Nick tries to kill his wife to get her money, but when learning of this, she plans the same for him!Nick tries to kill his wife to get her money, but when learning of this, she plans the same for him!Nick tries to kill his wife to get her money, but when learning of this, she plans the same for him!
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A comedy that will never get old (despite the presence of Zsa Zsa Gabor)
I think that Zsa Zsa Gabor looked old even when she was a teenager. Next year, in 2017, she will be 100 years old and nobody can call her a spinster, having to her credit only...nine marriages. About her talent as an actress, let us not pronounce, never. It's good that she went into the orbit with that rocket, at least in this film... The fact is that she landed in 77 productions, including this. Tony Curtis is more seductive and charming than ever. Rosanna Schiaffino, the beauty from "Simón Bolívar"(1969) and "The Long Ships"(1964), is beautiful here too. The subject? Well, I was thinking myself to marry a very old and filthy rich woman, ideally an Englishwoman, the kind which does not know anything except to say: "You're rude!" This film is absolutely delicious. The scene when Zsa Zsa Gabor(Gigi) is nagging Tony Curtis (Nick Johnson) under the sea is enchanting, and the same is the one in which Fenella Fielding(also Fenella in the film)is jumping with the horse into the abyss. Excellent!
Better if it were a little less cartoony.
Tony Curtis is Nick Johnson, a man who's made his living marrying rich women. His first two wives conveniently ended up getting killed and now he's looking for rich wife number three. However, this Italian beauty might be a problem...she's been doing the same! Now, you aren't sure who is going to survive...if either of them! And, if this isn't enough....Nick has a jealous girlfriend (Nancy Kwan) who shows up the day of his third wedding!
Much of the story is told through flashback scenes...some of which work very well and some of which make you cringe because they are so cheesy and kooky. It seems the filmmakers didn't quite strike the proper balance between story and silly interludes...something which worked out perfectly in one of Curtis' other films of the era, "The Great Race" (1965). Now I am not saying that "Arrivederci, Baby" is a bad film....just that it had some serious flaws which prevented it from being a lot better. In its final form, it's modestly interesting but also occasionally annoying...and still worth seeing if you can handle these moments.
Much of the story is told through flashback scenes...some of which work very well and some of which make you cringe because they are so cheesy and kooky. It seems the filmmakers didn't quite strike the proper balance between story and silly interludes...something which worked out perfectly in one of Curtis' other films of the era, "The Great Race" (1965). Now I am not saying that "Arrivederci, Baby" is a bad film....just that it had some serious flaws which prevented it from being a lot better. In its final form, it's modestly interesting but also occasionally annoying...and still worth seeing if you can handle these moments.
Fenella
I remember seeing this movie on afternoon on TV in the early 80's. It took a while to figure out what was going on as the plot goes from present to past.
I must admit as much as the movie was light hearted and had it's funny moments, I found it quite disturbing as the main character goes around killing beautiful woman for no better reason then to get their money.
The most disturbing to me was the demise of Lady Fenella. She did nothing annoying to her new spouse, outside of being an active woman. As she would come on to her new man He seemed to become more and more annoyed and angry until his plot to kill her.
A few good lines in the movie were from Zsa Zsa, actually one of her best roles as she made fun of herself. She was asked why she divorced her last husband for which she replied "I needed the closet space" and the other one, after her constant talking said, "if you don't get me out of her I'll never speak to you again"
So all in all not a bad pic, but still disturbing
I must admit as much as the movie was light hearted and had it's funny moments, I found it quite disturbing as the main character goes around killing beautiful woman for no better reason then to get their money.
The most disturbing to me was the demise of Lady Fenella. She did nothing annoying to her new spouse, outside of being an active woman. As she would come on to her new man He seemed to become more and more annoyed and angry until his plot to kill her.
A few good lines in the movie were from Zsa Zsa, actually one of her best roles as she made fun of herself. She was asked why she divorced her last husband for which she replied "I needed the closet space" and the other one, after her constant talking said, "if you don't get me out of her I'll never speak to you again"
So all in all not a bad pic, but still disturbing
The Ladykiller
Saw 'Drop Dead Darling' as part of my Tony Curtis completest quest after being recommended many of his films here in the recommended for you section. It was not something that was intended initially but actually it has proven to be a generally worthwhile experience, even with a couple of missteps.
While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover and premise (haven't admittedly read the source material) were great and the cast is a talented one, have always liked Lionel Jeffries in particular.
'Drop Dead Darling' turned out to be watchable with enough strengths to keep it afloat, but it did disappoint and could have been much better.
The cast is its main selling point and the best thing about it. Curtis exudes both charm and creepiness in a despicable "Bluebeard" sort of role, with enough to him to make it easy to see what others see in him, one doesn't associate with him. Rosanna Schiaffino is an alluring presence and is no slouch in the acting stakes. Jeffries could have had more to do but makes much of what he has. Zsa Zsa Gabor, in briefly but one of her better performances actually, and Anna Quayle bring some welcome very funny light-heartedness, especially Quayle.
Other than those two's scenes, the other highlight is the tense chemistry between Curtis and Schiaffino, followed by the croquet match. There are enough moments of amusement, especially in the first half. 'Drop Dead Darling' looks good, with beauty and atmosphere in the way it's shot.
