In Harm's Way

"I wish to have no connection with any ship that does not go fast; for I intend to go in harm's way." - John Paul Jones

Early in the film, Rock Torrey (John Wayne) and his exec, Commander Eddington (Kirk Douglas) observe a new heavy cruiser sail from Pearl Harbor to join the fleet, and Wayne's next line contains the movie's title: "A fast ship going in harm's way!" This film is about exactly that - fast ships and men going in harm's way! "In Harm's Way" is about decisiveness when under pressure, about thinking fast on one's feet, with no regrets.

The scene in CINCPAC's private study right after CAPT Rock Torrey (Wayne) is promoted to Rear Admiral is a memorable one. CINCPAC (Henry Fonda) is rightfully impatient with Admiral Broderick (Dana Andrews), who is egotistical, but unwilling to decide to attack, much like Civil War Union General McClellan. CINCPAC recalls that Lincoln brought in a hard-nosed general named Grant who didn't care less about organization, he just pointed his battalions in the right direction, and he charged the enemy. The whole theme of the film is contained in CINCPAC's next line to Rock Torrey:

"You're gonna be my Grant!"

I also noticed that Director Otto Preminger briefly revisits his theme of an informant-plant as an in-house bad guy, a theme he covered more extensively with Peter Graves as the Nazi barracks spy in "Stalog 17".

The characters all have flaws, but each one rises to the occasion when the war calls on them to give their best. Rock Torrey does not waste a second driving straight into battle, no matter how impossible the odds! This is the classic stuff of Hollywood Magic and also of inspiration! Buy this DVD! There is inspiration in this old film, and as with the good old Duke, the actors capture all the best things about taking brave risks and decisive action when in harm's way.

On any level you want, "In Harm's Way" delivers!

In Harm's Way is a film that is historically important in the career of its star, John Wayne, for two reasons. First, it marked his last appearance in a Black and White film, and second, it was his last film before undergoing surgery for lung cancer. It also marks Wayne's first of three films with Kirk Douglas, and his only film with director Otto Preminger.

As for the film itself, it is a character-driven story with the World War II setting used as a backdrop. Like other Preminger pictures of the time (Exodus, Advise and Consent) it has a big-name cast and an "epic" feel. Watch for Henry Fonda in a small part as Admiral Nimitz (referred to as "CINCPAC II"). Wayne plays Rockwell Torrey, a naval officer blamed for the Pearl Harbor disaster, and demoted. But Nimitz (Fonda) knows that Torrey is a good commander, and when timorous politician-turned-Admiral Broderick (Dana Andrews) botches a key operation, Nimitz turns control over to Torrey, giving him a second chance.

On the personal side, Torrey tries to help his second-in-command, Paul Eddington (Kirk Douglas), who, as they say, is going through some personal problems of his own. Torrey also tries to repair his relationship with his estranged son Jeremiah (Brandon De Wilde), and finds time to conduct a "twilight romance" with nurse Lieutenant Maggie Haynes (Patricia Neal).

Two scenes in particular make this film stand out. The first occurs when Wayne and Neal are alone together in his apartment, the night before she is about to be shipped out. I won't spoil it for anyone, but let me say that it is a classic example of how a scene can ooze with "sex" without actually "showing" a single thing. It's a perfect example of how this kind of scene can be handled tastefully and professionally. It's called class, folks, and it is apparently something that modern Hollywood cannot or will not understand. The second is a discussion on cowardice between Wayne and Burgess Meredith as the fleet is preparing to meet the Japanese in battle. Once again, I won't spoil it, but it a memorable and classic scene, the quote that I have used to head my review is delivered by Wayne during it.

While In Harm's Way may, at first, seem to be simply a film about the politics of Navy hierarchy, it is really a film about the personal lives and struggles of the men and women of World War II.

John Wayne spent much of his later career foolishly playing much younger characters (e.g. "McQ" or "Brannigan") or indulging in clearly conscious self-parodies such as "True Grit." Most of his roles in the 60s and 70s were unworthy of his talents, but in 1964 he turned in one of his finest performances in Otto Preminger's "In Harms Way." His portrayal of Captain (later Rear Admiral) Rockwell Torrey saves an elaborate war film and shows that the Duke was a very capable actor.

