Carnaby, M.D.

Doctor in the House was released in 1954 and promptly became the start of a franchise of Brit comedy films. The quality and standard of each film, a total of seven, varies and will always be a subject of debate among fans. Clover, the 6th offering, isn't particularly great, and minus series regular Dirk Bogarde, it is often painted as the runt of the litter. Yet there are some strengths worthy of time spent with the pic to save it from sequel damnation.

Leslie Phillips fronts up as the focal point, he's a randy doctor who as he attempts to go about his fanciful Lothario ways, becomes acutely aware of his advancing years, cue his attempts at looking young. James Robertson Justice is still on hand as the boisterous Sir Lancelot Spratt, while Joan Sims, Fenella Fielding, Arthur Haynes, Shirley Anne Field and John Fraser are filing in for some daft medical shenanigans.

It's a bit "Carry On" lite, at times feeling like it's trying to be more risqué than is possible. Yet Fielding and Haynes are super as strong personality patients, Phillips carries the movie with ease, while Justice cuts lose from the gruff persona - to see him have fun courtesy of a dubious serum plot line. Nobody's idea of a British classic, for sure, but fun enough with a G&T on a Sunday afternoon. 6/10

By this time the Doctor films were using the Carry-On scripts. It's all very familiar and features a lot of Carry-On regulars, including Terry Scott as a gay hairdresser. The series had also lost the edge of the original Bogarde films, this being very much more slapstick. It's nice to see Robertson Justice reprising his role, but his character has now become a parady figure of fun. The popular "swinging sixties" element gets into the film here as there is references to Carnaby Street and girls in mini-skirts, coupled with a repetitive pop tune of the era. Leslie Phillips is good though and settles into the role of a charming, but bungling cad with ease. I would like to know why during the end credits the film suddenly goes into rewind. It strikes me as very odd.

Interestingly, this film is also known as "Carnaby M. D." without any of the characters actually bearing that name. What we do have, though, are the gently comedic hospital antics of "Gaston Grimsdike" (Leslie Philiips) as he attempts to woo nurse "Bancroft" (Shirley Anne Field) whilst simultaneously fixing up his imperious boss "Sir Lancelot Spratt" (James Robertson Justice) with the rather matronly Joan Sims. This film is too long, the jokes are predictable but amusing enough, and the scenarios recycle themselves once too often so after half an hour it is pretty indistinguishable from the other "Doctor" movies. That said, though, the story is still quite engaging in a light and fluffy, harmless, sort of fashion with the women frequently getting the better of the men folks. Probably never a film you would want to watch more than once, but emblematic of the humour that prevailed at the time and as a piece of cinema nostalgia, you could do much worse.

Crassly retitled 'Carnaby, M.D.' in the United States; with a couple of songs by Kiki Dee to bring Richard Gordon's creation into the swinging sixties. With Leslie Phillips in the lead the slide of the Doctor films into another 'Carry On' series was complete.

When I first saw this movie in 1976 I was very impressed by the actor who played Tarquin Wendover and was shocked to learn he died the same year it was released (the stay in hospital presumably hadn't done him any good). That marked my introduction to Arthur Haynes; whose presence in this otherwise thoroughly unnecessary film justifies it's existence.

After a stint as a prison doctor, Leslie Phillips returns to eying the lovely nurses under the watchful eye of James Robertson Justice, and the disapproving eye of the new head matron, Joan Sims. Besides lusting after the gorgeous Elizabeth Ercy -- she insists at 36, he's too old -- he hopes to be promoted to take the place of a departing senior staff. So does his cousin, John Fraser.

The sixth of the series that began with DOCTOR IN THE HOUSE shows signs of flagging with its episodic nature and broader comedy. In any case, there are some pleasant smiles available, a cast of comedy professionals that includes half of the regular players of the Carry On films, and it's always fun to watch Justice perform his signature role of Sir Lancelot Sprat.