However, 'Drop Dead Darling' fares less good in the darker elements, where there is not enough tension or suspense let alone creepiness or surprises. It feels bland and sometimes tasteless, and some of the final act is aimless. Tonally the film feels muddled, mixing light hearted comedy with a dark undercurrent that jars too much and makes it all rather mean-spirited. The comedic scenes fare better but are similarly uneven and could have been more. While the cast are more than game, Nancy Kwan has practically nothing to do and makes no impression at all.
Found the script weak in spots, with some clumsy attempts at breaking the fourth wall. The direction is workmanlike at best with no real distinction or inspiration. The music does its job alright on its own, but it's also somewhat forgettable and didn't seem to fit particularly well or be harmonious with the film's tone. The pace can be dreary in the latter stages.
In summation, not bad but nothing special. The cast and some good scenes make it watchable, it's just let down by most of everything else. 5/10 Bethany Cox
While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover and premise (haven't admittedly read the source material) were great and the cast is a talented one, have always liked Lionel Jeffries in particular.
'Drop Dead Darling' turned out to be watchable with enough strengths to keep it afloat, but it did disappoint and could have been much better.
The cast is its main selling point and the best thing about it. Curtis exudes both charm and creepiness in a despicable "Bluebeard" sort of role, with enough to him to make it easy to see what others see in him, one doesn't associate with him. Rosanna Schiaffino is an alluring presence and is no slouch in the acting stakes. Jeffries could have had more to do but makes much of what he has. Zsa Zsa Gabor, in briefly but one of her better performances actually, and Anna Quayle bring some welcome very funny light-heartedness, especially Quayle.
Other than those two's scenes, the other highlight is the tense chemistry between Curtis and Schiaffino, followed by the croquet match. There are enough moments of amusement, especially in the first half. 'Drop Dead Darling' looks good, with beauty and atmosphere in the way it's shot.
However, 'Drop Dead Darling' fares less good in the darker elements, where there is not enough tension or suspense let alone creepiness or surprises. It feels bland and sometimes tasteless, and some of the final act is aimless. Tonally the film feels muddled, mixing light hearted comedy with a dark undercurrent that jars too much and makes it all rather mean-spirited. The comedic scenes fare better but are similarly uneven and could have been more. While the cast are more than game, Nancy Kwan has practically nothing to do and makes no impression at all.
Found the script weak in spots, with some clumsy attempts at breaking the fourth wall. The direction is workmanlike at best with no real distinction or inspiration. The music does its job alright on its own, but it's also somewhat forgettable and didn't seem to fit particularly well or be harmonious with the film's tone. The pace can be dreary in the latter stages.
In summation, not bad but nothing special. The cast and some good scenes make it watchable, it's just let down by most of everything else. 5/10 Bethany Cox
Very Funny Farcical View of Marriagr
Tony Curtis marries women for their money then kills them. But then he marries a beautiful Italian woman who does the same for her husband. Who will wind up on top?
Most negative reviews focus on how the man kills his wives but neglect the culpability of the woman. Figures. It's the sort of sexual discrimination we've been fighting all these years. Ignore the bigots who have one standard for men and another for women and have a blast.
The movie is actually hilarious. And Curtis has no shame. Early on, describing his life, he plays a little boy in short trousers. He's a delight.
His victims include Anna Quayle and Fenella Fielding, both known for their comedy work; and Zsa Zsa Gabor, who is eventually the funniest.
The primary scene-stealer, of course, as usual, is Curtis's manservant, played by Lionel Jeffries.
Lots of taboo subjects were being explored at the time this movie was made, particularly respect for death. "The Assassination Bureau" with Oliver Reed and Diana Rigg, and Sid Caesar's "The Busy Body" also fall into this territory. And, what may be my favorite movie of all time, "The Wrong Box" with Michael Caine.
The fact is, for the open-minded, who can laugh heartily at death, this movie is hilarious right up to the final scene, which leaves a bad taste in the mouth. Every time I watch it I skip that part
It's one of Tony Curtis' most successful comedies, counting laughs per capita.
Most negative reviews focus on how the man kills his wives but neglect the culpability of the woman. Figures. It's the sort of sexual discrimination we've been fighting all these years. Ignore the bigots who have one standard for men and another for women and have a blast.
The movie is actually hilarious. And Curtis has no shame. Early on, describing his life, he plays a little boy in short trousers. He's a delight.
His victims include Anna Quayle and Fenella Fielding, both known for their comedy work; and Zsa Zsa Gabor, who is eventually the funniest.
The primary scene-stealer, of course, as usual, is Curtis's manservant, played by Lionel Jeffries.
Lots of taboo subjects were being explored at the time this movie was made, particularly respect for death. "The Assassination Bureau" with Oliver Reed and Diana Rigg, and Sid Caesar's "The Busy Body" also fall into this territory. And, what may be my favorite movie of all time, "The Wrong Box" with Michael Caine.
The fact is, for the open-minded, who can laugh heartily at death, this movie is hilarious right up to the final scene, which leaves a bad taste in the mouth. Every time I watch it I skip that part
It's one of Tony Curtis' most successful comedies, counting laughs per capita.
Did you know
- TriviaLionel Jeffries, Anna Quayle, Monti DeLyle, and Bernard Spear would all again appear in the movie Chitty Chitty Bang Bang (1968).
- ConnectionsReferenced in Chitty Chitty Bang Bang (1968)
- How long is Arrivederci, Baby!?Powered by Alexa
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- Arrivederci Baby
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- 1h 40m(100 min)
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- 2.35 : 1
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