IMDb RATING
5.3/10
3.5K
YOUR RATING
In 1964, a group of scientists create a portal that takes them to a barren, mutant inhabited, Earth in the year 2071.In 1964, a group of scientists create a portal that takes them to a barren, mutant inhabited, Earth in the year 2071.In 1964, a group of scientists create a portal that takes them to a barren, mutant inhabited, Earth in the year 2071.
Wayne Anderson
- Android
- (uncredited)
William F. McGaha
- Android Technician
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
5.33.5K
1
2
3
4
5
6
7
8
9
10
Featured reviews
Highly imaginative time travel saga from the Sixties
Three scientists and the inevitable everyday Joe are catapulted over a hundred years into the future by a lab accident, into a post-apocalyptic nightmare in which atomic war has devastated the planet. Pursued by a band of savage mutants, they're rescued by the last few humans, a small group of scientists and technicians engaged in a race against time to construct a starship and get away before the more numerous mutants can break through their defenses.
None of these elements is particularly new to the genre, but writer/director Ib Melchior manages to combine them into a fairly entertaining and occasionally original piece of "upper low-budget" sf cinema. This isn't to say that the pace doesn't occasionally lag a bit toward the middle, with some sequences feeling like they were inserted just to pad out the running time. (Like a totally unnecessary scene devoted to what's supposed to be a demonstration of their futuristic "matter transmitter", which is clearly just a stage magician's prop.)
Mostly, though, there's scarcely a moment wasted in exposition or character development, as the story barrels along to its truly unique conclusion.
Set design, miniatures, costuming and makeup -- particularly the androids -- are surprisingly good, for its budget. The optical effects are sparse but imaginative. Though it's early in his distinguished career, having Vilmos Zsigmond behind the camera also contributes considerably to making this a much more polished and expensive-looking production than you'd normally expect to see from American International.
None of these elements is particularly new to the genre, but writer/director Ib Melchior manages to combine them into a fairly entertaining and occasionally original piece of "upper low-budget" sf cinema. This isn't to say that the pace doesn't occasionally lag a bit toward the middle, with some sequences feeling like they were inserted just to pad out the running time. (Like a totally unnecessary scene devoted to what's supposed to be a demonstration of their futuristic "matter transmitter", which is clearly just a stage magician's prop.)
Mostly, though, there's scarcely a moment wasted in exposition or character development, as the story barrels along to its truly unique conclusion.
Set design, miniatures, costuming and makeup -- particularly the androids -- are surprisingly good, for its budget. The optical effects are sparse but imaginative. Though it's early in his distinguished career, having Vilmos Zsigmond behind the camera also contributes considerably to making this a much more polished and expensive-looking production than you'd normally expect to see from American International.
Yes, it is dated, but the themes are still relevant today!
The person who commented on this movie needs to remember when it was made. It was 1964, and for that time, I thought it was done pretty well, if you look at the themes the movie was trying to portray. Sure it was full of cheesy effects, but the premise was pretty good. Filmaking had at least progressed from the '50's Cold War hysteria to the 60's trying to understand one another (somewhat). Some people need to stop trying to be witty and hope they get to be the next Roger Ebert, and be be honest about a movie. I have great memories of seeing this movie in the 1960's at a theater, and I have a copy I obtained on the Internet simply because of the fun such sci-fi was and continues to be for fans of the genre. Without such movies, you would not have the Star Wars franchise!!! Think about the history of the genre, and not how clever you are!
fun post-apocalypse moom pitcha!
First saw this one when I was 12 and loved it ever since(I'm now 44-a geezer,I suppose}Probably the best low-budget sci-fi ever made,as far as I'm concerned,and one of the best endings of a movie ever(thanks to Ib Melchior and Dave Hewitt).Cast is quite good,especially Steve Franken and the always-excellent Preston Foster.And Merry Anders is,as always, a real babe.Watch it if you get the chance!!!
Cinematography
The one thing that struck me right away was the static camera shots. Usually just one master shot and one other angle. I thought it might be the fault of the cinematographer, but when I looked it up I found that Vilmos Zsigmond was the cinematographer on Close Encounters of the Third Kind and Witches of Eastwich which are 2 of my favorite films with stunning cinematography. Of course, made for the big screen it wouldn't be as bad as watching it on a small TV. Actually this kind of cinematography is preferable to a lot of today's films that are shot like a music video. I am sure that having a low budget is constraining to the cinematographer's creative endeavors.
