After her father's death, Honey West takes over his high-tech private-detective firm, assisted by rugged Sam Bolt--and her pet ocelot Bruce.After her father's death, Honey West takes over his high-tech private-detective firm, assisted by rugged Sam Bolt--and her pet ocelot Bruce.After her father's death, Honey West takes over his high-tech private-detective firm, assisted by rugged Sam Bolt--and her pet ocelot Bruce.
- Nominated for 1 Primetime Emmy
- 1 win & 2 nominations total
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Featured reviews
Still Holds Up for Me!
I recently got my hands on a few episodes of this show and I still don't understand why it only lasted one season, just as I wondered in 1965...! Not only good looking people, but interesting story lines, good guest stars, great clothes & cars, hip apartments, delicious banter and a very unique camera/editing style! Who's cuter than Anne Francis?? and wow, John Ericson is gorgeous! I also enjoy the comic relief of Jack Jones' mother, Irene Hervey as Aunt Meg. I plan to find more episodes of this show, maybe ALL of them! I recommend this show to anyone who enjoys private eye fare, good looking blonds, 60s hunks and good 60s TV!
Sex appeal sells. End of story. But...
I mean that in a complimentary manner. Before there was Pamela, or Farrah, or Sigourney, there was...Anne Francis as Honey West. The producers of "Honey" knew exactly what their strong hand was in this series, and that is the sex appeal of Anne Francis as the smart, resourceful, but above all else, sexy Honey West. But, while she could play the soft and feminine sex object in one scene, in the next Honey could show she was no cupcake when it came to battling it out with the baddies on the street.
For those of us who remember the sexually liberated sixties, Honey West was the epitome of raw sexuality dressed up in evening clothes. Yet, at the same time, she had the same quality of femininity when wearing a skin tight jumpsuit ala Emma Peel of The Avengers. Anne Francis is one of those rare females who looks as if she could glide off the runway of a fashion show and slip into the working garb of a private investigator without a hair out of place or smudge of makeup.
The storylines of this series were by no means bad. They featured the usual blend of mystery and intrigue, spiced with some (for the time) techno-gadgetry (courtesy of Honey's partner, Sam, who spent many hours in his "Bolt's TV Repair" panel truck eavesdropping on the bad guys, and would pop out in the nick of time to assist or occasionally save Honey from peril), and a good amount of action. Honey could hold her own against the bad guys when it came to kickboxing or gun battles, and always did so with style and flair and her usual touch of femininity. But, make no mistake, the storylines are merely vehicles for the display, to the pleasure of male viewers, of the sex appeal of Miss Anne Francis.
While Miss Francis is the show's feature player, a nod goes to John Ericson as Honey's able assistant, Sam Bolt. Fans will recognize the ruggedly handsome character actor from his lead role in the 1960 movie Pretty Boy Floyd. Here, he goes over to the right side of the law, and provides the rough-edged male counterpart to Honey's cool and soft femininity. While there was sexual tension between Sam and Honey, I always thought that Sam also felt a protectiveness towards Honey since he was her father's partner in the business and retained that loyalty. Still, the episodes never showed Sam putting any serious (in today's context) moves on Honey, something that intrigued and puzzled by fevered adolescent brain to no end.
All in all, Honey West was a fun hour of escapism and distraction, and will be fondly remembered, thanks to the smoldering sexuality of Miss Francis, by legions of men like myself who came of age in the midst of the sexually liberated sixties.
For those of us who remember the sexually liberated sixties, Honey West was the epitome of raw sexuality dressed up in evening clothes. Yet, at the same time, she had the same quality of femininity when wearing a skin tight jumpsuit ala Emma Peel of The Avengers. Anne Francis is one of those rare females who looks as if she could glide off the runway of a fashion show and slip into the working garb of a private investigator without a hair out of place or smudge of makeup.
The storylines of this series were by no means bad. They featured the usual blend of mystery and intrigue, spiced with some (for the time) techno-gadgetry (courtesy of Honey's partner, Sam, who spent many hours in his "Bolt's TV Repair" panel truck eavesdropping on the bad guys, and would pop out in the nick of time to assist or occasionally save Honey from peril), and a good amount of action. Honey could hold her own against the bad guys when it came to kickboxing or gun battles, and always did so with style and flair and her usual touch of femininity. But, make no mistake, the storylines are merely vehicles for the display, to the pleasure of male viewers, of the sex appeal of Miss Anne Francis.
