IMDb RATING
6.4/10
3.7K
YOUR RATING
Robert Reed visits his philandering friend Bernard Lawrence just as Bernard's scheme of being secretly simultaneously engaged to three flight attendants goes awry. Based on Marc Camoletti's ... Read allRobert Reed visits his philandering friend Bernard Lawrence just as Bernard's scheme of being secretly simultaneously engaged to three flight attendants goes awry. Based on Marc Camoletti's stage play.Robert Reed visits his philandering friend Bernard Lawrence just as Bernard's scheme of being secretly simultaneously engaged to three flight attendants goes awry. Based on Marc Camoletti's stage play.
- Awards
- 4 nominations total
Alex Akimoff
- Restaurant Patron
- (uncredited)
Nai Bonet
- Air India Stewardess
- (uncredited)
Eugene Borden
- French Taxi Driver
- (uncredited)
Françoise Bush
- Françoise - French Taxi Driver
- (uncredited)
Peter Camlin
- French Taxi Driver
- (uncredited)
Albert D'Arno
- Maitre d'
- (uncredited)
Tony Dante
- Waiter
- (uncredited)
George Dee
- French Taxi Driver
- (uncredited)
Alphonso DuBois
- Pub Patron
- (uncredited)
Vic Dunlop
- Husband
- (uncredited)
Roger Etienne
- French Taxi Driver
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Boeing Boeing is known primarily today as the film where Jerry Lewis stepped out of his schnook character and played a lead role in a Sixties sex comedy. Jerry does all right in expanding his range on this one, but the whole thing itself is not the greatest these type of films ever.
It's more of a warmed over version of The Tender Trap than anything else with Lewis playing not quite so second a banana to Tony Curtis as David Wayne did with Frank Sinatra.
Curtis has a great little operation going over at his place, he's got three fiancés, all airline stewardesses working at different airlines who live at his rather sumptuous bachelor pad in Paris. He keeps complete track of the schedule of Dany Saval for Air France, Christine Schmidtmer for Lufthansa, and Susanna Leigh for British Airways. But one fine day schedules change. Not only that, but an old rival Jerry Lewis comes into town and watches in amazement.
I'm still trying to figure out just how Tony Curtis could afford the living quarters he was in together with live-in maid Thelma Ritter who helps him keep the pretenses up. Just how a Jewish maid from Queens got to be living in Paris is also a mystery. All this mind you is on a reporter's salary and no one said that Curtis was Carl Bernstein.
Good thing he could afford her because Thelma Ritter as usual is the best thing in the film despite the statuesque proportions of the ladies involved. Especially Schmidtmer as Ritter caustically commented.
In his memoirs Tony Curtis says he liked making Boeing Boeing and thinks highly of Jerry Lewis as a person and comedian. He also said Lewis even when not doing his usual shtick in a film was still the greatest scene stealer on the planet with whom he had to stay constantly alert.
It's not a bad comedy, some will find it incredibly sexist for their taste. It does suffer by comparison to The Tender Trap.
It's more of a warmed over version of The Tender Trap than anything else with Lewis playing not quite so second a banana to Tony Curtis as David Wayne did with Frank Sinatra.
Curtis has a great little operation going over at his place, he's got three fiancés, all airline stewardesses working at different airlines who live at his rather sumptuous bachelor pad in Paris. He keeps complete track of the schedule of Dany Saval for Air France, Christine Schmidtmer for Lufthansa, and Susanna Leigh for British Airways. But one fine day schedules change. Not only that, but an old rival Jerry Lewis comes into town and watches in amazement.
I'm still trying to figure out just how Tony Curtis could afford the living quarters he was in together with live-in maid Thelma Ritter who helps him keep the pretenses up. Just how a Jewish maid from Queens got to be living in Paris is also a mystery. All this mind you is on a reporter's salary and no one said that Curtis was Carl Bernstein.
Good thing he could afford her because Thelma Ritter as usual is the best thing in the film despite the statuesque proportions of the ladies involved. Especially Schmidtmer as Ritter caustically commented.
In his memoirs Tony Curtis says he liked making Boeing Boeing and thinks highly of Jerry Lewis as a person and comedian. He also said Lewis even when not doing his usual shtick in a film was still the greatest scene stealer on the planet with whom he had to stay constantly alert.
It's not a bad comedy, some will find it incredibly sexist for their taste. It does suffer by comparison to The Tender Trap.