Decent 1960's Time Travel film
The first time I saw this movie was on a weekend afternoon on one of the UHF stations out of Sacramento. I only saw the first five minutes or so. Up to the part where the characters actually take their first steps forward, and then the family had to go somewhere.
Throughout the years I'd catch the same beginning time and again, but was always drawn away from it.
Well, I finally saw it all last year, and where it wasn't sterling scifi fare, it was decent for a 1960s reminisce-blast from scifi film making of days of yore. Finally being able to see this full film in its entirety put a smile on my face. The same kind of feeling I got when I saw other films that I had often heard about, but had never fully seen, just bits and pieces here and there on broadcast TV back in the 70s and 80s.
But, to the movie; it's standard science fiction time travel stuff. Throw in a few mutants, some robots, and you got yourself a movie. There's a romantic subplot of sorts, some rocket ships, a fight for survival, a battle of good and evil, all the things that make great science fiction great. Only this film isn't exactly the greatest thing ever, it's just decent enough to be watchable.
Lots of basic shots, mostly standard master shots and two shots to push the narrative forward. There are no or few dramatic closeups, no rapid machinegun editing, and a score that's your standard "danger of the unknown" music so prominent of scifi of the 50s and 60s.
It's the kind of movie that someone thought would be a good thing for people to see, and that scifi aficionados like myself thought would be worth seeing once or twice. And the film delivers on that account.
I'm so glad I finally saw it after decades of just catching snippits of it. I'm not sure I'll buy the DVD or bluray to add to my collection, but I'm glad it's out there for all to see.
If you're a scifi fan, then maybe give this film a chance on the player of your choice. Enjoy.
Throughout the years I'd catch the same beginning time and again, but was always drawn away from it.
Well, I finally saw it all last year, and where it wasn't sterling scifi fare, it was decent for a 1960s reminisce-blast from scifi film making of days of yore. Finally being able to see this full film in its entirety put a smile on my face. The same kind of feeling I got when I saw other films that I had often heard about, but had never fully seen, just bits and pieces here and there on broadcast TV back in the 70s and 80s.
But, to the movie; it's standard science fiction time travel stuff. Throw in a few mutants, some robots, and you got yourself a movie. There's a romantic subplot of sorts, some rocket ships, a fight for survival, a battle of good and evil, all the things that make great science fiction great. Only this film isn't exactly the greatest thing ever, it's just decent enough to be watchable.
Lots of basic shots, mostly standard master shots and two shots to push the narrative forward. There are no or few dramatic closeups, no rapid machinegun editing, and a score that's your standard "danger of the unknown" music so prominent of scifi of the 50s and 60s.
It's the kind of movie that someone thought would be a good thing for people to see, and that scifi aficionados like myself thought would be worth seeing once or twice. And the film delivers on that account.
I'm so glad I finally saw it after decades of just catching snippits of it. I'm not sure I'll buy the DVD or bluray to add to my collection, but I'm glad it's out there for all to see.
If you're a scifi fan, then maybe give this film a chance on the player of your choice. Enjoy.
Did you know
- TriviaThe mutants were played by members of the Los Angeles Lakers.
- GoofsWhen the characters return to their lab, they find they are unable to move any matter. Yet the characters are still able to move and breathe. If they were actually unable to affect any matter, as they clearly establish and go to lengths to explain, the air would not move out of the way when they walked nor would it move in/out of their lungs.
- Quotes
Reena: Don't you like me?
Danny McKee, the Electrician: Of course, I like you. You're a beautiful girl.
Reena: Oh, that! Beauty is only skin deep.
Danny McKee, the Electrician: Well, it's deep enough. What do you want - a lovely liver?
- Alternate versionsThe movie effectively has two different endings. In some televised airings of the film, the characters step through the time portal into a black void, which then briefly displays an image of them walking through a lush, green clearing before cutting right to the end credits. In other airings, the narrative continues by returning to the beginning of the movie, before the characters first passed through the portal. The key events of the film replay in a quick-cut montage before returning to the beginning again, indicating a time loop. This happens several more times, each cycle running faster and faster until the end credits finally roll.
- ConnectionsFeatured in Time Warp (1967)
- How long is The Time Travelers?Powered by Alexa
Details
Box office
- Budget
- $250,000 (estimated)
- Runtime
- 1h 24m(84 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content




