Curse of the Fly

I wasn't too impressed by "Return of the Fly", but it still fascinated me! When I learnt that there was a third one, I was quite intrigued to see it. I just watched it for the first time on DVD, and I was quite impressed on how smart the story was, and even though there is no Human-Fly monster in it (which, to be honest, is a smart approach), I thought it was more clever to base the movie around the Delambre legacy, rather than focus on the whole "man gets gene-spliced with a fly" blah blah blah! To be honest, I was expecting something REALLY dreadfully cheesy, but surprisingly, I loved it! The visuals (especially, the opening credit sequence, very well thought up!), and the originality of it is superbly done! It's got the classic horror movie style down perfectly! True its not as frightening as say... Alien, but, for its time (1960s), the mutant make up and story are very well sorted! TOTALLY UNDERRATED!

You can tell you are not in the 1950s anymore as the film opens with a salacious scene. The lovely and sultry Carol Grey wriggles out a window in her white nylon bra and panties under a very reflective full moon. She runs away in slow motion giving the leering audience every possible angle of her shapely buttocks jiggling down the lawn. Not only was this an obvious pandering but a significant step away from 50's button-down, pearl necklace sensibilities. She runs away from a lunatic asylum to be picked up by a scientist (who obviously had more sex in mind than good samaritan). Unfortunately he's part of the experiments started in the Fly.

Vincent Price is not in this Fly film since by this time he was under contract to another studio. However, I found this film to be better than its reputation. The Delambres, despite what has happened in the two previous films, have continued to experiment with the teleporter. The result has been more subtle but just has horrific. Now the Delambres are a family with various physical and mental ailments that are in danger of disintegration if an answer cannot be found. Oddly enough, after all the tragedy, they still think the answer to their troubles is the the teleporter. Many people don't like this film because it is quite a departure from the first two, but I think that is its strength.

The production code may not be dead at this point, but it is on life support. Plus this film was made in the UK and not subject to the old production code anyways. Probably worth a look if you liked the first two.

Curse of the Fly may well be a surprise to you, as it was to me. Expecting some typically cheap, cheesy '60s B Horror film, I instead found a film that captured my attention with a better than average storyline, good acting, interesting, if dated, theories on teleportation, and some rather subtle humor. Burt Kwouk, who played the Chinese houseboy "Kato" in the Pink Panther films to Peter Sellers' Inspector Clouseau, and who seemed to be forever perpetrating sneak attacks on Clouseau, likewise turns up in this film as a Chinese houseboy, sans the martial arts bits. This time however, Kwouk is named "Tai". Yvette Rees, who plays the Chinese house'girl', as it were, is named "Wan". Tai and Wan? Taiwan?

Somebody obviously had a lot of fun writing the screenplay.

The opening scene, featuring the beautiful Carole Gray as Patricia Stanley escaping from a mental institution in her underwear as the opening credits roll, is one of the oddest introductory scenes to be seen in a film of this genre. Absolutely recommended for all fans of horror, suspense, '60s b&w's, camp, and films featuring unintentional humor

A strange sequel in which doesn' appear the fly , being developed weird incidents about the amazing effects of the teletransportation . Concerning Dalambre father : Brian Donlevy , an obstinate scientist going on experiments around the experimental teleportation by means a device , being helped by his son Martin Delambre : George Baker . The latter decides to take a wife : Carole Gray who results to have escaped from a mental hospital where was locked . Along the way , Police inspectors are investigating the bizarre happenings. The Horror is Back ! All New and more horrific than before ! Piece by Piece.. Atom by Atom.. Humans invisibly teleported through Time and Space !!! What made Them half-human creatures from the 4th Dimension ?

