The Reward

When you saw his first movie, in France, LES DIMANCHES DE VILLE D'AVRAY, and you watch this film, it is very hard to compare and say that the director is the same. Poor man, I think this topic, this story was definitely not for him. The film had a great potential, yes, but not for such a sensitive director, no matter he is French or not, that's not the point. The directing is tasteless and could have been monitored by anyone in Hollywood. I would have preferred him to direct a true drama, or why not a film noir....Not a western....imagine Jean Luc Goddard making a peplum or a science fiction movie?

Down on his luck pilot Max Von Sydow crashes into a water tower in Mexico and the damage is considerable. But when he spots wanted fugitive Efrem Zimbalist, Jr. with girlfriend Yvette Mimieux headed out of town he reports same to police chief Gilbert Roland. That $50,000.00 muerto o vive will more than take care of his debts. Roland also sees a way out of this backwater he's been assigned to as a federale.

Roland puts together a posse which takes them into the desert before they catch up with Zimbalist and Mimieux. Made up of some of Alfonso Bedoya's bunch from Treasure Of The Sierra Madre by the look of them. Roland and Von Sydow don't tell them about the big reward and Mimieux along for the ride is also lots of distraction.

This could have been a much better film, but the pace is excruciatingly dull. A little too much philosophizing by the main characters as well, more action was required.

For fans of the principal players only.

I have seen two different versions of this "Mexican" film on the Fox Movie Channel (or its on demand version). The first time was the 1.33 version with no subtitles. While it's true that most of the Norte Americano characters (which in this case includes Von Sydow whose accent is very slight--he was reputed to have intentionally learned a mid-Atlantic version of English) have a limited or non-existent command of Spanish, you can't really understand what is going on without subtitles. The novel on which it is based notes that the Americans do not always understand what is going on but the dialog is in "English" anyway. A kind of stilted way of talking which suggests a translation. Also the Mexicans are really Indians except for the police chief who has been exiled from the big city and wants to get back. Even he might not understand what the Indians are saying among themselves. The second time I saw this film (on Fox Film channel, May 2016) it now had English subs and was letterboxed at 1.85 (though the opening title sequence clearly shows that this was a full Cinemascope frame originally!). I'd like to see this in HD (we don't get that for the Fox movie channel here) and a proper Cinemascope ratio. (TCM please) I would also recommend Michael Barrett's novel for richer detail which is hinted at in the film.

Another reviewer compared this film to "Treasure of the Sierra Madre". You could say that it falls into a certain subgenre which I call "a Mexican" like the Wild Bunch and other westerns or several film noirs that take place mostly in Mexico or a goodly number of other films and books which highlight our neighbor south as a place of danger, corruption, illicit behavior, serious crime, poverty, untold wealth, a place of refuge for those fleeing the law, etc. Mexico itself has had a first-class film industry which has had its ups and downs. Mexican noirs of the 40s and 50s are every bit as good as the Hollywood versions and laden with less censorship to boot!

I agree with another reviewer that there may have been more footage that didn't make it into the final cut which would have made elements of the story clearer. Certainly the ending is very abrupt. In any case this is a film that should be given the restoration treatment. Were it to happen it would probably have a much greater reputation. Perhaps the person who was in charge of production at the studio during the film who contributed some information in another review could tell us more about the process that led to its release. Maybe Von Sydow remembers something as well.

Worth seeing!

This is a great movie. Part of it was filmed at Old Tucson Studios in Tucson, AZ. I note that it wasn't mentioned. I was the Executive Production Manager for Old Tucson during the making of this film. I still have a picture I took of E. G. Marshal and Kathleen Quinlan. It was the first time (I believe) that Max Von Sydow worked in the USA. I assisted them in their Locations, hotels, etc. while they were here. We had a great time making this film. They allowed the tourist's to come on set as long as we built a line for them to be behind. They enjoyed the shooting with all the stars working right in front of them. I'm looking forward to seeing this movie again once I find it online. I just happened to think about it tonight which is why I'm writing here. Good action film that most all should enjoy.

Max van Sydow and Yvette Mimieux in a western? With Efrem Zimbalist? What were they thinking? Even the presence of Emilio Fernandez (the great Mapache from "The Wild Bunch"), Gilbert Roland, and Henry Silva can't rescue this strange re-make of "The Treasure of the Sierra Madre".

The story itself is not so bad and with different actors and a different director it might have been better. Director Serge Bourguignon is a Frenchman best known for "Sundays and Cybele" and "Two Weeks in September", not exactly the kinds of films that you think of when looking at someone to work in the Western genre.

When you think of the good westerns made in the mid 60s ("Ride the High Country", "Man Who Shot Liberty Valance", "A Fistful of Dollars". "Cheyenne Autumn", "Cat Ballou", "Shenandoah", "Sons of Katie Elder", "The Wild Bunch") this film pales in comparison.