I usually don't crave for comedies, but this one, I must admit, is purely exquisite. How could it be else, with the likes of Tony Curtis and Jerry Lewis? The plot, scheme, of course suggests a stage play behind it. The situations can't let you evoke something else.... I have heard this film had a great great success all over the world. I remember that this film was shown in Paris till the mid eighties. But I had never seen it before. And Tony Curtis could not avoid a meeting with Jerry Lewis, another born comedy actor; both were made to fit together, as the bullet with the gun barrel. I don't know the director though, I guess that's the only film he made for the big screen.
"Boeing, Boeing" is a very unusual film for the time because although Jerry Lewis is one of the stars of the picture, he neither directed nor wrote it. He's simply there as an actor and isn't quite the same goofy guy he is in his other films. In fact, in some ways he's quite a jerk...a definite departure.
The story is about a super-selfish guy. Bernard (Tony Curtis) is a major womanizer. He's arranged his life in Paris so that he's engaged to three different stewardesses at the same time. It works out because each thinks she's his only woman and because their schedules work out so, they are oblivious to his machinations. However, two things upset his plans...the arrival of Robert (Lewis) and the women's schedules...which suddenly start getting discombobulated. So for most of the film, Bernard works tirelessly to hide each woman from the others...sometimes with Robert's help and sometimes Robert seems to be out for just himself.
This American-made bedroom farce suffers because Bernard and Robert are jerks...and two of the three fiancees seem pretty nasty. The third fiancé is just kind of dumb. Because of all this, the film doesn't work as well as it could and it's obvious that the director and stars try to make up for a somewhat weak plot by putting TONS of energy into their performances. It's not unpleasant but can understand why this isn't one of Lewis' or Curtis' more famous efforts.
The story is about a super-selfish guy. Bernard (Tony Curtis) is a major womanizer. He's arranged his life in Paris so that he's engaged to three different stewardesses at the same time. It works out because each thinks she's his only woman and because their schedules work out so, they are oblivious to his machinations. However, two things upset his plans...the arrival of Robert (Lewis) and the women's schedules...which suddenly start getting discombobulated. So for most of the film, Bernard works tirelessly to hide each woman from the others...sometimes with Robert's help and sometimes Robert seems to be out for just himself.
This American-made bedroom farce suffers because Bernard and Robert are jerks...and two of the three fiancees seem pretty nasty. The third fiancé is just kind of dumb. Because of all this, the film doesn't work as well as it could and it's obvious that the director and stars try to make up for a somewhat weak plot by putting TONS of energy into their performances. It's not unpleasant but can understand why this isn't one of Lewis' or Curtis' more famous efforts.
You'll enjoy this movie from start to end if you take it as it is: a fun, entertaining film with two wonderful leading men. Tony Curtis was a brilliant actor, and in comedies he's simply amazing. I spent a wonderful evening laughing out loud in certain moments. See it!
When the opening credits run, and the supporting female cast members measurements' are shown beneath their names, you have no doubt you're in the 60's, bedroom farce, defined. In a role reversal of sorts Jerry Lewis plays straight man to Tony Curtis this time around .
Bernie Lawrence (Curtis) is an American newspaper man stationed in Paris, the man for whom there is never too many airline hostesses, just too little time. His delicately balanced, and timed to the minute, 4-way love life comes totally unwound when old pal Robert Reed (Lewis) arrives for an unexpected stay.
Cliché after cliché, time stamped in most every shot, Boeing Boeing is a tribute to a different type of filmmaking than we see today, a different morality, a different approach to comedy.
Wonderful Paris sights are an added treat. Recommended.
Bernie Lawrence (Curtis) is an American newspaper man stationed in Paris, the man for whom there is never too many airline hostesses, just too little time. His delicately balanced, and timed to the minute, 4-way love life comes totally unwound when old pal Robert Reed (Lewis) arrives for an unexpected stay.
Cliché after cliché, time stamped in most every shot, Boeing Boeing is a tribute to a different type of filmmaking than we see today, a different morality, a different approach to comedy.
Wonderful Paris sights are an added treat. Recommended.
Did you know
- TriviaThis was the last film that Jerry Lewis made for Paramount Pictures, marking the end of a 17-year association.
- GoofsReed gets in the cab through the left door; then we see him inside sitting on the right side of the taxi and the girl is on the left.
- Crazy creditsThe three actresses who play the flight attendants have their physical measurements listed in small print under their names. Instead of measurements, Thelma Ritter has (?-?-?) by her name.
- ConnectionsReferenced in Film, Film, Film (1968)
- How long is Boeing, Boeing?Powered by Alexa
Details
Box office
- Budget
- $2,200,000 (estimated)
- Runtime
- 1h 42m(102 min)
- Sound mix
- Aspect ratio
- 1.78 : 1
Contribute to this page
Suggest an edit or add missing content