Don't Worry, We'll Think of a Title

Writer / Producer Morey Amsterdam attempts to spoof the spy film genre. The style is very similar to "Get Smart", but not nearly as well-written. Most of the jokes fall flat. The endless stream of cameos a la "Mad Mad World" is occasionally amusing, but not enough to save this film.

This was obviously made on the cheap -- most of the action is confined to a bookstore, and there are only about 3 other sets in the entire film.

Morey Amsterdam and Rose Marie were perfect sidekicks on The Dick Van Dyke Show. Their chemistry is one of the reasons that show is such a classic. Unfortunately, they can't carry a film on their own, at least not one as badly written as this. Even their one-liners, of which there are plenty, are pretty lame.

If you think this might be worth a look just for curiosity, especially if you're a Dick Van Dyke Show fan, then do yourself a favor -- skip it.

The (non-)title is a dead giveaway.

This movie is notable for having its cast derived from the old Dick Van Dyke Show. Buddy, Sally, Mel, and Alan, they're all here, only this time they're not funny. We know the actors and actress are good, and their characters are tried and true. All we lack is a script. Don't worry, we'll think up a script after we start shooting.

If you're a fan of '60 sitcoms, this will probably give you a few chuckles. Don't look for much of a plot or decent sets (or even color). Come for the myriad of comedian cameos and stay for the irrepressible Morey Amsterdam. Vaudeville was long dead by 1966 and this film does nothing to disprove that....but it sure gives it one last try. Co-written and produced by Mr. Amsterdam, the film tries to cash in on the recently ended Dick Van Dyke Show's team of Sally Rogers, Mel Cooley and Buddy Sorell. Sadly, the cheesy script replaces them with three hapless diner employees caught up in a Russian espionage caper....or a bizarre attempt at one. Still, Morey's one-liners and Rose Marie's reactions give it just a touch of the old Buddy and Sally. And that makes it worth a look.

I believe this movie represents the last gasp of vaudeville. Shot in beautifully clear black-and-white, on a set that is so obviously a set and not at all realistic, this film presents a stage on which we see the last great vaudeville act for the very last time.

It's all about slapstick physical humor where the victim is hurt only for the length of the shot. It's all about one-liners, where the straight-man responds by making an exasperated face or rolling his or her eyes.

And gimmicks stolen from other acts (e.g. Get Smart) that are familiar to the audience.

And the long pauses between action moments -- giving time for the folks in the back of the theater to realize what just happened and start laughing before the people in front have stopped laughing.

And the walk-on cameos of famous performers to keep the people interested, lest they realize that there is no plot worth caring about.

Apparently many people watched the film (based on the rash of reviews) on its single showing on TCM. Robert Osbourne did not introduce the film, which is regrettable. I really would like to have seen how he characterized this piece of work.

Fans of the The Dick Van Dyke Show (like me) may remember episode 40, "The Secret Life of Buddy and Sally" in which Morey Amsterdam's character and Rose Marie's character create and put on their own show at a club on the weekends. Well, this film is what would happen if Buddy and Sally sneaked off to make a movie on a long weekend, and Mel Cooley (Richard Deacon's character) actually produced and directed it. Vaudeville, filmed in noir, on the cheapest set money could rent.

No offense to any of the terrific veteran actors in the movie -- most of them had great roles elsewhere. But you do need a cup of strong coffee and a curious mind to enjoy what they were attempting in ... whatever its title was.

This movie is about a girl who inherits a bookstore, and the "wacky antics" of her employees. This movie definitely plays on the cold war mentality and fear of espionage of the time, but for laughs. It features some of 1960's television, and 1930's film's greatest stars (Supporting cast of the Dick Van Dyke show, Moe Howard of Three Stooges fame, Milton Berl, Steve Allen, etc...) Chock full of one liners (pretty much the whole movie is set ups for one liners), it takes what would make a 30 minute sitcom hilarious, and makes a 90 minute movie annoying. This movie is really quite goofy. HOWEVER, I really think a kid might find it quite funny...and by kid I mean under 10 yrs.

Seeing all the cameos is a nice trip down nostalgia-lane for the over 40 folks, if you are not interested in a plot, a script, and acting talent.