A thrilling and terrifying film with chills , intrigue , suspense , astonishing transformations and fantasic scenes. It is a shocking horror movie , campy but slowly and traditionally made . Although the film is passable as a simple entertainment , as long as it's compared with the two previous entries and nothing to do with The Fly I and Return of the Fly . Focusing on science risks more than the Fly issue . That's why this Curse of the Fly is a perfect example of the dangers of attempting to control and exploit nature . The picture was professional but regularly directed by Don Sharp . He was a good British craftsman who directed all kinds of genres, thrillers , adventures , suspense , Fantasy , Sci-Fi , Terror , such as : "The Kiss of the Vampire , The Face of Fumanchu, The Brides of Fumanchu, Rocket to the Moon , Psychomania , Callan , Hennessy , The Four Feathers , The Thirty-Nine Steps, Bear Island , Secrets of the Phantoms Caverns" .

This is the third part of "Fly Trilogy" , the first : "The Fly 1958" by Kurt Neumann with David Hedison , Patricia Owens , Vincent Price , Herbert Marshall. "Return of the Fly 1959" by Edward L Bernds with Vincent Price, Brett Hasley , John Sutton . "Curse of the Fly 1965" with Brian Donlevy , Carole Gray , George Baker and Burt Kwouk of Pink Panther series. Furthermore , modern retelling "The Fly 1986" by David Cronemberg with Jeff Godblum , Geena Davis , John Getz and "The Fly 2 1988" by Chris Wallas with Eric Stolz , Daphne Zuñiga , John Getz , Lee Richardson.

1965's "Curse of the Fly" was a Robert L. Lippert production from the same team responsible for Lon Chaney's 1964 "Witchcraft," a genuinely well crafted script by Harry Spalding directed with real flair by Don Sharp following his Hammer entries "The Kiss of the Vampire" and "The Devil-Ship Pirates," and soon to kick off Christopher Lee's Fu Manchu series. The lack of a similar human creature with fly head may have contributed to its relative failure, at the box office as well as audience interest, but it turns out to be a return to the increased human drama that was such a standout feature of Kurt Neumann's 1958 original, kicking off with a striking opening in slow motion, shattered glass emerging from the broken window of a mental institution and the escape of Carole Gray's Patricia Stanley clad only in her underwear. Running down the dark road in full view of motorists, it's not long before George Baker's Martin Delambre picks her up and takes her to Montreal, a whirlwind romance resulting in a quickie marriage before returning to the country estate owned by his father Henri (top billed Brian Donlevy). Husband and wife also happen to be keeping secrets from each other, she a concert pianist who suffered a nervous breakdown at the sudden death of her demanding mother, he and his London brother Albert (Michael Graham) the offspring of the former Philippe from "Return of the Fly," the renamed Henri now an elderly man more obsessed than ever in continuing the teleportation methods begun by his late father, two lab assistants plus Martin's first wife all failed monstrosities locked away in outdoor cells. Henri's once happy ending in the second sequel was merely temporary, the fly genes making their presence felt by their relatively brief lifespans, Martin suffering from a condition of rapid aging requiring an injection of a special serum to keep him alive, a fate the normal Albert was fortunately spared. Patricia sees her disfigured predecessor playing piano in the middle of the night, wonders if she's losing her sanity all over again, Henri dissuading Martin from revealing the terrible truth to the new arrival until his love for her forces his hand. With the police investigation tightening like a noose around their necks, Henri has his staff set out to destroy every trace of evidence, but after two subjects are reintegrated together into one formless, inhuman blob, Albert takes matters into his own hands to cut off their London destination. Those who dismiss this sequel for its British origins must take into account the Canadian setting for all three titles, a long neglected gem for viewers who had little opportunity to see it. The role of Henri was written for Claude Rains, Brian Donlevy a weak substitute on wobbly alcoholic legs, ten years after his forceful rendition of Nigel Kneale's Quatermass in both "The Quatermass Xperiment" and "Quatermass 2," while returning from "Witchcraft" is the witch herself, Yvette Rees, a Barbara Steele lookalike here made up in stereotypical Asian as Wan, wife of Burt Kwouk's Tai (Tai-Wan?), her mission to terrorize the second wife in defense of the first.