Wayne will always be remembered as an action hero - riding, brawling, and shooting his way across the screen, stopping now and then for a drink or, less often, a kiss. But in this film, there are no horses, his one brawl is verbal, and he doesn't even carry a gun. Shorn of his usual props and plot devices, Wayne has no choice but to act and he delivers an extremely effective performance. He commands, he counsels, and in his own understated way, he loves. The picture's soap opera structure actually works to his advantage, giving him many opportunities to show different sides of his character's personality and to interact with almost every other performer in the film.

The rest of the huge cast is generally strong. Patricia Neal is fine as Wayne's romantic interest, playing a nurse who, as she says, is not a lady; Kirk Douglas is a bit overbearing at times as his exec, but then the role calls for it; Dana Andrews has one of his few good mature roles as the overly cautious Admiral Broderick. Everyone is up to the task but it's Wayne who carries the picture.

"In Harm's Way" is a heavily fictionalized account of the attack on Pearl Harbor and the subsequent campaign to take and hold Guadalcanal. Although the story owes more to the source novel than to real history, the tone of the film reasonably reflects the anxieties and uncertainties the Navy faced during the first year of the Pacific War.

War, it is often said, brings out the best and the worst in man... Stanley Kubrick clearly considered 'Path of Glory' as an effective comment on men exposed to repulsive circumstances…

The threatening morning of December 7, 1941—a quiet Sunday—is shattered by waves of Japanese planes bombing U.S Navy's base at Pearl Harbor, Hawaii, sending all its battleships to the bottom of the ocean... The scene is taken in brief, with few shots of airplanes and some explosions in the ocean...

Among the few ships that escape, in one piece, is the destroyer Cassidy protected by Lieutenant William McConnel(Tom Tryon).

Out on patrol, in high seas, a cruiser, commanded by Captain Torrey Rockwell (John Wayne), is having gunnery practice... It is this ship that serves as temporary operational headquarters for the survivors of the aerial attack...

In the aftermath of the surprise military strike, Torrey receives orders to amass his small fleet of warships and engage the enemy…

Photographed in black and white, the film has several characters, most of them very mature and realistic...

Paul Eddington (Kirk Douglas), a commander whose drunken wife (Barbara Bouchet) has committed adultery with a pilot (Hugh O'Brien). He relieves his anger by brutally raping a young nurse (Jill Haworth), and later, to save from being a total failure, defies orders by flying a reconnaissance plane and takes off alone to situate the hidden Japanese fleet in a very hazardous mission...

Egan Powell (Burgess Meredith), a sardonic wartime officer and a peacetime script writer who gives moments of sane observation, specially in a scene with Wayne discussing danger...

Patricia Neal, a mature and understanding Navy nurse who loves Captain Torrey and informs him that his son from whom he hasn't seen since for many years, is a naval officer on the island...

Brandon De Wilde is Jere, the young opportunist hoping to keep out of the way his PT boat assignment by leading a soft staff job… Henry Fonda is the admiral in command of the Pacific theater; Dana Andrews is the weak Admiral Broderick and Patrick O'Neal is a well-connected congressman-turned-officer Cmdr. Neal Owynn...

No, I didn't go to see Pearl Harbor this weekend. I stayed at home and watch my new DVD of In Harm's Way. The DVD cover is quite misleading. It sports a color photo of Wayne and Douglas, but the film is black and white. Their smiles would indicate a comedy.

Like From Here to Eternity, the human drama is set against the Pearl Harbor attack. Unlike, From Here to Eternity, the attack starts the film. And what a drama it is! Romance, infedelity, poor father/son relationship, honor, courage, rape, suicide. Never maudlin or schmaltzy, the performances are excellent, but low key. Back in 1965, taking the time to develop character was the norm, so to most young people, this movie would seem slow. Pity.

The battles scene are very good and the cinematography was Oscar nominated. There are some really breathtaking black and white high angel long shots of Hawaii with leaning palm trees and dark skies filled with billowing clouds.

And the cast! Your face will light up with every new character that appears. George Kennedy, Stanley Holloway, Hugh O' Brien, Dana Andrews, Bruce Cabot.