While Miss Francis is the show's feature player, a nod goes to John Ericson as Honey's able assistant, Sam Bolt. Fans will recognize the ruggedly handsome character actor from his lead role in the 1960 movie Pretty Boy Floyd. Here, he goes over to the right side of the law, and provides the rough-edged male counterpart to Honey's cool and soft femininity. While there was sexual tension between Sam and Honey, I always thought that Sam also felt a protectiveness towards Honey since he was her father's partner in the business and retained that loyalty. Still, the episodes never showed Sam putting any serious (in today's context) moves on Honey, something that intrigued and puzzled by fevered adolescent brain to no end.
All in all, Honey West was a fun hour of escapism and distraction, and will be fondly remembered, thanks to the smoldering sexuality of Miss Francis, by legions of men like myself who came of age in the midst of the sexually liberated sixties.
good memories of a so-so show
This show gets points from me for nostalgia. Objectively speaking, however, some episodes are dreadful, especially any involving guys in gorilla or bear suits (Sam himself dons such a suit in one episode) or phony gypsies--although in the episode "Slay Gypsy Slay" Sam does a revelatory turn disguised as an old prospector; you suddenly realize that the actor who played Sam could act like more than one type of person. Aside from that, that episode is awful and its not the only one that is. Still, other episodes are OK or at least have more than one redeeming moment.
One thing that becomes clear, when you study the credits of each episode, is that the best ones were written by William Link and Richard Levinson, the writing team that later created the "Columbo" TV series. Every time you see their names on the screen, you know you are about to see a "Honey West" episode that will be a cut above the rest.
All that said, I am glad I bought the DVD. There are about 30 episodes in the season. Nowadays you are lucky to get 22. The old commercials included on the DVD are nostalgic as well, and sometimes hilarious. Watching the show again makes me realize I have acquired some taste since then, and it is a little disappointing to realize how flawed the show was. (It was an Aaron Spelling show, not to speak ill of the dead.) He had seen "The Avengers" before the rest of America had, he tried to come up with his own imitation of it, and he missed the mark a bit.
One thing he got right however, was choosing Anne Francis to do the honors. She is terrific as Honey West.
One thing that becomes clear, when you study the credits of each episode, is that the best ones were written by William Link and Richard Levinson, the writing team that later created the "Columbo" TV series. Every time you see their names on the screen, you know you are about to see a "Honey West" episode that will be a cut above the rest.
All that said, I am glad I bought the DVD. There are about 30 episodes in the season. Nowadays you are lucky to get 22. The old commercials included on the DVD are nostalgic as well, and sometimes hilarious. Watching the show again makes me realize I have acquired some taste since then, and it is a little disappointing to realize how flawed the show was. (It was an Aaron Spelling show, not to speak ill of the dead.) He had seen "The Avengers" before the rest of America had, he tried to come up with his own imitation of it, and he missed the mark a bit.
One thing he got right however, was choosing Anne Francis to do the honors. She is terrific as Honey West.
Women's lib detective before there was liberation
Honey West was cool, liberated, and above all, sexy. My first love on TV. She went off the tube almost as soon as I'd found her, and I had to subsist on a diet of Donna Reed, Doris Day, and other actresses that didn't have the same erotic spark.
Cool school crime show
The sort of show that epitomised mid 60's Hollywood hip-great clothes and cars,fab music,graced with the presence of slim beautiful Anne Francis as the foxy sleuth.Okay the plots are elementary at best,and can veer towards silliness("Little green Robin Hood" anyone?),and the show is too darn short at half an hour to do real justice to itself.Also it's in black and white-but who cares-just watch Francis and John Ericson in action.Like the "Burke's Law" series-where Honey West first appeared on screen-there's quite a lot of wit in the writing(this show,like "Burke's Law",is from "4 star" television productions).And there's Bruce,Honey's amusingly roguish ocelot.Some interesting guest stars include Everett Sloane(in one of his final appearances),Edd Byrnes,Alan Reed(Fred Flinstone!)and Dick Clark!Special mention should be made of the brilliant montage of pictures accompanying the jazzy opening credits.
Did you know
- TriviaAnne Francis as Honey West first appeared in an episode of Burke's Law (1963) on April 21, 1965, Who Killed the Jackpot? (1965), which led to this series being commissioned as a spin-off.
- GoofsThe style of the detective agency's name changes from episode to episode. Sometimes it is "H. West & Company, Private Investigators" and other times it is "Honey West & Co., Private Investigators." In the novels on which the series is based, it was sometimes "H. West, Private Investigators" and other times "H. West, Private Investigations." The reason it was "H. West" in the novels and not "Honey West" was twofold: Honey did not want potential clients to know she was a woman before they met her, and the business, which she had inherited from her father, Hank West, had always been called "H. West."
- ConnectionsFeatured in Hollywood Spies on Spies (1999)
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Details
- Release date
- Country of origin
- Language
- Also known as
- Privatdetektivin Honey West
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1
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