and to fiddle his expenses at every opportunity, for the best of reasons, we discover. A stalwart supporting cast keep things real, and there are nice location shots. Worth an hour of anyone's time.

SMOKESCREEN is a rather endearing little British thriller with a strong comic flavour to allow it to stand out from the rest. Although it has the same low budget, ensemble cast feel as many other films from Butcher's Film Studios, it's the comic angle - which centres around the central character's miserliness - which makes it special.

The storyline is rather familiar, but the Brighton locations give it an edge. The dependable Peter Vaughan plays an insurance investigator who investigates the death of a man who died when his burning car went over the cliffs. To this end, he's teamed up with a youthful John Carson (PLAGUE OF THE ZOMBIES) as his assistant and must get to grips with the dead man's wife, played by the glamorous Yvonne Romain (CURSE OF THE WEREWOLF). Meanwhile, familiar faces from British movies like Gerald Flood and Sam Kydd regularly appear.

SMOKESCREEN comes across as a rather genteel whodunit, playing out like a simple murder mystery with a big 'reveal' at the climax. All aspects of the film are ordinary apart from the comic streak, which is very well handled and genuinely funny. It's this comedy that makes SMOKESCREEN worth watching.

A blazing car crashes over a cliff. No body is found. It belonged to a co-owner of a business. Both owners had recently taken out large insurance policies. The insurance company is naturally suspicious and send an agent (Peter Vaughn) to investigate. The time frame of the accident adds to his suspicions. To complicate matters it turns out that there was an offer to buy the business that the missing man rejected but which his partner wanted to accept. To further complicate matters the local insurer (John Carson) who sold the policies loves the missing man's wife (the beautiful Yvonne Romain).

The film has a bit more depth than normal B-movie fare. Throughout there is a running theme about Vaughan's expenses. This seems to be for low comedic effect but later we learn why he is so tight with money. Similarly with the denouement we learn why the film's title is appropriate.

This is a pleasant, undemanding little B-movie for all the family. I give it a 7 because it's a well-made, well-written, well-acted low budget film lacking star names. Had it had an A-list budget I'd have given it a 6.